Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Vol. 48, Issue 3 (183)
Fall 2004
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

TDR Comment

Theatre History's “View of the World”
Steve Tillis
TDR/The Drama Review (2004) 48 (3 (183)): 6–10.
View articletitled, Theatre History's “View of the World”
Open the PDF for in another window

Social Theater

Why “Social Theatre”?
James Thompson, Richard Schechner
TDR/The Drama Review (2004) 48 (3 (183)): 11–16.
View articletitled, Why “Social Theatre”?
Open the PDF for in another window
Here We Are: Social Theatre and Some Open Questions about Its Developments
Guglielmo Schininà
TDR/The Drama Review (2004) 48 (3 (183)): 17–31.
View articletitled, Here We Are: Social Theatre and Some Open Questions about Its Developments
Open the PDF for in another window
“Far Away, So Close”: Psychosocial and Theatre Activities with Serbian Refugees
Guglielmo Schininà
TDR/The Drama Review (2004) 48 (3 (183)): 32–49.
View articletitled, “Far Away, So Close”: Psychosocial and Theatre Activities with Serbian Refugees
Open the PDF for in another window
Social Theatre in Bangladesh
Nazmul Ahsan
TDR/The Drama Review (2004) 48 (3 (183)): 50–58.
View articletitled, Social Theatre in Bangladesh
Open the PDF for in another window
Badal Sircar: Scripting a Movement
Shayoni Mitra
TDR/The Drama Review (2004) 48 (3 (183)): 59–78.
View articletitled, Badal Sircar: Scripting a Movement
Open the PDF for in another window
ACTing: The pandies' theatre of Delhi
Sanjay Kumar
TDR/The Drama Review (2004) 48 (3 (183)): 79–95.
View articletitled, ACTing: The pandies' theatre of Delhi
Open the PDF for in another window
Taking Hostages: Staging Human Rights
Paul Heritage
TDR/The Drama Review (2004) 48 (3 (183)): 96–106.
View articletitled, Taking Hostages: Staging Human Rights
Open the PDF for in another window
Staging Prisons: Performance, Activism, and Social Bodies
Peter Caster
TDR/The Drama Review (2004) 48 (3 (183)): 107–116.
View articletitled, Staging Prisons: Performance, Activism, and Social Bodies
Open the PDF for in another window
Whose Play Is It?: The Issue of Authorship/Ownership in Israeli Community-Based Theatre
Shulamith Lev-Aladgem
TDR/The Drama Review (2004) 48 (3 (183)): 117–134.
View articletitled, Whose Play Is It?: The Issue of Authorship/Ownership in Israeli Community-Based Theatre
Open the PDF for in another window
The Playwright in Residence: A Community's Storyteller
Amanda Stuart Fisher
TDR/The Drama Review (2004) 48 (3 (183)): 135–149.
View articletitled, The Playwright in Residence: A Community's Storyteller
Open the PDF for in another window
Digging up Stories: An Archaeology of Theatre in War
James Thompson
TDR/The Drama Review (2004) 48 (3 (183)): 150–164.
View articletitled, Digging up Stories: An Archaeology of Theatre in War
Open the PDF for in another window
Art in a Democracy
Dudley Cocke
TDR/The Drama Review (2004) 48 (3 (183)): 165–173.
View articletitled, Art in a Democracy
Open the PDF for in another window

Critical Acts

One Hand, Many Fingers
Richard Schechner
TDR/The Drama Review (2004) 48 (3 (183)): 174–179.
View articletitled, One Hand, Many Fingers
Open the PDF for in another window
Playing in the War Zone
Brett Bailey
TDR/The Drama Review (2004) 48 (3 (183)): 180–185.
View articletitled, Playing in the War Zone
Open the PDF for in another window

Books

The Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan
Carol Fisher Sorgenfrei
TDR/The Drama Review (2004) 48 (3 (183)): 186–188.
View articletitled, The Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan
Open the PDF for in another window
The Queerest Art: Essays on Lesbian and Gay Theater
Kim Marra
TDR/The Drama Review (2004) 48 (3 (183)): 188–190.
View articletitled, The Queerest Art: Essays on Lesbian and Gay Theater
Open the PDF for in another window
Fluxus Experience
Branislav Jakovljevic
TDR/The Drama Review (2004) 48 (3 (183)): 190–192.
View articletitled, Fluxus Experience
Open the PDF for in another window
Modern Enchantments: The Cultural Power of Secular Magic
Martin Harries
TDR/The Drama Review (2004) 48 (3 (183)): 192–194.
View articletitled, Modern Enchantments: The Cultural Power of Secular Magic
Open the PDF for in another window
The Oxford Encyclopedia of Theatre and Performance
Edward Ziter
TDR/The Drama Review (2004) 48 (3 (183)): 194–196.
View articletitled, The Oxford Encyclopedia of Theatre and Performance
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2023 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept