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Issues

Vol. 44, Issue 3 (167)
Fall 2000
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

TDR Comment

Post Post-Structuralism?
Richard Schechner
TDR/The Drama Review (2000) 44 (3 (167)): 4–7.
View articletitled, Post Post-Structuralism?
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Letters, Etc.
TDR/The Drama Review (2000) 44 (3 (167)): 8–9.
View articletitled, Letters, Etc.
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Race for Sale: Narratives of Possession in Two “Ethnic” Museums
Patricia Penn Hilden
TDR/The Drama Review (2000) 44 (3 (167)): 11–36.
View articletitled, Race for Sale: Narratives of Possession in Two “Ethnic” Museums
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Slaves to Sculpture: A Response to Patricia Penn Hilden
Carol Thompson
TDR/The Drama Review (2000) 44 (3 (167)): 37–50.
View articletitled, Slaves to Sculpture: A Response to Patricia Penn Hilden
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Welded to the Ladle: Steelbound and Non-Radicality in Community-Based Theatre
Sara Brady
TDR/The Drama Review (2000) 44 (3 (167)): 51–74.
View articletitled, Welded to the Ladle: <em>Steelbound</em> and Non-Radicality in Community-Based Theatre
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Reaching for the Valley of the Sun: The American Festival Project's Untold Stories
Linda Frye Burnham
TDR/The Drama Review (2000) 44 (3 (167)): 75–112.
View articletitled, Reaching for the Valley of the Sun: The American Festival Project's <em>Untold Stories</em>
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Sahmatah: Awakening History
Edward Mast
TDR/The Drama Review (2000) 44 (3 (167)): 113–130.
View articletitled, Sahmatah: Awakening History
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Out of the Fringe? Out of the Closet: Latina/Latino Theatre and Performance in the 1990s
María Teresa Marrero
TDR/The Drama Review (2000) 44 (3 (167)): 131–153.
View articletitled, Out of the Fringe? Out of the Closet: Latina/Latino Theatre and Performance in the 1990s
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Carnival in Galicia Scattered Ants, Whipped Backs, and Hammered Plowshares
Max Harris
TDR/The Drama Review (2000) 44 (3 (167)): 154–170.
View articletitled, Carnival in Galicia Scattered Ants, Whipped Backs, and Hammered Plowshares
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Books

In principio era il corpo: l'Arte del Movimento a Mosca negli anni 20
Karl Toepfer
TDR/The Drama Review (2000) 44 (3 (167)): 171–179.
View articletitled, In principio era il corpo: l'Arte del Movimento a Mosca negli anni 20
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South Asian Dance: The British Experience. Choreography and Dance: An International Journal 4, 2
Joan L. Erdman
TDR/The Drama Review (2000) 44 (3 (167)): 180–183.
View articletitled, South Asian Dance: The British Experience. Choreography and Dance: An International Journal 4, 2
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Demons of Disorder: Early Blackface Minstrels and Their World.; Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy.; Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910.
Thomas DeFrantz
TDR/The Drama Review (2000) 44 (3 (167)): 183–188.
View articletitled, Demons of Disorder: Early Blackface Minstrels and Their World.; Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy.; Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910.
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  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
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