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Issues

Vol. 44, Issue 4 (168)
Winter 2000
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

TDR Comment

Performance As a “Formation of Power and Knowledge”
Richard Schechner
TDR/The Drama Review (2000) 44 (4 (168)): 5–7.
View articletitled, Performance As a “Formation of Power and Knowledge”
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The Biomechanics of Aggression Psychophysiological Conditioning in Ulster's Loyalist Parades
Patrick Tuite
TDR/The Drama Review (2000) 44 (4 (168)): 9–30.
View articletitled, The Biomechanics of Aggression Psychophysiological Conditioning in Ulster's Loyalist Parades
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Re: Blau, Butler, Beckett, and the Politics of Seeming
Elin Diamond
TDR/The Drama Review (2000) 44 (4 (168)): 31–43.
View articletitled, Re: Blau, Butler, Beckett, and the Politics of Seeming
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After Appropriation
Craig Latrell
TDR/The Drama Review (2000) 44 (4 (168)): 44–55.
View articletitled, After Appropriation
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The Deep Order Called Turbulence The Three Faces of Dramaturgy
Eugenio Barba
TDR/The Drama Review (2000) 44 (4 (168)): 56–66.
View articletitled, The Deep Order Called Turbulence The Three Faces of Dramaturgy
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Sexual Spectacles Theatricality and the Performance of Sex in Early Encounters in the Pacific
Christopher B. Balme
TDR/The Drama Review (2000) 44 (4 (168)): 67–85.
View articletitled, Sexual Spectacles Theatricality and the Performance of Sex in Early Encounters in the Pacific
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Power and Problems of Performance across Ethnic Lines, An Alternative Approach to Nontraditional Casting
William H. Sun
TDR/The Drama Review (2000) 44 (4 (168)): 86–95.
View articletitled, Power and Problems of Performance across Ethnic Lines, An Alternative Approach to Nontraditional Casting
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“Reform” at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory
Elizabeth Wichmann-Walczak
TDR/The Drama Review (2000) 44 (4 (168)): 96–119.
View articletitled, “Reform” at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory
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Critical Acts Ensemble

Nomadmedia, On Critical Art Ensemble
Rebecca Schneider
TDR/The Drama Review (2000) 44 (4 (168)): 120–131.
View articletitled, Nomadmedia, On Critical Art Ensemble
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Critical Art Ensemble Timeline
TDR/The Drama Review (2000) 44 (4 (168)): 132–135.
View articletitled, Critical Art Ensemble Timeline
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Critical Art Ensemble, Tactical Media Practitioners
Jon McKenzie, Rebecca Schneider
TDR/The Drama Review (2000) 44 (4 (168)): 136–150.
View articletitled, Critical Art Ensemble, Tactical Media Practitioners
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Recombinant Theatre and Digital Resistance
Critical Art Ensemble
TDR/The Drama Review (2000) 44 (4 (168)): 151–166.
View articletitled, Recombinant Theatre and Digital Resistance
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Performing a Cult
Critical Art Ensemble
TDR/The Drama Review (2000) 44 (4 (168)): 167–173.
View articletitled, Performing a Cult
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Books

Spectacular Suffering: Theatre, Fascism, and the Holocaust; Staging the Holocaust: The Shoah in Drama and Performance
Sharon Mazer
TDR/The Drama Review (2000) 44 (4 (168)): 174–178.
View articletitled, Spectacular Suffering: Theatre, Fascism, and the Holocaust; Staging the Holocaust: The Shoah in Drama and Performance
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Chinese Theatre and the Actor in Performance
Thomas Rimer
TDR/The Drama Review (2000) 44 (4 (168)): 179–181.
View articletitled, Chinese Theatre and the Actor in Performance
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Staging Strikes: Workers' Theatre and the American Labor Movement; Stepping Left: Dance and Politics in New York City, 1928-1942; Striking Performances/Performing Strikes
Jan Cohen-Cruz
TDR/The Drama Review (2000) 44 (4 (168)): 182–187.
View articletitled, Staging Strikes: Workers' Theatre and the American Labor Movement; Stepping Left: Dance and Politics in New York City, 1928-1942; Striking Performances/Performing Strikes
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TDR Volume 44 Index
TDR/The Drama Review (2000) 44 (4 (168)): 188–192.
View articletitled, TDR Volume 44 Index
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