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Issues

Vol. 61, Issue 2 (234)
Summer 2017
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

The Multifarious Nature of Care
keyon gaskin
TDR/The Drama Review (2017) 61 (2 (234)): 2–3.
View articletitled, The Multifarious Nature of Care
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TDR Comment

Donald John Trump, President?
Richard Schechner
TDR/The Drama Review (2017) 61 (2 (234)): 7–10.
View articletitled, Donald John Trump, President?
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Articles

Paso Libre: Border Enactment, Infrastructure, and Crisis Resolution at the Port of Laredo 1954–1957
Elaine A. Peña
TDR/The Drama Review (2017) 61 (2 (234)): 11–31.
View articletitled, Paso Libre: Border Enactment, Infrastructure, and Crisis Resolution at the Port of Laredo 1954–1957
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Fragments of the European Refugee Crisis: Performing Displacement and the Re-Shaping of Greek Identity
Natalie Zervou
TDR/The Drama Review (2017) 61 (2 (234)): 32–47.
View articletitled, Fragments of the European Refugee Crisis: Performing Displacement and the Re-Shaping of Greek Identity
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A Traveling Script: Labor Migration, Precarity, and Performance
Geraldine Pratt, Caleb Johnston, Vanessa Banta
TDR/The Drama Review (2017) 61 (2 (234)): 48–70.
View articletitled, A Traveling Script: Labor Migration, Precarity, and Performance
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Memoryscapes of Race: Black Radical Parading Cultures of New Orleans
Ana Paulina Lee
TDR/The Drama Review (2017) 61 (2 (234)): 71–86.
View articletitled, Memoryscapes of Race: Black Radical Parading Cultures of New Orleans
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No More Bystanders: Grandchildren of Hiroshima and the 70th Anniversary of the Atomic Bomb
James Thompson
TDR/The Drama Review (2017) 61 (2 (234)): 87–104.
View articletitled, No More Bystanders: <em>Grandchildren of Hiroshima</em> and the 70th Anniversary of the Atomic Bomb
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A Stage Presence: Michael Kirby’s Embedded Sculptures
Alexander Streitberger
TDR/The Drama Review (2017) 61 (2 (234)): 105–116.
View articletitled, A Stage Presence: Michael Kirby’s Embedded Sculptures
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Choreographing Freedom: Mass Performance in the Festivals of the French Revolution
Kimberly Jannarone
TDR/The Drama Review (2017) 61 (2 (234)): 117–139.
View articletitled, Choreographing Freedom: Mass Performance in the Festivals of the French Revolution
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Student Essay Contest Winner

Defecting Witness: The Difficulty in Watching Regina José Galindo’s PERRA
Lilian G. Mengesha
TDR/The Drama Review (2017) 61 (2 (234)): 140–157.
View articletitled, Defecting Witness: The Difficulty in Watching Regina José Galindo’s <em>PERRA</em>
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Critical Acts

Joël Pommerat Stages the French Revolution: Ça ira: Fin de Louis, I
Christian Biet, Judith Miller
TDR/The Drama Review (2017) 61 (2 (234)): 158–165.
View articletitled, Joël Pommerat Stages the French Revolution: <em>Ça ira: Fin de Louis, I</em>
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“Madness Is Contagious”: Language and Violence in the Goodman Theatre’s 2666
Leon J. Hilton, Iván A. Ramos
TDR/The Drama Review (2017) 61 (2 (234)): 166–172.
View articletitled, “Madness Is Contagious”: Language and Violence in the Goodman Theatre’s <em>2666</em>
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Books

Performance and Media: Taxonomies for a Changing Field
Elise Morrison
TDR/The Drama Review (2017) 61 (2 (234)): 173–175.
View articletitled, Performance and Media: Taxonomies for a Changing Field
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Watching Weimar Dance
Mary Anne Santos Newhall
TDR/The Drama Review (2017) 61 (2 (234)): 175–177.
View articletitled, Watching Weimar Dance
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The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution
Paige A. McGinley
TDR/The Drama Review (2017) 61 (2 (234)): 178–180.
View articletitled, The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution
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Performing Policy: How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century
Brandon Woolf
TDR/The Drama Review (2017) 61 (2 (234)): 180–182.
View articletitled, Performing Policy: How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century
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Playing God: The Bible on the Broadway Stage
Christopher Swift
TDR/The Drama Review (2017) 61 (2 (234)): 182–184.
View articletitled, Playing God: The Bible on the Broadway Stage
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The Transparent Traveler: The Performance and Culture of Airport Security
Justine Shih Pearson
TDR/The Drama Review (2017) 61 (2 (234)): 184–186.
View articletitled, The Transparent Traveler: The Performance and Culture of Airport Security
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Etienne Decroux and His Theatre Laboratory
Sally Leabhart, Thomas Leabhart
TDR/The Drama Review (2017) 61 (2 (234)): 186–188.
View articletitled, Etienne Decroux and His Theatre Laboratory
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More Books
Matt DiCintio
TDR/The Drama Review (2017) 61 (2 (234)): 189–190.
View articletitled, More Books
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  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
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