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Issues

Vol. 60, Issue 4 (232)
Winter 2016
TDR/The Drama Review Cover Image for Volume 60, Issue 4 (232)
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Rebirth
Kia Labeija
TDR/The Drama Review (2016) 60 (4 (232)): 2–3.
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Etc.

Sara Brady Returns to TDR
Richard Schechner
TDR/The Drama Review (2016) 60 (4 (232)): 8.
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Thank You Rabih, and Welcome taisha
Mariellen R. Sandford
TDR/The Drama Review (2016) 60 (4 (232)): 8–9.
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Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
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Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
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TDR Comment

Practical Jobs for Utopian Artists (From the “Imaginary Activism” Series)
Guillermo Gómez-Peña, Emma Tramposch
TDR/The Drama Review (2016) 60 (4 (232)): 10–13.
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Articles

Social Performance Studies: An Evolving Process of Endless Dualities
William Huizhu Sun
TDR/The Drama Review (2016) 60 (4 (232)): 14–21.
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China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
Chiayi Seetoo, Haoping Zou
TDR/The Drama Review (2016) 60 (4 (232)): 22–49.
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Social Circus: The Cultural Politics of Embodying “Social Transformation”
Jennifer Beth Spiegel
TDR/The Drama Review (2016) 60 (4 (232)): 50–67.
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Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
Dan Friedman
TDR/The Drama Review (2016) 60 (4 (232)): 68–91.
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Towards a New Cutting Edge: Where Avantgarde Meets Community Art
Eugene van Erven
TDR/The Drama Review (2016) 60 (4 (232)): 92–107.
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Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
Yongwen Peng
TDR/The Drama Review (2016) 60 (4 (232)): 108–117.
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A Sociological Consideration of Prayer and Agency
Anna Sun
TDR/The Drama Review (2016) 60 (4 (232)): 118–129.
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Performance and Politics: President Obama’s Dramatic Reelection in 2012
Jeffrey C. Alexander
TDR/The Drama Review (2016) 60 (4 (232)): 130–142.
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Critical Acts

Sara (the smuggler): Choreographing a Transparent Archive
Megan V. Nicely
TDR/The Drama Review (2016) 60 (4 (232)): 143–148.
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Opera and the Folds of Time in the Prototype Festival
Gelsey Bell
TDR/The Drama Review (2016) 60 (4 (232)): 149–157.
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Books

The Illuminated Theatre: Studies on the Suffering of Images. By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper
Theron Schmidt
TDR/The Drama Review (2016) 60 (4 (232)): 158–159.
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The Builders Association: Performance and Media in Contemporary Theater. By Shannon Jackson and Marianne Weems. Cambridge, MA: The MIT Press, 2015; 456 pp.; illustrations. $39.95 cloth, e-book available
Steve Luber
TDR/The Drama Review (2016) 60 (4 (232)): 160–162.
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Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century. Edited by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib. London: Bloomsbury Methuen Drama, 2014; 416 pp.; illustrations. $130.00 cloth, $39.95 paper, e-book available
Paul Rae
TDR/The Drama Review (2016) 60 (4 (232)): 162–165.
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Shapeshifters: Black Girls and the Choreography of Citizenship. By Aimee Meredith Cox. Durham, NC: Duke University Press, 2015; 296 pp.; $94.95 cloth, $25.95 paper, e-book available
Danielle Bainbridge
TDR/The Drama Review (2016) 60 (4 (232)): 165–167.
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Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present. By Michael Malek Najjar. Jefferson, NC: McFarland, 2015; 228 pp.; illustrations. $45.00 cloth
Edward Ziter
TDR/The Drama Review (2016) 60 (4 (232)): 167–169.
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Brecht on Theatre. By Bertolt Brecht. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Translated by Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury, 2014; 328 pp.; illustrations. £60.00 cloth, £18.99 paper, e-book available. Brecht on Performance: Messingkauf and Modelbooks. By Bertolt Brecht. Edited by Tom Kuhn, Steve Giles, and Marc Silberman. Translated by Charlotte Ryland, Romy Fursland, Steve Giles, Tom Kuhn, and John Willett. London: Bloomsbury, 2014; 297 pp.; illustrations. $112.00 cloth, $37.95 paper, e-book available
José Enrique Macián
TDR/The Drama Review (2016) 60 (4 (232)): 169–173.
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More Books
Keary Watts
TDR/The Drama Review (2016) 60 (4 (232)): 173–174.
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  • Print ISSN 1054-2043
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