María Evelia Marmolejo is one of the most important performance artists in the 1980s in Latin America. Her video performance Anónimo 4 (1982) outlines a threefold topography that accounts for performance in conceptual, bodily, and communicative terms, and asks viewers to understand video performance as a virtual aspect of communication and collaboration between performing embodied subjects and performing images and sounds.

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©2020 New York University and the Massachusetts Institute of Technology
2020
New York University and the Massachusetts Institute of Technology
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