Skip Nav Destination
Issues
/5/m_cover.jpeg?Expires=1689141998&Signature=AbhCkgmGrOvo-kg8Xnkj0Uyo2FWvXg2HPYA4t7hx1SdhEYmnXpmO9jBAlAOZvbn2IZw9RYKx6VWSzFi-Wg1dSQrIOyLnCxYBC1brHH0Q50EgXs1dYs32pJfXFR1eQ7ybmJJiAufrWRvrHBSXl85GbxbqWbeTtM6e48xfkXpR-FpLE6c5mcamHPJCcaEasV0LiT5QaP4xupkGCe~gyFiMtJoHdXi6Ew41vted1iNwhCn5QgMk~Ftrumfc2gc3AUu0HcD-aDO0Q-l75poNI5scnw9aXtPJ4vCASpAqLT~5Nhb6YqS7P9drhYCb52jSG-QCaJNcV35Y0v-UAUs-nmGxkA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/5/cover.jpeg?Expires=1689141998&Signature=Z4oVbSyXIl3a0HYlR3YLWzcfYpAAMtZc48NH56wnsdxyytB5gD2kCBQwYz~rI6ba1O7cdSnLd1kpyeKkHz5UNXmlSpFXr3EKvKXLAMtEdYphJp4yXs9vklmwgKg7Xl1nA4GaOSrNVty3p23w2tBW4cyeu5k1O91t15uUIxzXVJ68j0tmWz~zTestFEZuzbP518Rw~DXKQPQoz~DnZ~5tWDf~WPGv4enEFpu6UtrOyunY0MDmcq3~~0KTiuBlKueTGbixVkc2kCfbhE3Fzzsc~C~CefM5vPi-u-~CgHML0ZicErsCrCRzY5qO6kbxAmHNp5LcRDoFwnwdModL0wzLCw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Provocation
TDR Comment
Articles
The Theatre of Krishen Jit: The Politics of Staging Difference in Multicultural Malaysia
TDR/The Drama Review (2007) 51 (2 (194)): 11–23.
Intercultural Expectations: I La Galigo in Singapore
TDR/The Drama Review (2007) 51 (2 (194)): 60–75.
Letting It All Hang Out: Mardi Gras Performances Live and on Video
TDR/The Drama Review (2007) 51 (2 (194)): 76–93.
Dance Composes Philosophy Composes Dance: Series on New Choreography, Part II
Stroboscopic Stutter: on the not-yet-captured ontological condition of limit-attractions
TDR/The Drama Review (2007) 51 (2 (194)): 136–156.
Critical Acts
Gut Feeling: Thomas Hirschhorn's Superficial Engagement
TDR/The Drama Review (2007) 51 (2 (194)): 171–175.
The Anatomy of Blasphemy: Passion and the Trial of Dorota Nieznalska
TDR/The Drama Review (2007) 51 (2 (194)): 176–181.
On the Stages of Istanbul: Atatürk and the New Young Turks
TDR/The Drama Review (2007) 51 (2 (194)): 181–186.
Books
Women, Modernism, and Performance. By Penny Farfan. Cambridge: Cambridge University Press, 2004; 186 pp.; illustrations. $80.00 cloth
TDR/The Drama Review (2007) 51 (2 (194)): 187–188.
Understanding Adrienne Kennedy. By Philip C. Kolin. Columbia: University of South Carolina, 2005; 192 pp. $34.95 cloth.
TDR/The Drama Review (2007) 51 (2 (194)): 189–191.
Susan Glaspell: Her Life and Times. By Linda Ben-Zvi. New York: Oxford University Press, 2005; xvi + 476 pp., illustrations. $45.00 cloth.
TDR/The Drama Review (2007) 51 (2 (194)): 191–192.
The Theater of Transformation: Postmodernism in American Drama. By Kerstin Schmidt. New York: Rodopi, 2005; 230 pp. $64.00 paper,Expressionism and Modernism in the Modern Theatre: Bodies, Voices, Words. By Julia A. Walker. New York: Cambridge, 2005; 300 pp. $85.00 cloth.
TDR/The Drama Review (2007) 51 (2 (194)): 192–194.
Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawai'i Press, 2005; ix + 335 pp.; illustrated. $48.00 cloth.
TDR/The Drama Review (2007) 51 (2 (194)): 195–196.
Email alerts
Advertisement