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Vol. 42, Issue 2 (158)
Summer 1998
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue
In Memory: Sanjuka Panigrahi
Eucenio Barba
TDR/The Drama Review (1998) 42 (2 (158)): 5–8.
View articletitled, In Memory: Sanjuka Panigrahi
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Striptease: Desire, Mimetic Jeopardy, and Performing Spectators
Katherine Liepe-Levinson
TDR/The Drama Review (1998) 42 (2 (158)): 9–37.
View articletitled, Striptease: Desire, Mimetic Jeopardy, and Performing Spectators
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Undressing the First Amendment and Corsetting the Striptease Dancer
Judith Lynne Hanna
TDR/The Drama Review (1998) 42 (2 (158)): 38–69.
View articletitled, Undressing the First Amendment and Corsetting the Striptease Dancer
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Les Demoiselles d/L.A.: Sacred Naked Nature Girls' Untitled Flesh
Meiling Cheng
TDR/The Drama Review (1998) 42 (2 (158)): 70–97.
View articletitled, Les Demoiselles d/L.A.: Sacred Naked Nature Girls' <em>Untitled Flesh</em>
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Firewalking: A Contemporary Ritual and Transformation
Emily D. Edwards
TDR/The Drama Review (1998) 42 (2 (158)): 98–114.
View articletitled, Firewalking: A Contemporary Ritual and Transformation
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Woman, Man, Dog, Tree: Two Decades of Intimate and Monumental Bodies in Pina Bausch's Tanztheater
Gabrielle Cody
TDR/The Drama Review (1998) 42 (2 (158)): 115–131.
View articletitled, Woman, Man, Dog, Tree: Two Decades of Intimate and Monumental Bodies in Pina Bausch's Tanztheater
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An Event in Space: The Integration of Acting and Design in the Theatre of JoAnne Akalaitis
Deborah Saivetx
TDR/The Drama Review (1998) 42 (2 (158)): 132–156.
View articletitled, An Event in Space: The Integration of Acting and Design in the Theatre of JoAnne Akalaitis
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Program Notes on Pearls for Pigs
Richard Foreman
TDR/The Drama Review (1998) 42 (2 (158)): 157–159.
View articletitled, Program Notes on <em>Pearls for Pigs</em>
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A Savage Performance: Guillermo GÓmez-Peña and Coco Fusco's “Couple in the Cage”
Diana Taylor
TDR/The Drama Review (1998) 42 (2 (158)): 160–180.
View articletitled, A Savage Performance: Guillermo GÓmez-Peña and Coco Fusco's “Couple in the Cage”
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Books

From Acting to Performance: Essays in Modernism and Post-modernism; Unmaking Mimesis: Essays on Feminism and Theater; Mourning Sex: Performing Public Memories
Marvin Carlson
TDR/The Drama Review (1998) 42 (2 (158)): 181–185.
View articletitled, From Acting to Performance: Essays in Modernism and Post-modernism; Unmaking Mimesis: Essays on Feminism and Theater; Mourning Sex: Performing Public Memories
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