Skip Nav Destination
/2/m_dram.2020.64.issue-4.cover.jpeg?Expires=1698544901&Signature=ZQhDQmAoxv2-HV7jK6kpQHHEofXVkrtm3hGH4DSRwUWMGjoM1wEMUWi2COd9OPPsIMNEMkpVhgKEKXKO45iNgffTW65eL6KRMHl8fM8eLiP2mtiYjtf0d4DFW0Mxyws346vDcCy5-lpncMczvUMFRyyQ6mZejJj~ci~D3Z1isBjKHQPM6dqBZPBl9hyS-ASa~djVmVOBtXrb~tU5wIi5mFJM4~kl6nRSGepLrm0IhcwaPl7R33rlxcNXQ5EVlxybc5TL6cPm9h2RWKKVpOl2IVQGp2qGhhacA7TH2GX6neawLFzGtCdANVC94G-hJmR6zSVbkwTVDQa94czdPcs5Gw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Article navigation
Winter 2020
December 01 2020
The Peyote Dance
The Peyote Dance
. Soundwalk Collective with Patti
Smith
. Brighton, England
: Bella Union
, 2019
. MP3 $7.92, CD $14.98, vinyl $25.98
.
Branislav Jakovljević
Branislav Jakovljević
Branislav Jakovljević is Professor of Theater and Performance Studies at Stanford University. His most recent book in English is Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91 (2016).
Search for other works by this author on:
Branislav Jakovljević
Branislav Jakovljević is Professor of Theater and Performance Studies at Stanford University. His most recent book in English is Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91 (2016).
Online ISSN: 1531-4715
Print ISSN: 1054-2043
©2020 New York University and the Massachusetts Institute of Technology
2020
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2020) 64 (4 (248)): 177–179.
Citation
Branislav Jakovljević; The Peyote Dance. TDR/The Drama Review 2020; 64: 4 (248), 177–179. doi: https://doi.org/10.1162/dram_r_00974
Download citation file:
/10.1162_dram_r_00974/1/dram_r_00974.pdf.gif?Expires=1697860088&Signature=hjdPCvNqTpts8-EP0rTAwNUKTIRGqYmVZlxQm6bGVcOWRrsaTPPhtslXmsUwUAABdU6cgU30SNdcZNDCYINgsXyLWpcQt00xoFnU93cZg4k05D0kOBcU-WuaAzh0AR0rzA7yYdLMivTGjIwSOXBev8-6gk6XtINLQFOe3H54DN2LOik4pGOHjuqiMaau06bvpccGc3qPcgwaJI9Dht72y06~eJKnyDTLlp662XVY64zojD43Bt1cNFibreAS-npXnhI0ED0alCCeBRRreZ5vTO7BdasuyQblpfoIVGuKgtGbdWzMT1wkqSovzM4w2qapBpiHa-USKwhdoA3dcXRtig__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
33
Views
Advertisement
Cited By
Related Articles
Dionysus in Exile: The Theatre of Theodoros Terzopoulos; The Ritual Theatre of Theodoros Terzopoulos
TDR/The Drama Review (December,2020)
Food Fight! Millennial Mestizaje Meets the Culinary Marketplace
TDR/The Drama Review (December,2020)
Ricanness: Enduring Time in Anticolonial Performance
TDR/The Drama Review (December,2020)
Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities
TDR/The Drama Review (December,2020)
Related Book Chapters
III Thinking the Dance: Compu-sitions
Moving without a Body: Digital Philosophy and Choreographic Thoughts
II Remembering the Dance: Mov-objects
Moving without a Body: Digital Philosophy and Choreographic Thoughts
I Imag(in)ing the Dance: Choreo-nexus
Moving without a Body: Digital Philosophy and Choreographic Thoughts
DANCE
The Terror of Evidence