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Issues
Spring 2014
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ISSN 1054-2043
EISSN 1531-4715
In this Issue
Provocation
Articles
Theatre Building, Building Theatre: Fostering Disruption and Community through Arts and Education
TDR/The Drama Review (2014) 58 (1 (221)): 9–15.
Performing Dream or Reality: The Dilemma of Chinese Community-Based Theatre
TDR/The Drama Review (2014) 58 (1 (221)): 16–23.
Spiritual Farming: Performance at Shanghai's Downstream Garage
TDR/The Drama Review (2014) 58 (1 (221)): 24–41.
Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre
TDR/The Drama Review (2014) 58 (1 (221)): 42–63.
China's Experimental Mainstream: The Badass Theatre of Meng Jinghui
TDR/The Drama Review (2014) 58 (1 (221)): 64–88.
Queer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Mother
TDR/The Drama Review (2014) 58 (1 (221)): 89–107.
Adaptation as Hospitality: Shanghai Theatre Academy Winter Institute 2013 Performance Series
TDR/The Drama Review (2014) 58 (1 (221)): 108–117.
Remembering and Reenacting Hunger: Caochangdi Workstation's Minjian Memory Project
TDR/The Drama Review (2014) 58 (1 (221)): 118–140.
Pieces
Books
Perform, Repeat, Record: Live Art in History. Edited by Amelia Jones and Adrian Heathfield. Bristol, UK: Intellect, 2012; 652 pp.; illustrations. $95.00 paper
TDR/The Drama Review (2014) 58 (1 (221)): 167–169.
Puppet: An Essay on Uncanny Life. By Kenneth Gross. Chicago: University of Chicago Press, 2011; 224 pp.; illustrations. $25.00 cloth, $15.00 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 169–171.
Changed for Good: A Feminist History of the Broadway Musical. By Stacy Wolf. New York: Oxford University Press, 2011. 320 pp.; illustrations. $99.00 cloth, $24.95 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 174–175.
Voice: Vocal Aesthetics in Digital Arts and Media. Edited by Norie Neumark, Ross Gibson, and Theo van Leeuwen. Cambridge, MA: MIT Press, 2010; 440 pp. $40.00 cloth, e-book available. Dramatic Theories of Voice in the Twentieth Century. By Andrew M. Kimbrough. Amherst, NY: Cambria Press, 2011; 334 pp. $114.99 cloth, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 178–181.
Artificial Hells: Participatory Art and the Politics of Spectatorship. By Claire Bishop. London: Verso, 2012. 390 pp. $29.95 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 181–183.
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