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Issues
Jewish American Performance (Consortium Issue, Princeton University)
Provocation
Comment
Juliano Mer Khamis: Murder, Theatre, Freedom, Going Forward
TDR/The Drama Review (2011) 55 (3 (211)): 9–17.
Jewish American Performance
Balancing Act: Fiddler's Bottle Dance and the Transformation of “Tradition”
TDR/The Drama Review (2011) 55 (3 (211)): 21–30.
“This Lovely Land Is Mine”: Milk and Honey's Restorative Nostalgia for Israel
TDR/The Drama Review (2011) 55 (3 (211)): 31–39.
Uneasy Duets: Contemporary American Dances about Israel and the Mideast Crisis
TDR/The Drama Review (2011) 55 (3 (211)): 40–49.
Reading “Queer” Ashkenaz: This Time from East to West
TDR/The Drama Review (2011) 55 (3 (211)): 50–56.
Still Looking: Self-Love, Ethics, and Seeing Jewish
TDR/The Drama Review (2011) 55 (3 (211)): 100–109.
Enough Already!: It's Deborah Kass's Turn to Take the Stage
TDR/The Drama Review (2011) 55 (3 (211)): 110–123.
Graves and Images: Once Upon a Time in America and the Unmaking of Jewish Memory
TDR/The Drama Review (2011) 55 (3 (211)): 124–133.
Jew Media: Performance and Technology for the 58th Century
TDR/The Drama Review (2011) 55 (3 (211)): 134–143.
I Love My Country: Freedom of Speech, Aaron Sorkin, Elie Wiesel
TDR/The Drama Review (2011) 55 (3 (211)): 153–155.
Critical Acts
Clamorous Voices: Seven Jewish Children and Its Proliferating Publics
TDR/The Drama Review (2011) 55 (3 (211)): 156–164.
Books
The Empire of Love. By Elizabeth Povinelli. Durham: Duke University Press, 2006; 328 pp. $84.95 cloth, $23.95 paper. Desiring China. By Lisa Rofel. Durham: Duke University Press, 2007; 264 pp. $84.95 cloth, $23.95 paper. Romance on a Global Stage: Pen Pals, Virtual Ethnography, and “Mail-Order” Marriages. By Nicole Constable. Berkeley: University of California Press, 2003; 293 pp. $24.95 paper, e-book available
TDR/The Drama Review (2011) 55 (3 (211)): 178–182.
The President Electric: Ronald Reagan and the Politics of Performance. By Timothy Raphael. Ann Arbor: University of Michigan Press, 2009; 288 pp.; illustrations. $65.00 cloth, $26.95 paper
TDR/The Drama Review (2011) 55 (3 (211)): 182–183.
Crossroads: Performance Studies and Irish Culture. Edited by Sara Brady and Fintan Walsh. Basingstoke: Palgrave Macmillan, 2009; 256 pp. $80.00
TDR/The Drama Review (2011) 55 (3 (211)): 184–185.
Further On, Nothing: Tadeusz Kantor's Theatre. By Michal Kobialka. Minneapolis: University of Minnesota Press, 2009; 496 pp.; illustrations. $105.00 cloth, $35.00 paper
TDR/The Drama Review (2011) 55 (3 (211)): 185–187.
The Infinity Machine: Mike Parr's Performance Art, 1971–2005. By Edward Scheer. Melbourne: Schwartz City, 2009; 200 pp.; illustrations. $49.95 paper
TDR/The Drama Review (2011) 55 (3 (211)): 189–191.
Performance and Cognition: Theatre Studies and the Cognitive Turn. Edited by Bruce McConachie and F. Elizabeth Hart. London: Routledge, 2006; 256 pp. $153.00 cloth, $39.95 paper, e-book available. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. By Bruce McConachie. New York: Palgrave Macmillan, 2008; 260 pp. $80.00 cloth
TDR/The Drama Review (2011) 55 (3 (211)): 191–195.
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