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Summer 2014
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ISSN 1054-2043
EISSN 1531-4715
Provocation
In Memory
Articles
Remembering Feminist Remimesis: A Riddle in Three Parts
TDR/The Drama Review (2014) 58 (2 (222)): 14–32.
Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments
TDR/The Drama Review (2014) 58 (2 (222)): 33–50.
Theatre, Masculinity, and Class in the First World War: Vivian Gilbert Performs the Last Crusade
TDR/The Drama Review (2014) 58 (2 (222)): 51–71.
Work and Shoot: Professional Wrestling and Embodied Politics
TDR/The Drama Review (2014) 58 (2 (222)): 72–86.
Student Essay Contest Co-Winners
Shot and Captured: Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project
TDR/The Drama Review (2014) 58 (2 (222)): 99–114.
An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation
TDR/The Drama Review (2014) 58 (2 (222)): 115–131.
Student Essay Contest Honorable Mention
Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord's Racial Project
TDR/The Drama Review (2014) 58 (2 (222)): 132–148.
Pieces
Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics: a psychomagic script for a hard recovery
TDR/The Drama Review (2014) 58 (2 (222)): 149–162.
Critical Acts
The Subterranean Language of Jeanine Durning's inging and Monique Jenkinson's Instrument
TDR/The Drama Review (2014) 58 (2 (222)): 163–171.
Books
Antigone on the Contemporary World Stage. Edited by Erin B. Mee and Helene P. Foley. Oxford: Oxford University Press, 2011; 492 pp.; illustrations. $150.00 cloth, e-book available
TDR/The Drama Review (2014) 58 (2 (222)): 183–184.
The Brightest Thing in the World: 3 Lectures from the Institute of Failure. By Matthew Goulish. Chicago: Green Lantern Press, 2012; 72 pp. $12.00 paper
TDR/The Drama Review (2014) 58 (2 (222)): 184–186.
Ensemble Theatre Making: A Practical Guide. By Rose Burnett Bonczek and David Storck. New York: Routledge, 2013; 230 pp. $126.00 cloth, $33.95 paper, e-book available
TDR/The Drama Review (2014) 58 (2 (222)): 186–188.
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