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September 01 2020
Going Stealth: Transgender Politics and U.S. Surveillance Practices; Performance, Transparency, and the Cultures of Surveillance; Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror
Going Stealth: Transgender Politics and U.S. Surveillance Practices
. By Toby
Beauchamp
. Durham, NC
: Duke University Press
, 2019
; 208 pp.; illustrations. $94.95 cloth, $24.95 paper, e-book available
.Performance, Transparency, and the Cultures of Surveillance
. By James M.
Harding
. Ann Arbor
: University of Michigan Press
, 2018
; 326 pp.; illustrations. $80.00 cloth, $34.95 paper, e-book available
.Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror
. By Saher
Selod
. New Brunswick, NJ
: Rutgers University Press
, 2018
; 174 pp. $120.00 cloth, $31.95 paper, e-book available
.
Elise Morrison
Elise Morrison
Elise Morrison, Assistant Professor of Theater and Performance Studies at Yale University, is the author of Discipline and Desire: Surveillance Technologies in Performance (2016). She is Associate Editor for the International Journal of Performance Art and Digital Media and a TDR Consortium Editor. [email protected]
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Elise Morrison
Elise Morrison, Assistant Professor of Theater and Performance Studies at Yale University, is the author of Discipline and Desire: Surveillance Technologies in Performance (2016). She is Associate Editor for the International Journal of Performance Art and Digital Media and a TDR Consortium Editor. [email protected]
Online ISSN: 1531-4715
Print ISSN: 1054-2043
©2020 New York University and the Massachusetts Institute of Technology
2020
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2020) 64 (3 (247)): 184–188.
Citation
Elise Morrison; Going Stealth: Transgender Politics and U.S. Surveillance Practices; Performance, Transparency, and the Cultures of Surveillance; Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror. TDR/The Drama Review 2020; 64: 3 (247), 184–188. doi: https://doi.org/10.1162/dram_r_00934
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