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Issues

Vol. 55, Issue 1 (209)
Spring 2011
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Performance and the Political Police: The Cuban Short Circuit
Orlando Luis Pardo Lazo
TDR/The Drama Review (2011) 55 (1 (209)): 2–3.
View articletitled, Performance and the Political Police: The Cuban Short Circuit
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The X-Ray as Therapy
Yoani SÁnchez, MJ Porter
TDR/The Drama Review (2011) 55 (1 (209)): 3.
View articletitled, The X-Ray as Therapy
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Comment

Shame on Syracuse University Press
Richard Schechner, Katherine Lieder
TDR/The Drama Review (2011) 55 (1 (209)): 7–12.
View articletitled, Shame on Syracuse University Press
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In Memory

Kazuo Ohno 1906–2010
John K. Gillespie
TDR/The Drama Review (2011) 55 (1 (209)): 13–15.
View articletitled, Kazuo Ohno 1906–2010
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Articles

“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence
Amelia Jones
TDR/The Drama Review (2011) 55 (1 (209)): 16–45.
View articletitled, “The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence
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Peculiar Voices
Heiner Goebbels, Susanne Winnacker
TDR/The Drama Review (2011) 55 (1 (209)): 46–51.
View articletitled, Peculiar Voices
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Memory Walking with Urban Bush Women's Batty Moves
Ama Oforiwaa Aduonum
TDR/The Drama Review (2011) 55 (1 (209)): 52–69.
View articletitled, Memory Walking with Urban Bush Women's <em>Batty Moves</em>
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Humanitarian Performance and the Asian Tsunami
James Thompson
TDR/The Drama Review (2011) 55 (1 (209)): 70–83.
View articletitled, Humanitarian Performance and the Asian Tsunami
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The Big and Small Theatres of Guy Debord
Jean-Marie ApostolidÈs, Marie Pecorari
TDR/The Drama Review (2011) 55 (1 (209)): 84–103.
View articletitled, The Big and Small Theatres of Guy Debord
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Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan
Chiung-chi Chen
TDR/The Drama Review (2011) 55 (1 (209)): 104–119.
View articletitled, Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan
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Performing a Geography of Asian America: The Chop Suey Circuit
SanSan Kwan
TDR/The Drama Review (2011) 55 (1 (209)): 120–136.
View articletitled, Performing a Geography of Asian America: The Chop Suey Circuit
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Critical Acts

The Stage as a Drawing Board: Zuni Icosahedron's Architecture Is Art Festival
Rossella Ferrari
TDR/The Drama Review (2011) 55 (1 (209)): 137–148.
View articletitled, The Stage as a Drawing Board: Zuni Icosahedron's Architecture Is Art Festival
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Gray Matter: Daniel Arsham, Jonah Bokaer, and Judith SÁnchez Ruíz's REPLICA
Betsy England
TDR/The Drama Review (2011) 55 (1 (209)): 149–152.
View articletitled, Gray Matter: Daniel Arsham, Jonah Bokaer, and Judith SÁnchez Ruíz's <em>REPLICA</em>
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Books

This Wide and Universal Theater: Shakespeare in Performance Then and Now. By David Bevington. Chicago: University of Chicago Press, 2009; xi + 242 pp. $25.00 cloth, $16.00 paper. Shakespeare's Globe: A Theatrical Experiment. Edited by Christie Carson and Farah Karim-Cooper. Cambridge: Cambridge University Press, 2008; xxii + 268 pp. $81.00 cloth, $25.99 paper. Shakespeare and Impure Aesthetics. By Hugh Grady. Cambridge: Cambridge University Press, 2009; ix + 261 pp. $99.00 cloth. Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen. By Carol Chillington Rutter. London: Routledge, 2007; xxii + 250 pp. $125.00 cloth, $35.95 paper
W.B. Worthen
TDR/The Drama Review (2011) 55 (1 (209)): 153–159.
View articletitled, <em>This Wide and Universal Theater: Shakespeare in Performance Then and Now.</em> By David Bevington. Chicago: University of Chicago Press, 2009; xi + 242 pp. $25.00 cloth, $16.00 paper. <em>Shakespeare's Globe: A Theatrical Experiment.</em> Edited by Christie Carson and Farah Karim-Cooper. Cambridge: Cambridge University Press, 2008; xxii + 268 pp. $81.00 cloth, $25.99 paper. <em>Shakespeare and Impure Aesthetics.</em> By Hugh Grady. Cambridge: Cambridge University Press, 2009; ix + 261 pp. $99.00 cloth. <em>Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen.</em> By Carol Chillington Rutter. London: Routledge, 2007; xxii + 250 pp. $125.00 cloth, $35.95 paper
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Psychophysical Acting: An Intercultural Approach after Stanislavski. By Phillip B. Zarrilli. London and New York: Routledge, 2009; 255 pp; 21 black-and-white illustrations. $40.95 paper
Rachel Bowditch
TDR/The Drama Review (2011) 55 (1 (209)): 159–161.
View articletitled, <em>Psychophysical Acting: An Intercultural Approach after Stanislavski.</em> By Phillip B. Zarrilli. London and New York: Routledge, 2009; 255 pp; 21 black-and-white illustrations. $40.95 paper
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The Transformative Power of Performance: A New Aesthetics. By Erika Fischer-Lichte. Abingdon and New York: Routledge, 2008; 240 pp. $36.95
Paul Rae
TDR/The Drama Review (2011) 55 (1 (209)): 161–164.
View articletitled, <em>The Transformative Power of Performance: A New Aesthetics.</em> By Erika Fischer-Lichte. Abingdon and New York: Routledge, 2008; 240 pp. $36.95
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Kunstkammer, Laboratorium, Bühne: Schauplätze des Wissens im 17 Jahrhundert (Theatrum Scientiarium, Band 1). Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2003; xxix + 609 pp. $217.00 cloth. Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century (Theatrum Scientiarium, Vol. 1). Edited by Helmar Schramm, Ludger Schwarte, and Jan Lazardzig. Berlin: Walter de Gruyter, 2005; xxix + 594 pp. $217.00 cloth. Instrumente in Kunst und Wissenschaft. Zur Architektonik kultureller Grenzen im 17. Jahrhundert (Theatrum Scientiarium, Band 2). Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2006; xxix + 626 pp. $189.00 cloth. Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century (Theatrum Scientiarium, Vol. 2). Edited by Helmar Schramm, Ludger Schwarte, and Jan Lazardzig. Berlin: Walter de Gruyter, 2008; xxvii + 575 pp. $128.00 cloth. Spektakuläre Experimente. Praktiken der Evidenzproduktion im 17. Jahrhundert (Theatrum Scientiarium, Band 3). Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2006; xxxviii + 567 pp. $189.00 cloth. Spuren der Avantgarde: Theatrum machinarium. Frühe Neuzeit und Moderne im Kulturvergleich (Theatrum Scientiarium, Band 4). Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2008; xxxii + 533 pp. $165.00 cloth
Kati Rö;ttger, Alexander Jackob
TDR/The Drama Review (2011) 55 (1 (209)): 164–169.
View articletitled, <em>Kunstkammer, Laboratorium, Bühne: Schauplätze des Wissens im 17 Jahrhundert (Theatrum Scientiarium, Band 1).</em> Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2003; xxix + 609 pp. $217.00 cloth. <em>Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century (Theatrum Scientiarium, Vol. 1).</em> Edited by Helmar Schramm, Ludger Schwarte, and Jan Lazardzig. Berlin: Walter de Gruyter, 2005; xxix + 594 pp. $217.00 cloth. <em>Instrumente in Kunst und Wissenschaft. Zur Architektonik kultureller Grenzen im 17. Jahrhundert (Theatrum Scientiarium, Band 2).</em> Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2006; xxix + 626 pp. $189.00 cloth. <em>Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century (Theatrum Scientiarium, Vol. 2).</em> Edited by Helmar Schramm, Ludger Schwarte, and Jan Lazardzig. Berlin: Walter de Gruyter, 2008; xxvii + 575 pp. $128.00 cloth. <em>Spektakuläre Experimente. Praktiken der Evidenzproduktion im 17. Jahrhundert (Theatrum Scientiarium, Band 3).</em> Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2006; xxxviii + 567 pp. $189.00 cloth. <em>Spuren der Avantgarde: Theatrum machinarium. Frühe Neuzeit und Moderne im Kulturvergleich (Theatrum Scientiarium, Band 4).</em> Hrsg. von Helmar Schramm, Ludger Schwarte. und Jan Lazardzig. Berlin: Walter de Gruyter, 2008; xxxii + 533 pp. $165.00 cloth
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