Skip Nav Destination
Issues
/5/m_bounding_box_128x128_dram.2014.58.issue-1.cover.jpeg?Expires=1731743727&Signature=lR9GN63~wKhfDnvasj2YLGanQZl5PZ7414wFRIIxNU10v~jOGFVkrpsLs4W7gRAJG389sWTcezLkFzI3uM5fow1rEY5hphVot2byWfikxCYGburmyulldihYc~jZsGic6h8WMeGp6zknF4kzUfFgASTVhJuUBU10PgXSQddcDsSyZdxgwMx6IuXkJ~~WAW98V0ayrhpCOq-8uC4xGU4GbStpCe2jpq5piLY0CLRUUmzTNRRfBtRamLIr7QO4csouCwrxzpwtWLY~wcuwrWwtULjPAdZ4G-B5K3ZkQyP-wcvcV6fqLJ7jIlj3t3Gg1GD6F1OLXKAuRq-MXMLQT-GORQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/5/bounding_box_128x128_dram.2014.58.issue-1.cover.jpeg?Expires=1731743727&Signature=rAcsNQ7BdNTFumdt0mL0iP95qMcuKbsuOOs1jdamNiB-MIG~f0DT35jULdW3scjhm2WYQrnKgngdFVAoCVnyr1L8M8RZpqFVl8lCAtvIi-BaPJrctUFzYjRpT4Pqs594xrlDQLkcsQOx7bztMCS3zYcXH462PKuW4Q6Mzp2oHUYOey7Rhgtx8B8y-bb3kkmxRpi6yBCuMwlK71j7RQsFa3B3npNGCnoHaBsoDQaFm~9BrRLeV9aKKmWAkkFykkwyNMy3DDedhm9lx0rHwyNQvSL9khhdLDt82iIBdYxJmOL4kb9g7gqPIvMVqueD2GIzVJbaA4D5ZVVzSwuQQrpIzg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Provocation
Articles
Theatre Building, Building Theatre: Fostering Disruption and Community through Arts and Education
TDR/The Drama Review (2014) 58 (1 (221)): 9–15.
China's Experimental Mainstream: The Badass Theatre of Meng Jinghui
TDR/The Drama Review (2014) 58 (1 (221)): 64–88.
Queer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Mother
TDR/The Drama Review (2014) 58 (1 (221)): 89–107.
Adaptation as Hospitality: Shanghai Theatre Academy Winter Institute 2013 Performance Series
TDR/The Drama Review (2014) 58 (1 (221)): 108–117.
Pieces
Books
Perform, Repeat, Record: Live Art in History. Edited by Amelia Jones and Adrian Heathfield. Bristol, UK: Intellect, 2012; 652 pp.; illustrations. $95.00 paper
TDR/The Drama Review (2014) 58 (1 (221)): 167–169.
Puppet: An Essay on Uncanny Life. By Kenneth Gross. Chicago: University of Chicago Press, 2011; 224 pp.; illustrations. $25.00 cloth, $15.00 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 169–171.
Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements. By Richard K. Sherwin. London: Routledge, 2011; 270 pp. $135.00 cloth, $42.95 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 171–173.
Changed for Good: A Feminist History of the Broadway Musical. By Stacy Wolf. New York: Oxford University Press, 2011. 320 pp.; illustrations. $99.00 cloth, $24.95 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 174–175.
Racial Indigestion: Eating Bodies in the 19th Century. By Kyla Wazana Tompkins. New York: New York University Press, 2012; 288 pp.; illustrations. $75.00 cloth, $24.00 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 175–177.
Voice: Vocal Aesthetics in Digital Arts and Media. Edited by Norie Neumark, Ross Gibson, and Theo van Leeuwen. Cambridge, MA: MIT Press, 2010; 440 pp. $40.00 cloth, e-book available. Dramatic Theories of Voice in the Twentieth Century. By Andrew M. Kimbrough. Amherst, NY: Cambria Press, 2011; 334 pp. $114.99 cloth, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 178–181.
Artificial Hells: Participatory Art and the Politics of Spectatorship. By Claire Bishop. London: Verso, 2012. 390 pp. $29.95 paper, e-book available
TDR/The Drama Review (2014) 58 (1 (221)): 181–183.
Email alerts
Advertisement