Skip Nav Destination
/6/m_cover.jpeg?Expires=1642004639&Signature=PHf9gUtwkTEKJvHDlAqSyrRjZGl62UoO8BDnsUIYzI1zGJ1T3C1pgLG8OdOcc~Q5QFMD5UY3ByUw3dFoqS9CGDM-0088m5SZBo58V0oWqcVToa3oGcq~NB7VZeHWQkMj65BmpdwzAF1udTLBZlN6tUuAYGFMNdZTV1ETW5Cssqaw8Sl565~nqMqAiLvEW3PO9vHXAF~EUO26oXGfulmJpr4eD5Do4X7fmR~V5tNT-MZOn58943M8y0r77EhSC3lVPI0ITs4T9GI1~WinwOQ5OrWmC7vRy60xdd~HyR3P9Xn3RKWeCb5Lv3nSNE2CBhSEB7bhHGFX9i3hrGXjO8IapA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Issues
Winter 2004
/6/cover.jpeg?Expires=1642004639&Signature=dyaMR5va-5SlojUnibymST3Zr7AKMSrU2NkX9QalayC-iV6VdUV7JCcrd~uTu1AyIGl1PTgeGoVxR934gbuSvilarY45SIcMGSCiv6ZSttfwf1dj7m8mWCaNavMHrfBJ30sG76TalZyBrcBH4BW2UNDgbFaGBq4Fws2-S6qbmYqrod68yItfmmFKwIc~pw070KeCQCkKnfUlvJf~rsaRUQVUZJXTRXo2wWS54yrSguk~mw9~KzSJrF6V07UDmQ5mR5nqgJpv7JlwQGWb-t~5ar1as9b0nKd8CY84TjnTL5W3sPjT~PRRA9meJxHDCkx6veBBOerGp2r-zcH6aoMcpA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
ISSN 1054-2043
EISSN 1531-4715
In this Issue
TDR Comment
In Memory
Metal Performance Humanizing Robots, Returning to Nature, and Camping About
TDR/The Drama Review (2004) 48 (4 (184)): 15–46.
The Jeremiah Project: Interaction, Reaction, and Performance
TDR/The Drama Review (2004) 48 (4 (184)): 47–57.
Critical Acts
Role-Play Training at a “Violent Disneyland”: The FBI Academy's Performance Paradigms
TDR/The Drama Review (2004) 48 (4 (184)): 81–108.
Staging Disaster: Reporting Live (sort of) from Seattle
TDR/The Drama Review (2004) 48 (4 (184)): 109–134.
Sacrifice to the Mountain: A Ritual Performance of the Qiang Minority People in China
TDR/The Drama Review (2004) 48 (4 (184)): 155–166.
Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow
TDR/The Drama Review (2004) 48 (4 (184)): 167–182.
Books
Taking It to the Streets: Social Protest Theater of Luis Valdez and Amiri Baraka
TDR/The Drama Review (2004) 48 (4 (184)): 197–200.
The Consul: Conversations with Gérard Berréby with the Help of Giulio Minghini and Chantal Osterreicher
TDR/The Drama Review (2004) 48 (4 (184)): 200–202.
Email alerts
Advertisement
