Abstract
Designed to preserve and promote western heritage and culture, the Calgary Exhibition and Stampede has become entwined with, and politically and economically expedient for, Alberta’s oil and gas industry. Performances at the Stampede relieve guilt about the expropriation of Indigenous territory and conquest of the natural world, and produce an affective climate of “crude optimism,” an optimistic attachment to fossil fuel production and consumption despite the brutal realities of extractivism.
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Student Essay Contest Winner
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©2019 New York University and the Massachusetts Institute of Technology
2019
New York University and the Massachusetts Institute of Technology