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Issues
Winter 2016
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ISSN 1054-2043
EISSN 1531-4715
In this Issue
Provocation
Etc.
Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
TDR Comment
Practical Jobs for Utopian Artists (From the “Imaginary Activism” Series)
TDR/The Drama Review (2016) 60 (4 (232)): 10–13.
Articles
Social Performance Studies: An Evolving Process of Endless Dualities
TDR/The Drama Review (2016) 60 (4 (232)): 14–21.
China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
TDR/The Drama Review (2016) 60 (4 (232)): 22–49.
Social Circus: The Cultural Politics of Embodying “Social Transformation”
TDR/The Drama Review (2016) 60 (4 (232)): 50–67.
Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
TDR/The Drama Review (2016) 60 (4 (232)): 68–91.
Towards a New Cutting Edge: Where Avantgarde Meets Community Art
TDR/The Drama Review (2016) 60 (4 (232)): 92–107.
Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
TDR/The Drama Review (2016) 60 (4 (232)): 108–117.
A Sociological Consideration of Prayer and Agency
TDR/The Drama Review (2016) 60 (4 (232)): 118–129.
Performance and Politics: President Obama’s Dramatic Reelection in 2012
TDR/The Drama Review (2016) 60 (4 (232)): 130–142.
Critical Acts
Sara (the smuggler): Choreographing a Transparent Archive
TDR/The Drama Review (2016) 60 (4 (232)): 143–148.
Opera and the Folds of Time in the Prototype Festival
TDR/The Drama Review (2016) 60 (4 (232)): 149–157.
Books
The Illuminated Theatre: Studies on the Suffering of Images. By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper
TDR/The Drama Review (2016) 60 (4 (232)): 158–159.
Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century. Edited by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib. London: Bloomsbury Methuen Drama, 2014; 416 pp.; illustrations. $130.00 cloth, $39.95 paper, e-book available
TDR/The Drama Review (2016) 60 (4 (232)): 162–165.
Shapeshifters: Black Girls and the Choreography of Citizenship. By Aimee Meredith Cox. Durham, NC: Duke University Press, 2015; 296 pp.; $94.95 cloth, $25.95 paper, e-book available
TDR/The Drama Review (2016) 60 (4 (232)): 165–167.
Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present. By Michael Malek Najjar. Jefferson, NC: McFarland, 2015; 228 pp.; illustrations. $45.00 cloth
TDR/The Drama Review (2016) 60 (4 (232)): 167–169.
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