Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Vol. 60, Issue 4 (232)
Winter 2016
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Rebirth
Kia Labeija
TDR/The Drama Review (2016) 60 (4 (232)): 2–3.
View articletitled, Rebirth
Open the PDF for in another window

Etc.

Sara Brady Returns to TDR
Richard Schechner
TDR/The Drama Review (2016) 60 (4 (232)): 8.
View articletitled, Sara Brady Returns to <em>TDR</em>
Open the PDF for in another window
Thank You Rabih, and Welcome taisha
Mariellen R. Sandford
TDR/The Drama Review (2016) 60 (4 (232)): 8–9.
View articletitled, Thank You Rabih, and Welcome taisha
Open the PDF for in another window
Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
View articletitled, Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
Open the PDF for in another window
Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
TDR/The Drama Review (2016) 60 (4 (232)): 9.
View articletitled, Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
Open the PDF for in another window

TDR Comment

Practical Jobs for Utopian Artists (From the “Imaginary Activism” Series)
Guillermo Gómez-Peña, Emma Tramposch
TDR/The Drama Review (2016) 60 (4 (232)): 10–13.
View articletitled, Practical Jobs for Utopian Artists (From the “Imaginary Activism” Series)
Open the PDF for in another window

Articles

Social Performance Studies: An Evolving Process of Endless Dualities
William Huizhu Sun
TDR/The Drama Review (2016) 60 (4 (232)): 14–21.
View articletitled, Social Performance Studies: An Evolving Process of Endless Dualities
Open the PDF for in another window
China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
Chiayi Seetoo, Haoping Zou
TDR/The Drama Review (2016) 60 (4 (232)): 22–49.
View articletitled, China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
Open the PDF for in another window
Social Circus: The Cultural Politics of Embodying “Social Transformation”
Jennifer Beth Spiegel
TDR/The Drama Review (2016) 60 (4 (232)): 50–67.
View articletitled, Social Circus: The Cultural Politics of Embodying “Social Transformation”
Open the PDF for in another window
Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
Dan Friedman
TDR/The Drama Review (2016) 60 (4 (232)): 68–91.
View articletitled, Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
Open the PDF for in another window
Towards a New Cutting Edge: Where Avantgarde Meets Community Art
Eugene van Erven
TDR/The Drama Review (2016) 60 (4 (232)): 92–107.
View articletitled, Towards a New Cutting Edge: Where Avantgarde Meets Community Art
Open the PDF for in another window
Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
Yongwen Peng
TDR/The Drama Review (2016) 60 (4 (232)): 108–117.
View articletitled, Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
Open the PDF for in another window
A Sociological Consideration of Prayer and Agency
Anna Sun
TDR/The Drama Review (2016) 60 (4 (232)): 118–129.
View articletitled, A Sociological Consideration of Prayer and Agency
Open the PDF for in another window
Performance and Politics: President Obama’s Dramatic Reelection in 2012
Jeffrey C. Alexander
TDR/The Drama Review (2016) 60 (4 (232)): 130–142.
View articletitled, Performance and Politics: President Obama’s Dramatic Reelection in 2012
Open the PDF for in another window

Critical Acts

Sara (the smuggler): Choreographing a Transparent Archive
Megan V. Nicely
TDR/The Drama Review (2016) 60 (4 (232)): 143–148.
View articletitled, <em>Sara (the smuggler)</em>: Choreographing a Transparent Archive
Open the PDF for in another window
Opera and the Folds of Time in the Prototype Festival
Gelsey Bell
TDR/The Drama Review (2016) 60 (4 (232)): 149–157.
View articletitled, Opera and the Folds of Time in the Prototype Festival
Open the PDF for in another window

Books

The Illuminated Theatre: Studies on the Suffering of Images. By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper
Theron Schmidt
TDR/The Drama Review (2016) 60 (4 (232)): 158–159.
View articletitled, <em>The Illuminated Theatre: Studies on the Suffering of Images.</em> By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper
Open the PDF for in another window
The Builders Association: Performance and Media in Contemporary Theater. By Shannon Jackson and Marianne Weems. Cambridge, MA: The MIT Press, 2015; 456 pp.; illustrations. $39.95 cloth, e-book available
Steve Luber
TDR/The Drama Review (2016) 60 (4 (232)): 160–162.
View articletitled, <em>The Builders Association: Performance and Media in Contemporary Theater.</em> By Shannon Jackson and Marianne Weems. Cambridge, MA: The MIT Press, 2015; 456 pp.; illustrations. $39.95 cloth, e-book available
Open the PDF for in another window
Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century. Edited by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib. London: Bloomsbury Methuen Drama, 2014; 416 pp.; illustrations. $130.00 cloth, $39.95 paper, e-book available
Paul Rae
TDR/The Drama Review (2016) 60 (4 (232)): 162–165.
View articletitled, <em>Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century.</em> Edited by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib. London: Bloomsbury Methuen Drama, 2014; 416 pp.; illustrations. $130.00 cloth, $39.95 paper, e-book available
Open the PDF for in another window
Shapeshifters: Black Girls and the Choreography of Citizenship. By Aimee Meredith Cox. Durham, NC: Duke University Press, 2015; 296 pp.; $94.95 cloth, $25.95 paper, e-book available
Danielle Bainbridge
TDR/The Drama Review (2016) 60 (4 (232)): 165–167.
View articletitled, <em>Shapeshifters: Black Girls and the Choreography of Citizenship.</em> By Aimee Meredith Cox. Durham, NC: Duke University Press, 2015; 296 pp.; $94.95 cloth, $25.95 paper, e-book available
Open the PDF for in another window
Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present. By Michael Malek Najjar. Jefferson, NC: McFarland, 2015; 228 pp.; illustrations. $45.00 cloth
Edward Ziter
TDR/The Drama Review (2016) 60 (4 (232)): 167–169.
View articletitled, <em>Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present.</em> By Michael Malek Najjar. Jefferson, NC: McFarland, 2015; 228 pp.; illustrations. $45.00 cloth
Open the PDF for in another window
Brecht on Theatre. By Bertolt Brecht. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Translated by Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury, 2014; 328 pp.; illustrations. £60.00 cloth, £18.99 paper, e-book available. Brecht on Performance: Messingkauf and Modelbooks. By Bertolt Brecht. Edited by Tom Kuhn, Steve Giles, and Marc Silberman. Translated by Charlotte Ryland, Romy Fursland, Steve Giles, Tom Kuhn, and John Willett. London: Bloomsbury, 2014; 297 pp.; illustrations. $112.00 cloth, $37.95 paper, e-book available
José Enrique Macián
TDR/The Drama Review (2016) 60 (4 (232)): 169–173.
View articletitled, <em>Brecht on Theatre.</em> By Bertolt Brecht. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Translated by Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury, 2014; 328 pp.; illustrations. £60.00 cloth, £18.99 paper, e-book available. <em>Brecht on Performance: Messingkauf and Modelbooks.</em> By Bertolt Brecht. Edited by Tom Kuhn, Steve Giles, and Marc Silberman. Translated by Charlotte Ryland, Romy Fursland, Steve Giles, Tom Kuhn, and John Willett. London: Bloomsbury, 2014; 297 pp.; illustrations. $112.00 cloth, $37.95 paper, e-book available
Open the PDF for in another window
More Books
Keary Watts
TDR/The Drama Review (2016) 60 (4 (232)): 173–174.
View articletitled, More Books
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2024 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept