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Musical Personae

TDR/The Drama Review (2006) 50 (1 (189)): 100–119.
This article has been cited by the following articles in journals that are participating in Crossref Cited-by Linking.
In Concert: Performing Musical Persona. By Philip Auslander. Ann Arbor, MI: University of Michigan Press, 2021. 293 pp. ISBN 9780472054718.
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Popular Music (2022) 41 (1): 122.
ATTENDING TO ATTENDING: PERFORMING AUDIENCE PERSONAE IN CONTEMPORARY MUSIC
  • Charlie Sdraulig
  • Louis d'Heudières
Tempo (2022) 76 (300): 18.
Musical life stories: coherence through musicking in the prison setting
  • Kjetil Hjørnevik
  • Leif Waage
  • Anita Lill Hansen
Crime, Media, Culture: An International Journal 174165902110591.
Groove, Voice, and Mystery: Reflections on Steely Dan Cool
  • John Gennari
Rock Music Studies 1.
‘Scottish people can't rap’: the local and global in Scottish hip-hop
  • Dave Hook
Popular Music (2021) 40 (1): 75.
Popular Song and the Poetics of Experience
  • ROSS COLE
Journal of the Royal Musical Association (2021) 146 (1): 81.
Music, performance, and preservation: insights into documentation strategies for music theatre works
  • Filipa Magalhães
International Journal of Performance Arts and Digital Media 1.
La performance du personnage musical du rappeur dans l’espace audiovisuel : les cas exemplaires d’Ice Cube, de Vince Staples et de Tyler, The Creator
  • Charlotte Gagné-Dumais
Itinéraires (2021) (2020-3)
Re-writing punishment? Songs and narrative problem-solving
  • Phil Crockett Thomas
  • Fergus McNeill
  • Lucy Cathcart Frödén
  • Jo Collinson Scott
  • Oliver Escobar
  • Alison Urie
Incarceration (2021) 2 (1): 263266632110002.
“Very Female, with the Allure of a Foreign Aura”: Vocality, Gender, and European Exoticism in the US Careers of Alice Babs and Caterina Valente
  • Mikkel Vad
Journal of the Society for American Music (2021) 15 (4): 424.
Jacqueline du Pré as 'The Cellist' (2020)
  • Adam Whittaker
Open Library of Humanities (2021) 7 (2)
“I'm Just an Armless Guitarist”: Tony Melendez, Disability, and the Social Construction of Virtuosity
  • DAVID VANDERHAMM
Journal of the Society for American Music (2020) 14 (3): 280.
‘La voz del pueblo y para el pueblo’ Amparo Ochoa’s vocal trajectory: From the Mexican Revolution to the Latin American Cold War
  • Natalia Bieletto-Bueno
Journal of Interdisciplinary Voice Studies (2020) 5 (1): 9.
(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities
  • KAI ARNE HANSEN
Twentieth-Century Music (2019) 16 (3): 501.
Beyond Representation: Relationality and Affect in Musical Practices
  • Josep Martí
Journal of Posthuman Studies (2019) 3 (2): 159.
The prison as a therapeutic music scene: Exploring musical identities in music therapy and everyday life in a prison setting
  • Kjetil Hjørnevik
  • Leif Waage
Punishment & Society (2019) 21 (4): 454.
The projecting of musical and extra-musical elements in constructing choral identity with specific reference to three South African regional children’s choirs
  • Rudi Bower
  • Jan-Erik Swart
Journal of the Musical Arts in Africa (2016) 13 (1-2): 1.
‘And Ziggy played guitar’: Bowie, the market, and the emancipation and resurrection of Ziggy Stardust
  • Andrew Lindridge
  • Toni Eagar
Journal of Marketing Management (2015) 31 (5-6): 546.
Of fabric and fabrication: Lila Downs’ refashioning of transnational music
  • Gema Guevara
Latino Studies (2014) 12 (4): 550.
The Choreographic Interface: Dancing Facial Expression in Hip-Hop and Neo-Burlesque Striptease
  • Sherril Dodds
Dance Research Journal (2014) 46 (2): 39.
Dissecting Transformation: Towards a Biology of Recorded Lute Sound
  • Robin Rolfhamre
Studia Musicologica Norvegica (2014) 40 (1): 43.
Burnt: Writing Torch Singers and Torch Singing
  • Stacy Holman Jones
Cultural Studies ↔ Critical Methodologies (2010) 10 (4): 283.
Singing It the Way She Hears It
  • Stacy Holman Jones
Cultural Studies ↔ Critical Methodologies (2010) 10 (4): 267.
The Ghost in the Machine: Towards a Musicology of Recordings
  • Nicholas Cook
Musicae Scientiae (2010) 14 (2): 3.
Playing with Tradition: Weighing up Similarity and the Buoyancy of the Game
  • Georgia Volioti
Musicae Scientiae (2010) 14 (2): 85.
Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 8
  • Deanna Shoemaker
Cultural Studies ↔ Critical Methodologies (2010) 10 (4): 295.
New Audiences for Classical Music: The Experiences of Non-attenders at Live Orchestral Concerts
  • Melissa C. Dobson
Journal of New Music Research (2010) 39 (2): 111.
Singing “I Will Survive”: Performance as Evolving Relationship
  • Chris McRae
Cultural Studies ↔ Critical Methodologies (2010) 10 (4): 326.
I had a dream: Rose's Turn, musical theatre and the star effigy
  • Jason Fitzgerald
Studies in Musical Theatre (2009) 3 (3): 285.

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