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Issues
Summer 2015
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ISSN 1054-2043
EISSN 1531-4715
In this Issue
Provocation
TDR Comment
Articles
Archiving the “Thing”: Teatro da Vertigem’s Bom Retiro 958 metros
TDR/The Drama Review (2015) 59 (2 (226)): 58–73.
The Witness Security Program: Becoming Imperceptible in the Relocation Matrix
TDR/The Drama Review (2015) 59 (2 (226)): 74–91.
More than Meets the Ear: An Account of the Shared (Ac)counts of Cage and Stravinsky
TDR/The Drama Review (2015) 59 (2 (226)): 92–102.
No Flowers: Performative Interventions “at the Moment of” Margaret Thatcher’s Passing
TDR/The Drama Review (2015) 59 (2 (226)): 103–113.
Stumping and Stunts: Walking in Circles in the “Go-As-You-Please” Race
TDR/The Drama Review (2015) 59 (2 (226)): 129–150.
Critical Acts
Sleeping Our Way to Consciousness: Jim Findlay’s Dream of the Red Chamber
TDR/The Drama Review (2015) 59 (2 (226)): 151–157.
In the Domain of The Nether: Theatre and Virtuality in a World without Consequence
TDR/The Drama Review (2015) 59 (2 (226)): 157–163.
The Object in Question: The FIDENA International Puppetry Festival
TDR/The Drama Review (2015) 59 (2 (226)): 164–169.
Books
Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba. By Laurie A. Frederik. Durham, NC: Duke University Press, 2012; 360 pp.; illustrations. $94.95 cloth, $25.95 paper. Cuba Inside Out: Revolution and Contemporary Theatre. By Yael Prizant. Carbondale: University of Illinois Press, 2014; 192 pp.; illustrations. $40.00 paper
TDR/The Drama Review (2015) 59 (2 (226)): 170–173.
Beijing Xingwei: Contemporary Chinese Time-Based Art. By Meiling Cheng. Kolkata: Seagull Books, 2013; 510 pp.; illustrations. $40.00 paper
TDR/The Drama Review (2015) 59 (2 (226)): 173–175.
Black Performance Theory. Edited by Thomas F. DeFrantz and Anita Gonzalez. Durham, NC: Duke University Press, 2014; 296 pp.; illustrations. $24.95 paper
TDR/The Drama Review (2015) 59 (2 (226)): 175–178.
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