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Issues

Vol. 60, Issue 4 (232)
Winter 2016
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Rebirth
Kia Labeija
TDR/The Drama Review (2016) 60 (4 (232)): 2–3.
View articletitled, Rebirth
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Etc.

Sara Brady Returns to TDR
Richard Schechner
TDR/The Drama Review (2016) 60 (4 (232)): 8.
View articletitled, Sara Brady Returns to <em>TDR</em>
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Thank You Rabih, and Welcome taisha
Mariellen R. Sandford
TDR/The Drama Review (2016) 60 (4 (232)): 8–9.
View articletitled, Thank You Rabih, and Welcome taisha
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Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
View articletitled, Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
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Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
View articletitled, Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
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TDR Comment

Practical Jobs for Utopian Artists (From the “Imaginary Activism” Series)
Guillermo Gómez-Peña, Emma Tramposch
TDR/The Drama Review (2016) 60 (4 (232)): 10–13.
View articletitled, Practical Jobs for Utopian Artists (From the “Imaginary Activism” Series)
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Articles

Social Performance Studies: An Evolving Process of Endless Dualities
William Huizhu Sun
TDR/The Drama Review (2016) 60 (4 (232)): 14–21.
View articletitled, Social Performance Studies: An Evolving Process of Endless Dualities
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China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
Chiayi Seetoo, Haoping Zou
TDR/The Drama Review (2016) 60 (4 (232)): 22–49.
View articletitled, China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
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Social Circus: The Cultural Politics of Embodying “Social Transformation”
Jennifer Beth Spiegel
TDR/The Drama Review (2016) 60 (4 (232)): 50–67.
View articletitled, Social Circus: The Cultural Politics of Embodying “Social Transformation”
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Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
Dan Friedman
TDR/The Drama Review (2016) 60 (4 (232)): 68–91.
View articletitled, Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
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Towards a New Cutting Edge: Where Avantgarde Meets Community Art
Eugene van Erven
TDR/The Drama Review (2016) 60 (4 (232)): 92–107.
View articletitled, Towards a New Cutting Edge: Where Avantgarde Meets Community Art
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Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
Yongwen Peng
TDR/The Drama Review (2016) 60 (4 (232)): 108–117.
View articletitled, Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
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A Sociological Consideration of Prayer and Agency
Anna Sun
TDR/The Drama Review (2016) 60 (4 (232)): 118–129.
View articletitled, A Sociological Consideration of Prayer and Agency
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Performance and Politics: President Obama’s Dramatic Reelection in 2012
Jeffrey C. Alexander
TDR/The Drama Review (2016) 60 (4 (232)): 130–142.
View articletitled, Performance and Politics: President Obama’s Dramatic Reelection in 2012
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Critical Acts

Sara (the smuggler): Choreographing a Transparent Archive
Megan V. Nicely
TDR/The Drama Review (2016) 60 (4 (232)): 143–148.
View articletitled, <em>Sara (the smuggler)</em>: Choreographing a Transparent Archive
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Opera and the Folds of Time in the Prototype Festival
Gelsey Bell
TDR/The Drama Review (2016) 60 (4 (232)): 149–157.
View articletitled, Opera and the Folds of Time in the Prototype Festival
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Books

The Illuminated Theatre: Studies on the Suffering of Images. By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper
Theron Schmidt
TDR/The Drama Review (2016) 60 (4 (232)): 158–159.
View articletitled, <em>The Illuminated Theatre: Studies on the Suffering of Images.</em> By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper
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The Builders Association: Performance and Media in Contemporary Theater. By Shannon Jackson and Marianne Weems. Cambridge, MA: The MIT Press, 2015; 456 pp.; illustrations. $39.95 cloth, e-book available
Steve Luber
TDR/The Drama Review (2016) 60 (4 (232)): 160–162.
View articletitled, <em>The Builders Association: Performance and Media in Contemporary Theater.</em> By Shannon Jackson and Marianne Weems. Cambridge, MA: The MIT Press, 2015; 456 pp.; illustrations. $39.95 cloth, e-book available
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Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century. Edited by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib. London: Bloomsbury Methuen Drama, 2014; 416 pp.; illustrations. $130.00 cloth, $39.95 paper, e-book available
Paul Rae
TDR/The Drama Review (2016) 60 (4 (232)): 162–165.
View articletitled, <em>Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century.</em> Edited by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib. London: Bloomsbury Methuen Drama, 2014; 416 pp.; illustrations. $130.00 cloth, $39.95 paper, e-book available
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Shapeshifters: Black Girls and the Choreography of Citizenship. By Aimee Meredith Cox. Durham, NC: Duke University Press, 2015; 296 pp.; $94.95 cloth, $25.95 paper, e-book available
Danielle Bainbridge
TDR/The Drama Review (2016) 60 (4 (232)): 165–167.
View articletitled, <em>Shapeshifters: Black Girls and the Choreography of Citizenship.</em> By Aimee Meredith Cox. Durham, NC: Duke University Press, 2015; 296 pp.; $94.95 cloth, $25.95 paper, e-book available
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Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present. By Michael Malek Najjar. Jefferson, NC: McFarland, 2015; 228 pp.; illustrations. $45.00 cloth
Edward Ziter
TDR/The Drama Review (2016) 60 (4 (232)): 167–169.
View articletitled, <em>Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present.</em> By Michael Malek Najjar. Jefferson, NC: McFarland, 2015; 228 pp.; illustrations. $45.00 cloth
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Brecht on Theatre. By Bertolt Brecht. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Translated by Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury, 2014; 328 pp.; illustrations. £60.00 cloth, £18.99 paper, e-book available. Brecht on Performance: Messingkauf and Modelbooks. By Bertolt Brecht. Edited by Tom Kuhn, Steve Giles, and Marc Silberman. Translated by Charlotte Ryland, Romy Fursland, Steve Giles, Tom Kuhn, and John Willett. London: Bloomsbury, 2014; 297 pp.; illustrations. $112.00 cloth, $37.95 paper, e-book available
José Enrique Macián
TDR/The Drama Review (2016) 60 (4 (232)): 169–173.
View articletitled, <em>Brecht on Theatre.</em> By Bertolt Brecht. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Translated by Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury, 2014; 328 pp.; illustrations. £60.00 cloth, £18.99 paper, e-book available. <em>Brecht on Performance: Messingkauf and Modelbooks.</em> By Bertolt Brecht. Edited by Tom Kuhn, Steve Giles, and Marc Silberman. Translated by Charlotte Ryland, Romy Fursland, Steve Giles, Tom Kuhn, and John Willett. London: Bloomsbury, 2014; 297 pp.; illustrations. $112.00 cloth, $37.95 paper, e-book available
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More Books
Keary Watts
TDR/The Drama Review (2016) 60 (4 (232)): 173–174.
View articletitled, More Books
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