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Issues
Provocation
GFRP: The GloFish® Freedom and Reconciliation Project
TDR/The Drama Review (2010) 54 (4 (208)): 2–3.
Caught Off-Garde: New Theatre Ensembles from NYC (Mostly)
To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde
TDR/The Drama Review (2010) 54 (4 (208)): 7–10.
Next Up Downtown: A New Generation of Ensemble Performance
TDR/The Drama Review (2010) 54 (4 (208)): 11–38.
Liberté, Fraternité, Corbusier!: An Interview with Alex Timbers
TDR/The Drama Review (2010) 54 (4 (208)): 39–53.
What Did They Do to My Country!: An Interview with Rachel Chavkin
TDR/The Drama Review (2010) 54 (4 (208)): 99–117.
Five Years and Change with the TEAM: Moving Fast Past the Apocalypse
TDR/The Drama Review (2010) 54 (4 (208)): 108–109.
The Most American Thing in New York City: The Historiography of the National Theater of the United States of America
TDR/The Drama Review (2010) 54 (4 (208)): 155–174.
“Comedy, Truth, and, like, Real Shit”: Derek Ahonen, the Amoralists, and the Well-Made Play
TDR/The Drama Review (2010) 54 (4 (208)): 175–187.
Books
A Politics of the Scene. by Paul A. Kottman. Stanford: Stanford University Press, 2008; 272 pp. $60.00 cloth. The Necessity of Theater: The Art of Watching and Being Watched. by Paul Woodruff. New York: Oxford University Press, 2008; 272 pp. $27.95 cloth, $17.95 paper
TDR/The Drama Review (2010) 54 (4 (208)): 224–227.
Being Watched: Yvonne Rainer and the 1960s. By Carrie Lambert-Beatty. Cambridge: MIT Press, 2008; 384 pp. $34.95 cloth
TDR/The Drama Review (2010) 54 (4 (208)): 227–229.
Feminist Theatrical Revisions of Classic Works. Edited by Sharon Friedman. Jefferson, NC: McFarland & Company, 2009; 290 pp., $45.00 paper
TDR/The Drama Review (2010) 54 (4 (208)): 232–234.
Index
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