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Issues

Vol. 56, Issue 1 (213)
Spring 2012
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Lo Cura Hidalgo: A Performative Transformation of Mexico's Symbolic Father
César Martínez
TDR/The Drama Review (2012) 56 (1 (213)): 2–3.
View articletitled, <em>Lo Cura</em> Hidalgo<span class="subtitle-colon">: </span><span class="subtitle">A Performative Transformation of Mexico's Symbolic Father</span>
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Announcements

2011 Student Essay Contest Winner and Jill Dolan Wins George Jean Nathan Award
TDR/The Drama Review (2012) 56 (1 (213)): 6.
View articletitled, 2011 Student Essay Contest Winner and Jill Dolan Wins George Jean Nathan Award
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Comment

Occupy Solidarity
Richard Schechner
TDR/The Drama Review (2012) 56 (1 (213)): 7–9.
View articletitled, Occupy Solidarity
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Articles

Iconoclasm Dictionary
Michael Taussig
TDR/The Drama Review (2012) 56 (1 (213)): 10–17.
View articletitled, Iconoclasm Dictionary
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On Empathy, Optimism, and Beautiful Play at the First African World Cup
Daniel Larlham
TDR/The Drama Review (2012) 56 (1 (213)): 18–47.
View articletitled, On Empathy, Optimism, and Beautiful Play at the First African World Cup
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Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young
Anna Watkins Fisher
TDR/The Drama Review (2012) 56 (1 (213)): 48–76.
View articletitled, Like a Girl's Name<span class="subtitle-colon">: </span><span class="subtitle">The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young</span>
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Dramatic Defiance in Tehran: Reflections on a Society of Contradictions
Torange Yeghiazarian
TDR/The Drama Review (2012) 56 (1 (213)): 77–92.
View articletitled, Dramatic Defiance in Tehran<span class="subtitle-colon">: </span><span class="subtitle">Reflections on a Society of Contradictions</span>
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Embodying Sacred History: Performing Creationism for Believers
Jill Stevenson
TDR/The Drama Review (2012) 56 (1 (213)): 93–113.
View articletitled, Embodying Sacred History<span class="subtitle-colon">: </span><span class="subtitle">Performing Creationism for Believers</span>
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A Split Discourse: Body Politics in Pakistan's Popular Punjabi Theatre
Claire Pamment
TDR/The Drama Review (2012) 56 (1 (213)): 114–127.
View articletitled, A Split Discourse<span class="subtitle-colon">: </span><span class="subtitle">Body Politics in Pakistan's Popular Punjabi Theatre</span>
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Mask Use by Chimpanzees
Charles W. Hyatt
TDR/The Drama Review (2012) 56 (1 (213)): 128–132.
View articletitled, Mask Use by Chimpanzees
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So You Think You Can Dance Does Dance Studies
Kate Elswit
TDR/The Drama Review (2012) 56 (1 (213)): 133–142.
View articletitled, <em>So You Think You Can Dance</em> Does Dance Studies
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Critical Acts

The Principle of Hope: Reflections on a Revival of Angels in America
Joshua Takano Chambers-Letson
TDR/The Drama Review (2012) 56 (1 (213)): 143–149.
View articletitled, The Principle of Hope<span class="subtitle-colon">: </span><span class="subtitle">Reflections on a Revival of <em>Angels in America</em></span>
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Trisha Brown's Water Motor: Forever, Now, and Again
Susan Rosenberg
TDR/The Drama Review (2012) 56 (1 (213)): 150–157.
View articletitled, Trisha Brown's <em>Water Motor</em><span class="subtitle-colon">: </span><span class="subtitle">Forever, Now, and Again</span>
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Books

The Scene of Harlem Cabaret: Race, Sexuality, Performance. By Shane Vogel. Chicago: University of Chicago Press, 2009; 257 pp. $60.00 cloth, $17.00 paper. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. By Tavia Nyong'o. Minneapolis: University of Minnesota Press, 2009; 230 pp. $67.50 cloth, $17.82 paper
Soyica D. Colbert
TDR/The Drama Review (2012) 56 (1 (213)): 158–160.
View articletitled, <em>The Scene of Harlem Cabaret: Race, Sexuality, Performance.</em> By Shane Vogel. Chicago: University of Chicago Press, 2009; 257 pp. $60.00 cloth, $17.00 paper. <em>The Amalgamation Waltz: Race, Performance, and the Ruses of Memory.</em> By Tavia Nyong'o. Minneapolis: University of Minnesota Press, 2009; 230 pp. $67.50 cloth, $17.82 paper
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All the King's Horses. By Michèle Bernstein. Translated by John Kelsey; introduction by John Kelsey; afterward by Odile Passot. Los Angeles: Semiotext(e), 2008; 143 pp. $14.95 paper
Kelly Baum
TDR/The Drama Review (2012) 56 (1 (213)): 161–163.
View articletitled, <em>All the King's Horses.</em> By Michèle Bernstein. Translated by John Kelsey; introduction by John Kelsey; afterward by Odile Passot. Los Angeles: Semiotext(e), 2008; 143 pp. $14.95 paper
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Correspondence: The Foundation of the Situationist International (June 1957–August 1960). By Guy Debord. Translated by Stuart Kendall and John McHale. Los Angeles: Semiotext(e), 2008; 397 pp. $55.00 cloth, $19.95 paper
Jean-Marie Apostolidès
TDR/The Drama Review (2012) 56 (1 (213)): 163–165.
View articletitled, <em>Correspondence: The Foundation of the Situationist International (June 1957–August 1960).</em> By Guy Debord. Translated by Stuart Kendall and John McHale. Los Angeles: Semiotext(e), 2008; 397 pp. $55.00 cloth, $19.95 paper
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Agency and Embodiment: Performing Gestures/Producing Culture. By Carrie Noland. Cambridge, MA: Harvard University Press, 2009; 264 pp.; illustrations. $47.50 cloth
Sima Belmar
TDR/The Drama Review (2012) 56 (1 (213)): 166–167.
View articletitled, <em>Agency and Embodiment: Performing Gestures/Producing Culture.</em> By Carrie Noland. Cambridge, MA: Harvard University Press, 2009; 264 pp.; illustrations. $47.50 cloth
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Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture. By Harris M. Berger. Middletown, CT: Wesleyan University Press, 2010; 200 pp. $24.95 paper, $70.00 cloth, e-book available
Ashley Ferro-Murray
TDR/The Drama Review (2012) 56 (1 (213)): 168–169.
View articletitled, <em>Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture.</em> By Harris M. Berger. Middletown, CT: Wesleyan University Press, 2010; 200 pp. $24.95 paper, $70.00 cloth, e-book available
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More Books
TDR/The Drama Review (2012) 56 (1 (213)): 170–171.
View articletitled, More Books
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