Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Vol. 64, Issue 4 (248)
Winter 2020
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

Performance Art Is…
Elliot Reed
TDR/The Drama Review (2020) 64 (4 (248)): 2.
View articletitled, Performance Art Is…
Open the PDF for in another window

In Memory

Remembering Paul Gray, John O’Neal, Jerry Rojo, Andrzej Wirth, and Phillip Zarrilli
Richard Schechner
TDR/The Drama Review (2020) 64 (4 (248)): 7–15.
View articletitled, Remembering Paul Gray, John O’Neal, Jerry Rojo, Andrzej Wirth, and Phillip Zarrilli
Open the PDF for in another window

Articles

Secular Communion in the Coalfields: The Populist Aesthetic and Practice of Roadside Theater
Ben Fink
TDR/The Drama Review (2020) 64 (4 (248)): 16–43.
View articletitled, Secular Communion in the Coalfields: The Populist Aesthetic and Practice of Roadside Theater
Open the PDF for in another window
Double Edge Theatre in Its Ashfield Community: An Interview with Stacy Klein
Richard Schechner
TDR/The Drama Review (2020) 64 (4 (248)): 44–71.
View articletitled, Double Edge Theatre in Its Ashfield Community: An Interview with Stacy Klein
Open the PDF for in another window
Braiding Borders: Performance as Care and Resistance on the US-Mexico Border
Kaitlin M. Murphy
TDR/The Drama Review (2020) 64 (4 (248)): 72–83.
View articletitled, Braiding Borders: Performance as Care and Resistance on the US-Mexico Border
Open the PDF for in another window
Moving Borders and Dancing in Place: Son Jarocho's Speaking Bodies at the Fandango Fronterizo
Jade Power-Sotomayor
TDR/The Drama Review (2020) 64 (4 (248)): 84–107.
View articletitled, Moving Borders and Dancing in Place: Son Jarocho's Speaking Bodies at the Fandango Fronterizo
Open the PDF for in another window
Performing Tlatelolco and the Past That Never Dies: Auxilio: Au secours and El pasado nunca se muere, ni siquiera es pasado
Jacqueline E. Bixler
TDR/The Drama Review (2020) 64 (4 (248)): 108–128.
View articletitled, Performing Tlatelolco and the Past That Never Dies: <em>Auxilio: Au secours</em> and <em>El pasado nunca se muere, ni siquiera es pasado</em>
Open the PDF for in another window
The Threefold Topography of Performance: Drawing, Action, and Video in Maria Evelia Marmolejo's Anónimo 4
Juan Carlos Guerrero-Hernández
TDR/The Drama Review (2020) 64 (4 (248)): 129–146.
View articletitled, The Threefold Topography of Performance: Drawing, Action, and Video in Maria Evelia Marmolejo's <em>Anónimo 4</em>
Open the PDF for in another window
Nonmaterial Performance
William Condee, Barry Rountree
TDR/The Drama Review (2020) 64 (4 (248)): 147–157.
View articletitled, Nonmaterial Performance
Open the PDF for in another window

Critical Acts

Mut zur Wahrheit: Ambiguous Alternatives in Oliver Frljić's GOЯKI—Alternative für Deutschland?
Emily Goodling
TDR/The Drama Review (2020) 64 (4 (248)): 158–172.
View articletitled, Mut zur Wahrheit: Ambiguous Alternatives in Oliver Frljić's <em>GOЯKI</em>—<em>Alternative für Deutschland?</em>
Open the PDF for in another window
The Legacy of the Mountain Witch: Yasuko Yokoshi's shuffleyamamba
Rebecca Copeland
TDR/The Drama Review (2020) 64 (4 (248)): 165–172.
View articletitled, The Legacy of the Mountain Witch: Yasuko Yokoshi's <em>shuffleyamamba</em>
Open the PDF for in another window

Books

Ricanness: Enduring Time in Anticolonial Performance
Jessica N. Pabón-Colón
TDR/The Drama Review (2020) 64 (4 (248)): 173–175.
View articletitled, Ricanness: Enduring Time in Anticolonial Performance
Open the PDF for in another window
Food Fight! Millennial Mestizaje Meets the Culinary Marketplace
Alyshia Gálvez
TDR/The Drama Review (2020) 64 (4 (248)): 175–177.
View articletitled, Food Fight! Millennial Mestizaje Meets the Culinary Marketplace
Open the PDF for in another window
The Peyote Dance
Branislav Jakovljević
TDR/The Drama Review (2020) 64 (4 (248)): 177–179.
View articletitled, The Peyote Dance
Open the PDF for in another window
Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities
Jessica Watkin
TDR/The Drama Review (2020) 64 (4 (248)): 180–182.
View articletitled, Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities
Open the PDF for in another window
Performing Turtle Island: Indigenous Theatre on the World Stage
Sara Pillatzki-Warzeha
TDR/The Drama Review (2020) 64 (4 (248)): 182–184.
View articletitled, Performing Turtle Island: Indigenous Theatre on the World Stage
Open the PDF for in another window
Dionysus in Exile: The Theatre of Theodoros Terzopoulos; The Ritual Theatre of Theodoros Terzopoulos
Aktina Stathaki
TDR/The Drama Review (2020) 64 (4 (248)): 184–187.
View articletitled, Dionysus in Exile: The Theatre of Theodoros Terzopoulos; The Ritual Theatre of Theodoros Terzopoulos
Open the PDF for in another window
More Books
Charles O’Malley
TDR/The Drama Review (2020) 64 (4 (248)): 187–189.
View articletitled, More Books
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2024 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept