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Issues
Provocation
Performance and the Political Police: The Cuban Short Circuit
TDR/The Drama Review (2011) 55 (1 (209)): 2–3.
Comment
In Memory
Articles
“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence
TDR/The Drama Review (2011) 55 (1 (209)): 16–45.
Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan
TDR/The Drama Review (2011) 55 (1 (209)): 104–119.
Performing a Geography of Asian America: The Chop Suey Circuit
TDR/The Drama Review (2011) 55 (1 (209)): 120–136.
Critical Acts
The Stage as a Drawing Board: Zuni Icosahedron's Architecture Is Art Festival
TDR/The Drama Review (2011) 55 (1 (209)): 137–148.
Gray Matter: Daniel Arsham, Jonah Bokaer, and Judith SÁnchez Ruíz's REPLICA
TDR/The Drama Review (2011) 55 (1 (209)): 149–152.
Books
Psychophysical Acting: An Intercultural Approach after Stanislavski. By Phillip B. Zarrilli. London and New York: Routledge, 2009; 255 pp; 21 black-and-white illustrations. $40.95 paper
TDR/The Drama Review (2011) 55 (1 (209)): 159–161.
The Transformative Power of Performance: A New Aesthetics. By Erika Fischer-Lichte. Abingdon and New York: Routledge, 2008; 240 pp. $36.95
TDR/The Drama Review (2011) 55 (1 (209)): 161–164.
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