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Vol. 51, Issue 2 (194)

Summer 2007

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ISSN 1054-2043

EISSN 1531-4715

In this Issue

Provocation
TDR Comment
Articles
Dance Composes Philosophy Composes Dance: Series on New Choreography, Part II
Critical Acts
Books

Provocation

Alien of Extraordinary Ability

Natsu Onoda

TDR/The Drama Review (2007) 51 (2 (194)): 2–3.

View articletitled, Alien of Extraordinary Ability

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TDR Comment

Of Sugarcoating and Hope

Laura Edmondson

TDR/The Drama Review (2007) 51 (2 (194)): 7–10.

View articletitled, Of Sugarcoating and Hope

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Articles

The Theatre of Krishen Jit: The Politics of Staging Difference in Multicultural Malaysia

Charlene Rajendran, C.J.W.-L. Wee

TDR/The Drama Review (2007) 51 (2 (194)): 11–23.

Abstract

View articletitled, The Theatre of Krishen Jit: The Politics of Staging Difference in Multicultural Malaysia

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Springtime for Kim Il-sung in Pyongyang: City On Stage, City As Stage

Suk-Young Kim

TDR/The Drama Review (2007) 51 (2 (194)): 24–40.

Abstract

View articletitled, Springtime for Kim Il-sung in Pyongyang: City On Stage, City As Stage

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Bohemianism, the Cultural Turn of the Avantgarde, and Forgetting the Roma

Mike Sell

TDR/The Drama Review (2007) 51 (2 (194)): 41–59.

Abstract

View articletitled, Bohemianism, the Cultural Turn of the Avantgarde, and Forgetting the Roma

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Intercultural Expectations: I La Galigo in Singapore

Jennifer Lindsay

TDR/The Drama Review (2007) 51 (2 (194)): 60–75.

Abstract

View articletitled, Intercultural Expectations: I La Galigo in Singapore

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Letting It All Hang Out: Mardi Gras Performances Live and on Video

Vicki Mayer

TDR/The Drama Review (2007) 51 (2 (194)): 76–93.

Abstract

View articletitled, Letting It All Hang Out: Mardi Gras Performances Live and on Video

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José Triana: An Interview by Ricard Salvat

Ricard Salvat, Joanne Pottlitzer

TDR/The Drama Review (2007) 51 (2 (194)): 94–118.

Abstract

View articletitled, José Triana: An Interview by Ricard Salvat

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Dance Composes Philosophy Composes Dance: Series on New Choreography, Part II

Choreography as Apparatus of Capture

André Lepecki

TDR/The Drama Review (2007) 51 (2 (194)): 119–123.

Abstract

View articletitled, Choreography as Apparatus of Capture

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Scène and Contemporaneity

Frédéric Pouillaude, Noémie Solomon

TDR/The Drama Review (2007) 51 (2 (194)): 124–135.

Abstract

View articletitled, Scène and Contemporaneity

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Stroboscopic Stutter: on the not-yet-captured ontological condition of limit-attractions

Paula Caspão

TDR/The Drama Review (2007) 51 (2 (194)): 136–156.

Abstract

View articletitled, Stroboscopic Stutter: on the not-yet-captured ontological condition of limit-attractions

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Deborah Hay's O, O

Danielle Goldman

TDR/The Drama Review (2007) 51 (2 (194)): 157–170.

Abstract

View articletitled, Deborah Hay's O, O

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Critical Acts

Gut Feeling: Thomas Hirschhorn's Superficial Engagement

James Westcott

TDR/The Drama Review (2007) 51 (2 (194)): 171–175.

Abstract

View articletitled, Gut Feeling: Thomas Hirschhorn's Superficial Engagement

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The Anatomy of Blasphemy: Passion and the Trial of Dorota Nieznalska

Magda Romanska

TDR/The Drama Review (2007) 51 (2 (194)): 176–181.

Abstract

View articletitled, The Anatomy of Blasphemy: Passion and the Trial of Dorota Nieznalska

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On the Stages of Istanbul: Atatürk and the New Young Turks

Ilka Saal

TDR/The Drama Review (2007) 51 (2 (194)): 181–186.

Abstract

View articletitled, On the Stages of Istanbul: Atatürk and the New Young Turks

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Books

Women, Modernism, and Performance. By Penny Farfan. Cambridge: Cambridge University Press, 2004; 186 pp.; illustrations. $80.00 cloth

Sarah Bay-Cheng

TDR/The Drama Review (2007) 51 (2 (194)): 187–188.

View articletitled, Women, Modernism, and Performance. By Penny Farfan. Cambridge: Cambridge University Press, 2004; 186 pp.; illustrations. $80.00 cloth

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Understanding Adrienne Kennedy. By Philip C. Kolin. Columbia: University of South Carolina, 2005; 192 pp. $34.95 cloth.

Gabrielle Cody

TDR/The Drama Review (2007) 51 (2 (194)): 189–191.

View articletitled, Understanding Adrienne Kennedy. By Philip C. Kolin. Columbia: University of South Carolina, 2005; 192 pp. $34.95 cloth.

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Susan Glaspell: Her Life and Times. By Linda Ben-Zvi. New York: Oxford University Press, 2005; xvi + 476 pp., illustrations. $45.00 cloth.

Judith E. Barlow

TDR/The Drama Review (2007) 51 (2 (194)): 191–192.

View articletitled, Susan Glaspell: Her Life and Times. By Linda Ben-Zvi. New York: Oxford University Press, 2005; xvi + 476 pp., illustrations. $45.00 cloth.

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The Theater of Transformation: Postmodernism in American Drama. By Kerstin Schmidt. New York: Rodopi, 2005; 230 pp. $64.00 paper,Expressionism and Modernism in the Modern Theatre: Bodies, Voices, Words. By Julia A. Walker. New York: Cambridge, 2005; 300 pp. $85.00 cloth.

Anthony Kubiak

TDR/The Drama Review (2007) 51 (2 (194)): 192–194.

View articletitled, The Theater of Transformation: Postmodernism in American Drama. By Kerstin Schmidt. New York: Rodopi, 2005; 230 pp. $64.00 paper,Expressionism and Modernism in the Modern Theatre: Bodies, Voices, Words. By Julia A. Walker. New York: Cambridge, 2005; 300 pp. $85.00 cloth.

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Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawai'i Press, 2005; ix + 335 pp.; illustrated. $48.00 cloth.

Samuel L. Leiter

TDR/The Drama Review (2007) 51 (2 (194)): 195–196.

View articletitled, Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawai'i Press, 2005; ix + 335 pp.; illustrated. $48.00 cloth.

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More Books

TDR/The Drama Review (2007) 51 (2 (194)): 196–197.

View articletitled, More Books

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Provocation

Alien of Extraordinary Ability

TDR Comment

Of Sugarcoating and Hope

Articles

The Theatre of Krishen Jit: The Politics of Staging Difference in Multicultural Malaysia

Springtime for Kim Il-sung in Pyongyang: City On Stage, City As Stage

Bohemianism, the Cultural Turn of the Avantgarde, and Forgetting the Roma

Intercultural Expectations: I La Galigo in Singapore

Letting It All Hang Out: Mardi Gras Performances Live and on Video

José Triana: An Interview by Ricard Salvat

Dance Composes Philosophy Composes Dance: Series on New Choreography, Part II

Choreography as Apparatus of Capture

Scène and Contemporaneity

Stroboscopic Stutter: on the not-yet-captured ontological condition of limit-attractions

Deborah Hay's O, O

Critical Acts

Gut Feeling: Thomas Hirschhorn's Superficial Engagement

The Anatomy of Blasphemy: Passion and the Trial of Dorota Nieznalska

On the Stages of Istanbul: Atatürk and the New Young Turks

Books

Women, Modernism, and Performance. By Penny Farfan. Cambridge: Cambridge University Press, 2004; 186 pp.; illustrations. $80.00 cloth

Understanding Adrienne Kennedy. By Philip C. Kolin. Columbia: University of South Carolina, 2005; 192 pp. $34.95 cloth.

Susan Glaspell: Her Life and Times. By Linda Ben-Zvi. New York: Oxford University Press, 2005; xvi + 476 pp., illustrations. $45.00 cloth.

The Theater of Transformation: Postmodernism in American Drama. By Kerstin Schmidt. New York: Rodopi, 2005; 230 pp. $64.00 paper,Expressionism and Modernism in the Modern Theatre: Bodies, Voices, Words. By Julia A. Walker. New York: Cambridge, 2005; 300 pp. $85.00 cloth.

Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawai'i Press, 2005; ix + 335 pp.; illustrated. $48.00 cloth.

More Books

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RSS Feeds

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Issues

Cover Image

Provocation

TDR Comment

Articles

Dance Composes Philosophy Composes Dance: Series on New Choreography, Part II

Critical Acts

Books

Product(s) added to cart

Email alerts

RSS Feeds

A product of The MIT Press

MIT Press Direct

Information

MIT Press

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