Skip Nav Destination
Issues
TDR Comment
A Performance Community Onstage and on the Street Castillo Theatre and Heiner Müller's Germania 3
TDR/The Drama Review (2003) 47 (3 (179)): 99–112.
Robert Wilson and Fred Newman A Dialogue on Politics and Therapy, Stillness and Vaudeville
TDR/The Drama Review (2003) 47 (3 (179)): 113–128.
Critical Acts
Marina Abramovic's The House with the Ocean View: The View of the House from Some Drops in the Ocean
TDR/The Drama Review (2003) 47 (3 (179)): 129–136.
Tokyo Tim: A Report from Dokkyo University, January 2003
TDR/The Drama Review (2003) 47 (3 (179)): 143–146.
Suzuki Tadashi and the Shizuoka Theatre Company in New York
TDR/The Drama Review (2003) 47 (3 (179)): 147–158.
Caryā Nŗtya of Nepal When “Becoming the Character” in Asian Performance Is Nonduality in “Quintessence of Void”
TDR/The Drama Review (2003) 47 (3 (179)): 159–182.
Books
Imaging Her Erotics: Essays, Interviews, Projects; John Kelly
TDR/The Drama Review (2003) 47 (3 (179)): 183–185.
Female Spectacle: The Theatrical Roots of Modern Feminism
TDR/The Drama Review (2003) 47 (3 (179)): 186–188.
Email alerts
Advertisement