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Vol. 59, Issue 1 (225)

Spring 2015

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ISSN 1054-2043

EISSN 1531-4715

In this Issue

Provocation
TDR Comment
On Reggie Wilson and Moses(es): A Special Section by Susan Manning
Articles
Critical Acts
Books

Provocation

Sidewalk’s Cloud (2014)

Kader Attia

TDR/The Drama Review (2015) 59 (1 (225)): 2.

Abstract

View articletitled, Sidewalk’s Cloud (2014)

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TDR Comment

A Thousand Birds Flying

Eugenio Barba

TDR/The Drama Review (2015) 59 (1 (225)): 8–9.

Abstract

View articletitled, A Thousand Birds Flying

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Who Has Seen the Most?

Joseph Roach

TDR/The Drama Review (2015) 59 (1 (225)): 9–11.

Abstract

View articletitled, Who Has Seen the Most?

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On Reggie Wilson and Moses(es): A Special Section by Susan Manning

On Reggie Wilson and Moses(es): Complete Special Section (4 articles)

Susan Manning

TDR/The Drama Review (2015) 59 (1 (225)): 12–66.

View articletitled, On Reggie Wilson and Moses(es): Complete Special Section (4 articles)

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Reggie Wilson and the Traditions of American Dance

Susan Manning

TDR/The Drama Review (2015) 59 (1 (225)): 12–24.

Abstract

View articletitled, Reggie Wilson and the Traditions of American Dance

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Reggie Wilson in Conversation

Susan Manning

TDR/The Drama Review (2015) 59 (1 (225)): 25–33.

Abstract

View articletitled, Reggie Wilson in Conversation

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On the Making of Moses(es): Notes from a Dramaturg’s Journal

Susan Manning

TDR/The Drama Review (2015) 59 (1 (225)): 34–54.

Abstract

View articletitled, On the Making of Moses(es): Notes from a Dramaturg’s Journal

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Zora, Zar, Ohad, and Nubia: Research Memos for Reggie Wilson’s Moses(es)

Susan Manning

TDR/The Drama Review (2015) 59 (1 (225)): 55–66.

Abstract

View articletitled, Zora, Zar, Ohad, and Nubia: Research Memos for Reggie Wilson’s Moses(es)

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Articles

Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand

Nicola Hyland

TDR/The Drama Review (2015) 59 (1 (225)): 67–82.

Abstract

View articletitled, Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand

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K-Contagion: Sound, Speed, and Space in “Gangnam Style”

Marcus Tan

TDR/The Drama Review (2015) 59 (1 (225)): 83–96.

Abstract

View articletitled, K-Contagion: Sound, Speed, and Space in “Gangnam Style”

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Theatre in Contested Lands: Repatriating Indigenous Remains

Julie Burelle

TDR/The Drama Review (2015) 59 (1 (225)): 97–118.

Abstract

View articletitled, Theatre in Contested Lands: Repatriating Indigenous Remains

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Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

Bryce Lease

TDR/The Drama Review (2015) 59 (1 (225)): 119–135.

Abstract

View articletitled, Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

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Priamaia liniia s Vladimirom Putinym: Performing Democracy Putin-Style

Catherine A. Schuler

TDR/The Drama Review (2015) 59 (1 (225)): 136–160.

Abstract

View articletitled, Priamaia liniia s Vladimirom Putinym: Performing Democracy Putin-Style

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Critical Acts

Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.

Rizvana Bradley

TDR/The Drama Review (2015) 59 (1 (225)): 161–166.

Abstract

View articletitled, Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.

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Disability Performance in the Streets: Art Actions in Post-Quake Christchurch

Petra Kuppers

TDR/The Drama Review (2015) 59 (1 (225)): 166–174.

Abstract

View articletitled, Disability Performance in the Streets: Art Actions in Post-Quake Christchurch

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Turbulent Communisms: Raqs Media Collective’s The Last International

Ethan Philbrick

TDR/The Drama Review (2015) 59 (1 (225)): 174–180.

Abstract

View articletitled, Turbulent Communisms: Raqs Media Collective’s The Last International

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Books

Cultural Struggles: Performance, Ethnography, Praxis. By Dwight Conquergood, edited by E. Patrick Johnson. Ann Arbor: University of Michigan Press, 2013; 344 pp.; illustrations. $90.00 cloth, $37.50 paper

Renée Alexander Craft

TDR/The Drama Review (2015) 59 (1 (225)): 181–183.

View articletitled, Cultural Struggles: Performance, Ethnography, Praxis. By Dwight Conquergood, edited by E. Patrick Johnson. Ann Arbor: University of Michigan Press, 2013; 344 pp.; illustrations. $90.00 cloth, $37.50 paper

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Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest. By Paul A. Scolieri. Austin: University of Texas Press, 2013; 227 pp.; illustrations. $55.00 cloth

Angela Marino

TDR/The Drama Review (2015) 59 (1 (225)): 183–184.

View articletitled, Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest. By Paul A. Scolieri. Austin: University of Texas Press, 2013; 227 pp.; illustrations. $55.00 cloth

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The Cambridge Introduction to Theatre Directing. Edited by Christopher Innes and Maria Shevtsova. Cambridge: Cambridge University Press, 2013; 296 pp.; $75.00 cloth, $24.99 paper, e-book available

Michael Earley

TDR/The Drama Review (2015) 59 (1 (225)): 185–186.

View articletitled, The Cambridge Introduction to Theatre Directing. Edited by Christopher Innes and Maria Shevtsova. Cambridge: Cambridge University Press, 2013; 296 pp.; $75.00 cloth, $24.99 paper, e-book available

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The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. By James M. Harding. Ann Arbor: University of Michigan Press, 2013; 234 pp. $60.00 cloth, $32.50 paper

Kate Bredeson

TDR/The Drama Review (2015) 59 (1 (225)): 187–188.

View articletitled, The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. By James M. Harding. Ann Arbor: University of Michigan Press, 2013; 234 pp. $60.00 cloth, $32.50 paper

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Glorious Catastrophe: Jack Smith, Performance and Visual Culture. By Dominic Johnson. Manchester: Manchester University Press, 2012; 256 pp.; illustrations. $95.00 cloth, $32.95 paper

Elizabeth Wiet

TDR/The Drama Review (2015) 59 (1 (225)): 189–190.

View articletitled, Glorious Catastrophe: Jack Smith, Performance and Visual Culture. By Dominic Johnson. Manchester: Manchester University Press, 2012; 256 pp.; illustrations. $95.00 cloth, $32.95 paper

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“We’re People Who Do Shows”: Back to Back Theatre: Performance, Politics, Visibility. Edited by Helena Grehan and Peter Eckersall. Aberystwyth, UK: Performance Research Books, 2013; 284 pp.; illustrations. £33.50 paper

Theron Schmidt

TDR/The Drama Review (2015) 59 (1 (225)): 190–192.

View articletitled, “We’re People Who Do Shows”: Back to Back Theatre: Performance, Politics, Visibility. Edited by Helena Grehan and Peter Eckersall. Aberystwyth, UK: Performance Research Books, 2013; 284 pp.; illustrations. £33.50 paper

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More Books

TDR/The Drama Review (2015) 59 (1 (225)): 192–194.

View articletitled, More Books

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Provocation

Sidewalk’s Cloud (2014)

TDR Comment

A Thousand Birds Flying

Who Has Seen the Most?

On Reggie Wilson and Moses(es): A Special Section by Susan Manning

On Reggie Wilson and Moses(es): Complete Special Section (4 articles)

Reggie Wilson and the Traditions of American Dance

Reggie Wilson in Conversation

On the Making of Moses(es): Notes from a Dramaturg’s Journal

Zora, Zar, Ohad, and Nubia: Research Memos for Reggie Wilson’s Moses(es)

Articles

Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand

K-Contagion: Sound, Speed, and Space in “Gangnam Style”

Theatre in Contested Lands: Repatriating Indigenous Remains

Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

Priamaia liniia s Vladimirom Putinym: Performing Democracy Putin-Style

Critical Acts

Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.

Disability Performance in the Streets: Art Actions in Post-Quake Christchurch

Turbulent Communisms: Raqs Media Collective’s The Last International

Books

Cultural Struggles: Performance, Ethnography, Praxis. By Dwight Conquergood, edited by E. Patrick Johnson. Ann Arbor: University of Michigan Press, 2013; 344 pp.; illustrations. $90.00 cloth, $37.50 paper

Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest. By Paul A. Scolieri. Austin: University of Texas Press, 2013; 227 pp.; illustrations. $55.00 cloth

The Cambridge Introduction to Theatre Directing. Edited by Christopher Innes and Maria Shevtsova. Cambridge: Cambridge University Press, 2013; 296 pp.; $75.00 cloth, $24.99 paper, e-book available

The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. By James M. Harding. Ann Arbor: University of Michigan Press, 2013; 234 pp. $60.00 cloth, $32.50 paper

Glorious Catastrophe: Jack Smith, Performance and Visual Culture. By Dominic Johnson. Manchester: Manchester University Press, 2012; 256 pp.; illustrations. $95.00 cloth, $32.95 paper

“We’re People Who Do Shows”: Back to Back Theatre: Performance, Politics, Visibility. Edited by Helena Grehan and Peter Eckersall. Aberystwyth, UK: Performance Research Books, 2013; 284 pp.; illustrations. £33.50 paper

More Books

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Issues

Cover Image

Provocation

TDR Comment

On Reggie Wilson and Moses(es): A Special Section by Susan Manning

Articles

Critical Acts

Books

Product(s) added to cart

Email alerts

RSS Feeds

A product of The MIT Press

MIT Press Direct

Information

MIT Press

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