Skip to Main Content

Advertisement

Umbrella Alt Text
Search
Advanced Search
Register
Toggle MenuMenu
Skip Nav Destination

Deadness: Technologies of the Intermundane

TDR/The Drama Review (2010) 54 (1 (205)): 14–38.
This article has been cited by the following articles in journals that are participating in Crossref Cited-by Linking.
33⅓ rpm
  • Jonathan Sterne
Journal of Popular Music Studies (2021) 33 (3): 8.
Tuning sound for infrastructures: artificial intelligence, automation, and the cultural politics of audio mastering
  • Jonathan Sterne
  • Elena Razlogova
Cultural Studies (2021) 35 (4-5): 750.
Sounding the “Spirit of My Silence”
  • Natalie Farrell
Journal of Popular Music Studies (2021) 33 (3): 104.
‘How We Were Never Posthuman’: Technologies of the Embodied Voice in Pamela Z's Voci
  • G. DOUGLAS BARRETT
Twentieth-Century Music 1.
Between Two Funerals: Zombie Temporality and Media Ecology in Japan
  • Alexander Zahlten
positions: asia critique (2021) 29 (2): 291.
Haunthenticity. Musical Replay and the Fear of the Real. By Tracy McMullen. Middletown, CT: Wesleyan University Press, 2019. 224 pp. ISBN 978-0819578532.
  • Alyssa Michaud
Popular Music (2021) 40 (2): 305.
Jennifer Walshe - Jennifer Walshe, A Late Anthology of Early Music vol. 1: Ancient to Renaissance. Bandcamp.
  • George K. Haggett
Tempo (2021) 75 (295): 112.
Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher
  • Alexa Woloshyn
Contemporary Music Review (2020) 39 (2): 206.
Popular Songs, Melodies from the Dead: Moving beyond Historicism with the Buddhist Ethics and Aesthetics of Pin Peat and Cambodian Hip Hop
  • Jeffrey Dyer
Religions (2020) 11 (11): 625.
“Some Stick around 4 the Aftershow”: Reproducing Prince during Public Mourning
  • Suzanne Wint
Popular Music and Society (2020) 43 (3): 337.
Half life: reflections on music, grief, and affectivity
  • Matthew Sumera
Ethnomusicology Forum (2020) 29 (1): 62.
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust
  • Nikita Hock
Transposition (2020) (Hors-série 2)
To sing with another's voice:
  • DANIEL FISHER
American Ethnologist (2019) 46 (1): 34.
Review: International Music Score Library Project (IMSLP)
  • Sophie A. Brady
Journal of the American Musicological Society (2019) 72 (3): 920.
Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century
  • Sergio Ospina Romero
Journal of the American Musicological Society (2019) 72 (1): 1.
Music’s Stubborn Enchantments (and Music Theory’s)
  • Steven Rings
Music Theory Online (2018) 24 (1)
Recasting folk in the Himalayas: Indian music, media and social mobility
  • Richard K. Wolf
Ethnomusicology Forum (2018) 27 (2): 245.
Technologies of Dismemberment: Orpheus, Fascination, and Bulgarian Etnodzhaz
  • Ryan McCormack
TDR/The Drama Review (2017) 61 (1): 99.
Ethnomusicology and the refusal of mastery
  • Chris Tonelli
Sound Studies (2016) 2 (1): 89.
The Limits of Operatic Deadness Bizet, ‘Habanera’ (Carmen),Carmen, Act I
  • Carlo Cenciarelli
Cambridge Opera Journal (2016) 28 (2): 221.
Textured Voices and the Performance of Ethical Life in the Case of the Laff Box (1966)
  • DAVID McCARTHY
Twentieth-Century Music (2016) 13 (1): 109.
Setting live coding performance in wider historical contexts
  • Sally Jane Norman
International Journal of Performance Arts and Digital Media (2016) 12 (2): 117.
Between Aspiration and Apathy: Shifting Scale and the “Worlding” of Indigenous Day of the Dead Music
  • Paja Faudree
Popular Music and Society (2016) 39 (3): 359.
Scarlett Johansson's Body and the Materialization of Voice
  • LAURA TUNBRIDGE
Twentieth-Century Music (2016) 13 (1): 139.
Living in the Immaterial World: Holograms and Spirituality in Recent Popular Music
  • Ken McLeod
Popular Music and Society (2016) 39 (5): 501.
Digital Analogies:
  • Roger Moseley
Journal of the American Musicological Society (2015) 68 (1): 151.
Decomposed: a political ecology of music
  • Kyle Devine
Popular Music (2015) 34 (3): 367.
The Mute Stones Sing: Rigoletto Live from Mantua
  • Christopher Morris
TDR/The Drama Review (2015) 59 (4): 51.
Rhymin’ And Stealin’: Musical Borrowing in Hip-Hop. By Justin A. Williams. Ann Arbor: University of Michigan Press, 2013.
  • Loren Kajikawa
Journal of the Society for American Music (2015) 9 (1): 143.
Connection and Complicity in the Global South: Hip Hop Musicians and US Cultural Diplomacy
  • Kendra Salois
Journal of Popular Music Studies (2015) 27 (4): 408.
Space within Space: Artificial Reverb and the Detachable Echo
  • Jonathan Sterne
Grey Room (2015) 60: 110.
Echoes of the world: spectrality, community and sound inRecuerdos de una mañana
  • Patricia Keller
Journal of Spanish Cultural Studies (2014) 15 (3): 299.
Studying the Lied:
  • Jennifer Ronyak
  • Benjamin Binder
  • Laura Tunbridge
  • Wayne Heisler
  • Kira Thurman
  • Jonathan Dunsby
Journal of the American Musicological Society (2014) 67 (2): 543.
‘The Age of the Golden Ear’:The Columbia World Libraryand Sounding out Post-war Field Recording
  • TOM WESTERN
Twentieth-Century Music (2014) 11 (2): 275.
Nostalgic Zionist Soundscapes: The Future of the Israeli Nation's Sonic Past
Israel Studies (2014) 19 (2): 35.

Advertisement

  • Online ISSN 1531-4715
  • Print ISSN 1054-2043

Books

Journals

US

  • One Broadway, 12th Floor
  • Cambridge, MA 02142

Customer Support

Connect

© 2021 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy.
Accept