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Vol. 52, Issue 4 (200)

Winter 2008

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ISSN 1054-2043

EISSN 1531-4715

In this Issue

Provocation
TDR Comment
Letters, Etc.
Articles
Critical Acts
Books
Index

Provocation

Next day, same place. After Godot in New Orleans

Paul Chan

TDR/The Drama Review (2008) 52 (4 (200)): 2–3.

View articletitled, Next day, same place. After Godot in New Orleans

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TDR Comment

Where Do New Plays Come From?

Rick DesRochers

TDR/The Drama Review (2008) 52 (4 (200)): 7–12.

View articletitled, Where Do New Plays Come From?

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Letters, Etc.

Announcement

TDR/The Drama Review (2008) 52 (4 (200)): 13.

View articletitled, Announcement

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Correction: “Grotowski and the Grotowskian”

TDR/The Drama Review (2008) 52 (4 (200)): 13.

View articletitled, Correction: “Grotowski and the Grotowskian”

Lost in Translation?

Hans-Thies Lehmann, Karen Jürs-Munby, Elinor Fuchs

TDR/The Drama Review (2008) 52 (4 (200)): 13–20.

View articletitled, Lost in Translation?

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Articles

Friend Me if You Facebook: Generation Y and Performative Surveillance

E.J. Westlake

TDR/The Drama Review (2008) 52 (4 (200)): 21–40.

Abstract

View articletitled, Friend Me if You Facebook: Generation Y and Performative Surveillance

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Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia's Cultural Villages

Craig T. Latrell

TDR/The Drama Review (2008) 52 (4 (200)): 41–63.

Abstract

View articletitled, Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia's Cultural Villages

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Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan

Nancy Guy

TDR/The Drama Review (2008) 52 (4 (200)): 64–81.

Abstract

View articletitled, Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan

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Collective Improvisation: The Practice and Vision of Ingemar Lindh

Frank Camilleri

TDR/The Drama Review (2008) 52 (4 (200)): 82–97.

Abstract

View articletitled, Collective Improvisation: The Practice and Vision of Ingemar Lindh

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Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble

Gitta Honegger

TDR/The Drama Review (2008) 52 (4 (200)): 98–117.

Abstract

View articletitled, Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble

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Politics and Identity in Maltese Theatre: Adaptation or Innovation?

Vicki Ann Cremona

TDR/The Drama Review (2008) 52 (4 (200)): 118–144.

Abstract

View articletitled, Politics and Identity in Maltese Theatre: Adaptation or Innovation?

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Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling

Evelyn Birge Vitz

TDR/The Drama Review (2008) 52 (4 (200)): 145–173.

Abstract

View articletitled, Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling

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Critical Acts

Tiresian Journeys

Petra Kuppers

TDR/The Drama Review (2008) 52 (4 (200)): 174–182.

Abstract

View articletitled, Tiresian Journeys

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Beauty and the Street: 72 Hours in Union Square, NYC

LiÁn Amaris

TDR/The Drama Review (2008) 52 (4 (200)): 182–192.

Abstract

View articletitled, Beauty and the Street: 72 Hours in Union Square, NYC

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Books

A Note from the “Books” Section Editor

Branislav Jakovljevic

TDR/The Drama Review (2008) 52 (4 (200)): 193.

View articletitled, A Note from the “Books” Section Editor

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Open Score by Robert Rauschenberg, 9 Evenings: Theatre and Engineering. Produced by Billy Klüver and Julie Martin; directed by Barbro Schultz Lundestam. New York: Experiments in Art and Technology and ARTPIX, 2007; 33:42. $25.00 (DVD NTSC/PAL)

Michelle Kuo

TDR/The Drama Review (2008) 52 (4 (200)): 194–196.

View articletitled, Open Score by Robert Rauschenberg, 9 Evenings: Theatre and Engineering. Produced by Billy Klüver and Julie Martin; directed by Barbro Schultz Lundestam. New York: Experiments in Art and Technology and ARTPIX, 2007; 33:42. $25.00 (DVD NTSC/PAL)

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Uvod u studije performansa [Introduction to Performance Studies]. By Aleksandra Jovićević and Ana Vujanović. Belgrade, Serbia: Fabrika knjiga, 2006; 307 pp. CSD690 cloth

Lada Čale Feldman

TDR/The Drama Review (2008) 52 (4 (200)): 196–197.

View articletitled, Uvod u studije performansa [Introduction to Performance Studies]. By Aleksandra Jovićević and Ana Vujanović. Belgrade, Serbia: Fabrika knjiga, 2006; 307 pp. CSD690 cloth

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A Performance Cosmology: Testimony from the Future, Evidence from the Past. Edited by Judie Christie, Richard Gough, Daniel Watt. London: Routledge, 2006; 321 pp.; illustrations. $53.95 paper

Patrick Anderson

TDR/The Drama Review (2008) 52 (4 (200)): 198–200.

View articletitled, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Edited by Judie Christie, Richard Gough, Daniel Watt. London: Routledge, 2006; 321 pp.; illustrations. $53.95 paper

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Performing Glam Rock: Gender and Theatricality in Popular Music. By Philip Auslander. Ann Arbor: The University of Michigan Press, 2006; 272 pp.; illustrations. $60.00 cloth, $24.95 paper

Wade Hollingshaus

TDR/The Drama Review (2008) 52 (4 (200)): 201–202.

View articletitled, Performing Glam Rock: Gender and Theatricality in Popular Music. By Philip Auslander. Ann Arbor: The University of Michigan Press, 2006; 272 pp.; illustrations. $60.00 cloth, $24.95 paper

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Index

TDR/The Drama Review (2008) 52 (4 (200)): 203–209.

View articletitled, Index

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Provocation

Next day, same place. After Godot in New Orleans

TDR Comment

Where Do New Plays Come From?

Letters, Etc.

Announcement

Correction: “Grotowski and the Grotowskian”

Lost in Translation?

Articles

Friend Me if You Facebook: Generation Y and Performative Surveillance

Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia's Cultural Villages

Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan

Collective Improvisation: The Practice and Vision of Ingemar Lindh

Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble

Politics and Identity in Maltese Theatre: Adaptation or Innovation?

Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling

Critical Acts

Tiresian Journeys

Beauty and the Street: 72 Hours in Union Square, NYC

Books

A Note from the “Books” Section Editor

Open Score by Robert Rauschenberg, 9 Evenings: Theatre and Engineering. Produced by Billy Klüver and Julie Martin; directed by Barbro Schultz Lundestam. New York: Experiments in Art and Technology and ARTPIX, 2007; 33:42. $25.00 (DVD NTSC/PAL)

Uvod u studije performansa [Introduction to Performance Studies]. By Aleksandra Jovićević and Ana Vujanović. Belgrade, Serbia: Fabrika knjiga, 2006; 307 pp. CSD690 cloth

A Performance Cosmology: Testimony from the Future, Evidence from the Past. Edited by Judie Christie, Richard Gough, Daniel Watt. London: Routledge, 2006; 321 pp.; illustrations. $53.95 paper

Performing Glam Rock: Gender and Theatricality in Popular Music. By Philip Auslander. Ann Arbor: The University of Michigan Press, 2006; 272 pp.; illustrations. $60.00 cloth, $24.95 paper

Index

Index

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Cover Image

Provocation

TDR Comment

Letters, Etc.

Articles

Critical Acts

Books

Index

Product(s) added to cart

Email alerts

RSS Feeds

A product of The MIT Press

MIT Press Direct

Information

MIT Press

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