Nonmaterial Performance

Condee, William; Rountree, Barry

doi:10.1162/dram_a_00969

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December 01 2020

Nonmaterial Performance

William Condee,

William Condee

William Condee is the J. Richard Hamilton Professor of Humanities at Ohio University. He wrote Coal and Culture: Opera Houses in Appalachia (2005) and Theatrical Space: A Guide for Directors and Designers (1995). He served as Kohei Miura Visiting Professor at Chubu University, and Fulbright Senior Specialist at Leipzig University and University of Malaya. [email protected]

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Barry Rountree

Barry Rountree received his BA in Theater Arts and Drama from Ohio University Honors Tutorial College and his PhD in Computer Science from University of Arizona. He is a computer scientist at the Center for Applied Scientific Computing at Lawrence Livermore National Laboratory. [email protected]

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Author and Article Information

William Condee

William Condee is the J. Richard Hamilton Professor of Humanities at Ohio University. He wrote Coal and Culture: Opera Houses in Appalachia (2005) and Theatrical Space: A Guide for Directors and Designers (1995). He served as Kohei Miura Visiting Professor at Chubu University, and Fulbright Senior Specialist at Leipzig University and University of Malaya. [email protected]

Barry Rountree

Barry Rountree received his BA in Theater Arts and Drama from Ohio University Honors Tutorial College and his PhD in Computer Science from University of Arizona. He is a computer scientist at the Center for Applied Scientific Computing at Lawrence Livermore National Laboratory. [email protected]

Online ISSN: 1531-4715

Print ISSN: 1054-2043

2020

New York University and the Massachusetts Institute of Technology

TDR/The Drama Review (2020) 64 (4 (248)): 147–157.

https://doi.org/10.1162/dram_a_00969

Abstract

Code performs. Nonmaterial Performance (NMP), a framework using performance studies, actor-network theory, and vibrant matter, exposes how codes act in our world. Instead of focusing on the material residue of computation, NMP examines the unseen and imagined performances of code itself.

2020

New York University and the Massachusetts Institute of Technology

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