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Vol. 56, Issue 2 (214)
Summer 2012
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

Bazoocam 4′33″
John Greyson
TDR/The Drama Review (2012) 56 (2 (214)): 2–3.
View articletitled, Bazoocam 4′33″
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Articles

Reality Enchanted, Contact Mediated: A Story of Gob Squad
Nina Tecklenburg
TDR/The Drama Review (2012) 56 (2 (214)): 8–33.
View articletitled, Reality Enchanted, Contact Mediated: A Story of Gob Squad
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“Finland Is Dead, Dead, Dead”: Ethics and National Identity in Kristian Smeds's The Unknown Soldier
Hana Worthen
TDR/The Drama Review (2012) 56 (2 (214)): 34–55.
View articletitled, “Finland Is Dead, Dead, Dead”: Ethics and National Identity in Kristian Smeds's <em>The Unknown Soldier</em>
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“What Was the War Like?”: Experiencing Surrender; Talking with Josh Fox
James R. Ball, III, Gelsey Bell
TDR/The Drama Review (2012) 56 (2 (214)): 56–80.
View articletitled, “What Was the War Like?”: Experiencing <em>Surrender</em>; Talking with Josh Fox
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Ethnic Identity and Anti-Semitism: Tadeusz Słobodzianek Stages the Polish Taboo
Bryce Lease
TDR/The Drama Review (2012) 56 (2 (214)): 81–100.
View articletitled, Ethnic Identity and Anti-Semitism: Tadeusz Słobodzianek Stages the Polish Taboo
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Theatre's Heterotopia and the Site-Specific Production of Suitcase
Joanne Tompkins
TDR/The Drama Review (2012) 56 (2 (214)): 101–112.
View articletitled, Theatre's Heterotopia and the Site-Specific Production of <em>Suitcase</em>
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“Brand China” on the World Stage: Jingju, the Olympics, and Globalization
Megan Evans
TDR/The Drama Review (2012) 56 (2 (214)): 113–130.
View articletitled, “Brand China” on the World Stage: Jingju, the Olympics, and Globalization
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The Market, Ideology, and Convention: Jingju Performers' Creativity in the 21st Century
Li Ruru
TDR/The Drama Review (2012) 56 (2 (214)): 131–151.
View articletitled, The Market, Ideology, and Convention: Jingju Performers' Creativity in the 21st Century
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Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture
Yawen Ludden
TDR/The Drama Review (2012) 56 (2 (214)): 152–168.
View articletitled, Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture
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Still the Best Medicine, Even in a War Zone: My Work As a Medical Clown
Amnon Raviv
TDR/The Drama Review (2012) 56 (2 (214)): 169–177.
View articletitled, Still the Best Medicine, Even in a War Zone<span class="subtitle-colon">: </span><span class="subtitle">My Work As a Medical Clown</span>
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Critical Acts

Performance Art at the (Virginia) Margins: Anthony Restivo's Far Off and All Aflame
Carey Sargent, Rachel Thompson, Wendy Hsu
TDR/The Drama Review (2012) 56 (2 (214)): 178–184.
View articletitled, Performance Art at the (Virginia) Margins: Anthony Restivo's <em>Far Off and All Aflame</em>
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An Invitation to Pillage: Witness Relocation's Heaven on Earth
Sarah Kozinn
TDR/The Drama Review (2012) 56 (2 (214)): 184–190.
View articletitled, An Invitation to Pillage: Witness Relocation's <em>Heaven on Earth</em>
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Art Is Magic/It Cannot Succeed: Christoph Schlingensief's Via Intolleranza II
Matt Cornish
TDR/The Drama Review (2012) 56 (2 (214)): 191–197.
View articletitled, Art Is Magic/It Cannot Succeed: Christoph Schlingensief's <em>Via Intolleranza II</em>
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Books

Apollo's Angels: A History of Ballet. By Jennifer Homans. New York: Random House, 2010; 672 pp.; illustrations. $20.00 paper
Mark Franko
TDR/The Drama Review (2012) 56 (2 (214)): 198–203.
View articletitled, <em>Apollo's Angels: A History of Ballet.</em> By Jennifer Homans. New York: Random House, 2010; 672 pp.; illustrations. $20.00 paper
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Little Did I Know: Excerpts from Memory. By Stanley Cavell. Stanford, CA: Stanford University Press, 2010; 557 pp.; $34.95 cloth, e-book available
Matthew Goulish
TDR/The Drama Review (2012) 56 (2 (214)): 203–205.
View articletitled, <em>Little Did I Know: Excerpts from Memory.</em> By Stanley Cavell. Stanford, CA: Stanford University Press, 2010; 557 pp.; $34.95 cloth, e-book available
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Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland. By Bill McDonnell. Exeter: University of Exeter Press, 2008. Distributed in North America by University of Chicago Press; 254 pp.; $89.95 cloth, $32.95 paper
Aoife Monks
TDR/The Drama Review (2012) 56 (2 (214)): 205–206.
View articletitled, <em>Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland.</em> By Bill McDonnell. Exeter: University of Exeter Press, 2008. Distributed in North America by University of Chicago Press; 254 pp.; $89.95 cloth, $32.95 paper
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Grotowski's Empty Room. Edited by Paul Allain. London and New York: Seagull Books, 2009; 233 pp.; illustrations. $29.00 cloth
Kermit Dunkelberg
TDR/The Drama Review (2012) 56 (2 (214)): 207–209.
View articletitled, <em>Grotowski's Empty Room.</em> Edited by Paul Allain. London and New York: Seagull Books, 2009; 233 pp.; illustrations. $29.00 cloth
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Theatre Histories: An Introduction. 2nd Edition. By Phillip B. Zarrilli, Bruce McConachie, Gary Jay Williams, and Carol Fisher Sorgenfrei. Edited by Gary Jay Williams. London: Routledge, 2006; xxvi + 630 pp.; illustrations. $125.25 cloth, $59.95 paper. The Cambridge Introduction to Theatre Historiography. By Thomas Postlewait. Cambridge: Cambridge University Press, 2009; 360 pp.; illustrations. $87.00 cloth, $29.95 paper. Representing the Past: Essays in Performance Historiography. Edited by Charlotte Canning and Thomas Postlewait. Iowa City: University of Iowa Press, 2010; 428 pp.; $29.95 paper, e-book available
Michal Kobialka
TDR/The Drama Review (2012) 56 (2 (214)): 209–213.
View articletitled, <em>Theatre Histories: An Introduction. 2nd Edition.</em> By Phillip B. Zarrilli, Bruce McConachie, Gary Jay Williams, and Carol Fisher Sorgenfrei. Edited by Gary Jay Williams. London: Routledge, 2006; xxvi + 630 pp.; illustrations. $125.25 cloth, $59.95 paper. <em>The Cambridge Introduction to Theatre Historiography.</em> By Thomas Postlewait. Cambridge: Cambridge University Press, 2009; 360 pp.; illustrations. $87.00 cloth, $29.95 paper. <em>Representing the Past: Essays in Performance Historiography.</em> Edited by Charlotte Canning and Thomas Postlewait. Iowa City: University of Iowa Press, 2010; 428 pp.; $29.95 paper, e-book available
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More Books
TDR/The Drama Review (2012) 56 (2 (214)): 213–215.
View articletitled, More Books
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