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Issues

Vol. 58, Issue 2 (222)
Summer 2014
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

The Con
Aliza Shvarts
TDR/The Drama Review (2014) 58 (2 (222)): 2–3.
View articletitled, The Con
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In Memory

José Esteban Muñoz
Barbara Browning, Vaginal Davis, Coco Fusco, Carmelita Tropicana, Alina Troyano ...
TDR/The Drama Review (2014) 58 (2 (222)): 7–13.
View articletitled, José Esteban Muñoz
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Articles

Remembering Feminist Remimesis: A Riddle in Three Parts
Rebecca Schneider
TDR/The Drama Review (2014) 58 (2 (222)): 14–32.
View articletitled, Remembering Feminist Remimesis: A Riddle in Three Parts
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Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments
Petra Kuppers
TDR/The Drama Review (2014) 58 (2 (222)): 33–50.
View articletitled, Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments
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Theatre, Masculinity, and Class in the First World War: Vivian Gilbert Performs the Last Crusade
Eitan Bar-Yosef
TDR/The Drama Review (2014) 58 (2 (222)): 51–71.
View articletitled, Theatre, Masculinity, and Class in the First World War: Vivian Gilbert Performs the Last Crusade
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Work and Shoot: Professional Wrestling and Embodied Politics
Broderick D.V. Chow
TDR/The Drama Review (2014) 58 (2 (222)): 72–86.
View articletitled, Work and Shoot: Professional Wrestling and Embodied Politics
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Still Thrills: The Drama of Chess
Gary Alan Fine, Harvey Young
TDR/The Drama Review (2014) 58 (2 (222)): 87–98.
View articletitled, Still Thrills: The Drama of Chess
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Student Essay Contest Co-Winners

Shot and Captured: Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project
Naomi Bragin
TDR/The Drama Review (2014) 58 (2 (222)): 99–114.
View articletitled, Shot and Captured: Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project
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An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation
Gillian Turner Young
TDR/The Drama Review (2014) 58 (2 (222)): 115–131.
View articletitled, An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation
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Student Essay Contest Honorable Mention

Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord's Racial Project
Bryan Schmidt
TDR/The Drama Review (2014) 58 (2 (222)): 132–148.
View articletitled, <em>Fatty Boom Boom</em> and the Transnationality of Blackface in Die Antwoord's Racial Project
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Pieces

Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics: a psychomagic script for a hard recovery
Guillermo Gómez-Peña
TDR/The Drama Review (2014) 58 (2 (222)): 149–162.
View articletitled, Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics: <em>a psychomagic script for a hard recovery</em>
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Critical Acts

The Subterranean Language of Jeanine Durning's inging and Monique Jenkinson's Instrument
Megan V. Nicely
TDR/The Drama Review (2014) 58 (2 (222)): 163–171.
View articletitled, The Subterranean Language of Jeanine Durning's <em>inging</em> and Monique Jenkinson's <em>Instrument</em>
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Making Theatre Art: David Levine's Habit
Sarah Kozinn
TDR/The Drama Review (2014) 58 (2 (222)): 171–176.
View articletitled, Making Theatre Art: David Levine's <em>Habit</em>
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Books

The Cambridge Companion to African American Theatre. Edited by Harvey Young. Cambridge: Cambridge University Press, 2012; 313 pp.; illustrations. $94.00 cloth, $30.99 paper, e-book available
David Krasner
TDR/The Drama Review (2014) 58 (2 (222)): 177–179.
View articletitled, <em>The Cambridge Companion to African American Theatre.</em> Edited by Harvey Young. Cambridge: Cambridge University Press, 2012; 313 pp.; illustrations. $94.00 cloth, $30.99 paper, e-book available
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Racial Innocence: Performing American Childhood from Slavery to Civil Rights. By Robin Bernstein. New York: New York University Press, 2011; 318 pp.; illustrations. $79.00 cloth, $24.00 paper, e-book available
Amma Y. Ghartey-Tagoe Kootin
TDR/The Drama Review (2014) 58 (2 (222)): 179–180.
View articletitled, <em>Racial Innocence: Performing American Childhood from Slavery to Civil Rights.</em> By Robin Bernstein. New York: New York University Press, 2011; 318 pp.; illustrations. $79.00 cloth, $24.00 paper, e-book available
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Sex, Drag, and Male Roles: Investigating Gender as Performance. By Diane Torr and Stephen Bottoms. Ann Arbor: University of Michigan Press, 2010; 314 pp.; illustrations. $70.00 cloth, $26.95 paper
Tanya Augsburg
TDR/The Drama Review (2014) 58 (2 (222)): 180–182.
View articletitled, <em>Sex, Drag, and Male Roles: Investigating Gender as Performance.</em> By Diane Torr and Stephen Bottoms. Ann Arbor: University of Michigan Press, 2010; 314 pp.; illustrations. $70.00 cloth, $26.95 paper
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Antigone on the Contemporary World Stage. Edited by Erin B. Mee and Helene P. Foley. Oxford: Oxford University Press, 2011; 492 pp.; illustrations. $150.00 cloth, e-book available
Marvin Carlson
TDR/The Drama Review (2014) 58 (2 (222)): 183–184.
View articletitled, <em>Antigone on the Contemporary World Stage.</em> Edited by Erin B. Mee and Helene P. Foley. Oxford: Oxford University Press, 2011; 492 pp.; illustrations. $150.00 cloth, e-book available
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The Brightest Thing in the World: 3 Lectures from the Institute of Failure. By Matthew Goulish. Chicago: Green Lantern Press, 2012; 72 pp. $12.00 paper
Jon Foley Sherman
TDR/The Drama Review (2014) 58 (2 (222)): 184–186.
View articletitled, <em>The Brightest Thing in the World: 3 Lectures from the Institute of Failure.</em> By Matthew Goulish. Chicago: Green Lantern Press, 2012; 72 pp. $12.00 paper
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Ensemble Theatre Making: A Practical Guide. By Rose Burnett Bonczek and David Storck. New York: Routledge, 2013; 230 pp. $126.00 cloth, $33.95 paper, e-book available
Rachel Anderson-Rabern
TDR/The Drama Review (2014) 58 (2 (222)): 186–188.
View articletitled, <em>Ensemble Theatre Making: A Practical Guide.</em> By Rose Burnett Bonczek and David Storck. New York: Routledge, 2013; 230 pp. $126.00 cloth, $33.95 paper, e-book available
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