Abstract
The contemporary dance production shuffleyamamba by Japan-based dancer, choreographer, and filmmaker Yasuko Yokoshi takes inspiration from the medieval noh play Yamamba (Mountain Crone). Drawing from the female-centered focus of the play and the complexity of the yamamba image, Yokoshi, in collaboration with American sound artist Gelsey Bell, weaves together a multifaceted work that celebrates the enduring legacies of dance and female performance.
©2020 New York University and the Massachusetts Institute of Technology
2020
New York University and the Massachusetts Institute of Technology
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