Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Vol. 52, Issue 3 (199)
Fall 2008
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Rock and Roll: Impatience
Michael Thomas
TDR/The Drama Review (2008) 52 (3 (199)): 2–3.
View articletitled, Rock and Roll: Impatience
Open the PDF for in another window

TDR Comment

An Open Letter to the President of the USA
TDR/The Drama Review (2008) 52 (3 (199)): 7–8.
View articletitled, An Open Letter to the President of the USA
Open the PDF for in another window

Letters, Etc.

Letters, Etc.
Shanee Stepakoff
TDR/The Drama Review (2008) 52 (3 (199)): 9.
View articletitled, Letters, Etc.
Open the PDF for in another window

Articles

Antigone's Bones
W.B. Worthen
TDR/The Drama Review (2008) 52 (3 (199)): 10–33.
View articletitled, Antigone's Bones
Open the PDF for in another window
David Levine's Bauerntheater: The Return of the Matrix
Marvin Carlson
TDR/The Drama Review (2008) 52 (3 (199)): 34–43.
View articletitled, David Levine's <em>Bauerntheater</em>: The Return of the Matrix
Open the PDF for in another window
Toward a Poetics of Transubstantiation: The Performance of Cape Breton Music and Dance
Jennifer Ewing Pierce
TDR/The Drama Review (2008) 52 (3 (199)): 44–60.
View articletitled, Toward a Poetics of Transubstantiation: The Performance of Cape Breton Music and Dance
Open the PDF for in another window
Center and Edge of the World: Frontiers of Site-Specific Performance in Alaska
Genie Babb
TDR/The Drama Review (2008) 52 (3 (199)): 61–78.
View articletitled, Center and Edge of the World: Frontiers of Site-Specific Performance in Alaska
Open the PDF for in another window
Baring and Bearing Life Behind Bars: Pat Graney's “Keeping the Faith” Prison Project
Jessica Berson
TDR/The Drama Review (2008) 52 (3 (199)): 79–93.
View articletitled, Baring and Bearing Life Behind Bars: Pat Graney's “Keeping the Faith” Prison Project
Open the PDF for in another window

Deb Margolin: I'm Just Saying

“To Speak Is to Suffer” and Vice Versa
Deb Margolin
TDR/The Drama Review (2008) 52 (3 (199)): 95–97.
View articletitled, “To Speak Is to Suffer” and Vice Versa
Open the PDF for in another window
Seeing Deb Margolin: Ontological Vandalism and Radical Amazement
Jill Dolan
TDR/The Drama Review (2008) 52 (3 (199)): 98–117.
View articletitled, Seeing Deb Margolin: Ontological Vandalism and Radical Amazement
Open the PDF for in another window
Why Language Fails: Deb Margolin's Reclamation of Silence
Gwendolyn Alker
TDR/The Drama Review (2008) 52 (3 (199)): 118–133.
View articletitled, Why Language Fails: Deb Margolin's Reclamation of Silence
Open the PDF for in another window
Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke
Constance Zaytoun
TDR/The Drama Review (2008) 52 (3 (199)): 134–159.
View articletitled, Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke
Open the PDF for in another window

Pieces

Index to Idioms: A Performance Novel
Deb Margolin
TDR/The Drama Review (2008) 52 (3 (199)): 160–173.
View articletitled, Index to Idioms: A Performance Novel
Open the PDF for in another window
O Yes I Will: (I will remember the spirit and texture of this conversation)
Deb Margolin
TDR/The Drama Review (2008) 52 (3 (199)): 174–186.
View articletitled, O Yes I Will: (I will remember the spirit and texture of this conversation)
Open the PDF for in another window

Critical Acts

The New Victory Danish Festival: A New Perspective on Puppetry and Family Entertainment
Claudia Orenstein
TDR/The Drama Review (2008) 52 (3 (199)): 187–195.
View articletitled, The New Victory Danish Festival: A New Perspective on Puppetry and Family Entertainment
Open the PDF for in another window
The Performance of Disappearance: Mike Parr's Amerika
Edward Scheer
TDR/The Drama Review (2008) 52 (3 (199)): 195–201.
View articletitled, The Performance of Disappearance: Mike Parr's <em>Amerika</em>
Open the PDF for in another window

Books

Bodies in Dissent: Spectacular Performances of Race and Freedom. By Daphne Brooks. Durham: Duke University Press, 2006; 475 pp. $25.95 paper
Jayna Brown
TDR/The Drama Review (2008) 52 (3 (199)): 202–204.
View articletitled, <em>Bodies in Dissent: Spectacular Performances of Race and Freedom.</em> By Daphne Brooks. Durham: Duke University Press, 2006; 475 pp. $25.95 paper
Open the PDF for in another window
Bodies in Commotion: Disability and Performance. Edited by Carrie Sandahl and Philip Auslander. Ann Arbor: The University of Michigan Press, 2005; 352 pp.; illustrations. $75.00 cloth, $27.95 paper
Robert McRuer
TDR/The Drama Review (2008) 52 (3 (199)): 204–206.
View articletitled, <em>Bodies in Commotion: Disability and Performance.</em> Edited by Carrie Sandahl and Philip Auslander. Ann Arbor: The University of Michigan Press, 2005; 352 pp.; illustrations. $75.00 cloth, $27.95 paper
Open the PDF for in another window
Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia. By Helen Gilbert and Jacqueline Lo. London: Palgrave, 2007; 256 pp.; illustrations. $74.95 cloth. Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. By Christopher B. Balme. London: Palgrave, 2007; 264 pp; illustratioins. $80.00 cloth
Margaret Werry
TDR/The Drama Review (2008) 52 (3 (199)): 206–209.
View articletitled, <em>Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia.</em> By Helen Gilbert and Jacqueline Lo. London: Palgrave, 2007; 256 pp.; illustrations. $74.95 cloth. <em>Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas.</em> By Christopher B. Balme. London: Palgrave, 2007; 264 pp; illustratioins. $80.00 cloth
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2024 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept