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Fall 1998
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ISSN 1054-2043
EISSN 1531-4715
Resistance and Identity: Carnival in Trinidad and Tobago
TDR/The Drama Review (1998) 42 (3 (159)): 7–23.
Origins of Rituals and Customs in the Trinidad Carnival: African or European?
TDR/The Drama Review (1998) 42 (3 (159)): 24–37.
“They Want to See George Band”: Tobago Mas According to George Leacock
TDR/The Drama Review (1998) 42 (3 (159)): 44–53.
The Emancipation-Jouvay Tradition and the Almost Loss of Pan
TDR/The Drama Review (1998) 42 (3 (159)): 54–60.
“We Getting the Kaiso That We Deserve”: Calypso and the World Music Market
TDR/The Drama Review (1998) 42 (3 (159)): 82–95.
The Impotence of Dragons: Playing Devil in the Trinidad Carnival
TDR/The Drama Review (1998) 42 (3 (159)): 108–123.
The Midnight Robber: Master of Metaphor, Baron of Bombast
TDR/The Drama Review (1998) 42 (3 (159)): 124–131.
Jouvay Mornin' with the Merry Darceuils: A Small Neighborhood Band on Carnival Monday
TDR/The Drama Review (1998) 42 (3 (159)): 132–146.
Amerindian Masking in Trinidad's Carnival: The House of Black Elk in San Fernando
TDR/The Drama Review (1998) 42 (3 (159)): 147–169.
Peter Minshall: A Voice to Add to the Song of the Universe
TDR/The Drama Review (1998) 42 (3 (159)): 170–193.
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