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Critical Acts
Re:Group/No homeland A Post-9/11 Intercultural Poltergeist
TDR/The Drama Review (2003) 47 (4 (180)): 70–75.
Facial Insufficiency Political Street Performance in New York City and the Selective Enforcement of the 1845 Mask Law
TDR/The Drama Review (2003) 47 (4 (180)): 75–84.
Creating High Culture in the Globalized “Cultural Desert” of Singapore
TDR/The Drama Review (2003) 47 (4 (180)): 84–97.
Resuscitating the Extinct: The Backbreeding of Historic Animals at U.S. Living History Museums
TDR/The Drama Review (2003) 47 (4 (180)): 98–109.
Rap's Unruly Body The Postmodern Performance of Black Male Identity on the American Stage
TDR/The Drama Review (2003) 47 (4 (180)): 110–127.
The Taste of Bread My Theatrical Experiences in Lebanon
TDR/The Drama Review (2003) 47 (4 (180)): 128–143.
One Hundred Years of Nakedness in German Performance
TDR/The Drama Review (2003) 47 (4 (180)): 144–188.
Books
Why Are Artists Poor? The Exceptional Economy of the Arts
TDR/The Drama Review (2003) 47 (4 (180)): 192–194.
Agitated States: Performance in the American Theater of Cruelty; Staging Consciousness: Theater and the Materialization of Mind
TDR/The Drama Review (2003) 47 (4 (180)): 194–198.
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