Skip Nav Destination
/5/m_cover.jpeg?Expires=1683022884&Signature=YyVo9EE3RT8BbtroSsATJxhXZTnd0V9mcciuv5NEmNj6eMbZwJum-r4c~q7N14NczzpZJ4YNdB8hqdTlyyHc~F28laNcVRUAQoEgaM24WMyFbQxMELPSfHsdoHot5l5Vs7yxIdlrh7CIZSzBqiu7o6iRv-2d4lABIMyPF12mBDFTUBRdK-LSOzDo4hPlwcu66DUDMMaGce3SveG7oppHifwm13OK3Q2d1-R0eSsj7kv8AaDhWgqbyAZm3ZPK9-KpP~vte79-SS8M3Qz42i9apOoPgi2ugGYwTpKcHAPb6DqTzQcFbj4O0DTmazSZ9--zuUGSU7P3Nl8rvxTWQ92CLw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Issues
Fall 2001
/5/cover.jpeg?Expires=1683022884&Signature=GtR0mVyOOQqtZWhdBFpFRtLQ-B6aLBKEOyhA4vSwWlfYPpzMduSXcozkxl7ExOYFWrXezoGkdWixr5YxvxZiQTDTCyFEmgmL3YTb2~dfAUNv2G4wY0IBEo0RRfIMaSa5VZn873~BGxULoUs~qVc2PxQtXG50EFi~GcM~omZ55YjUpyhEDsT6eQUPFuRw0TxCWn6Wa27i0SkFmytnwDaqj44ikeZ-3iTE~Fipaj4foMiMIZQTzcjciIF9bfGMIylMuaO7qJ~u4gDhhB-1v0L8AytuZ0xte4-YZUQJX36Yl0Gu~kGgnqBWHlxRB3CwNDLcHmSy1eB7skC1YdP2CtQjqA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
ISSN 1054-2043
EISSN 1531-4715
In this Issue
TDR Comment
Letters, Etc.
1931 Antonin Artaud Sees Balinese Theatre at the Paris Colonial ExpositionI
TDR/The Drama Review (2001) 45 (3 (171)): 51–77.
“God Is a Talking Horse”: Dementia and the Performance of Self
TDR/The Drama Review (2001) 45 (3 (171)): 78–94.
Desktop Theater: Keyboard Catharsis and the Masking of Roundheads
TDR/The Drama Review (2001) 45 (3 (171)): 95–112.
Theatre Works' Desdemona: Fusing Technology and Tradition
TDR/The Drama Review (2001) 45 (3 (171)): 113–125.
Zaju and Kabuki in English: Directing in the Classical Styles
TDR/The Drama Review (2001) 45 (3 (171)): 134–148.
Rave New World: Trance-Mission, Trance-Nationalism, and Trance-scendence in the “New” South Africa
TDR/The Drama Review (2001) 45 (3 (171)): 149–168.
Books
Liminal Acts: A Critical Overview of Contemporary Performance and Theory; Decomposition: Post-Disciplinary Performance
TDR/The Drama Review (2001) 45 (3 (171)): 169–172.
Stand-up Comedy in Theory; or, Abjection in America
TDR/The Drama Review (2001) 45 (3 (171)): 172–174.
Email alerts
Advertisement