Abstract

In Detroit, an artist reclaims recent history and offers it as an everchanging, large-scale environmental performance where discarded objects—carefully presented—embody memory, anger, and hope.

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Author notes

She is a scholar, poet, lyricist, and librettist. Her research areas include emerging technologies, urban history, and African American theatre, music, performance, and literature. Walters teaches at the Art Center College of Design in Pasadena, CA.