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Issues

Vol. 61, Issue 4 (236)
Winter 2017
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

Acoustic Sounds, “Uhh…Moab who?!”: Lessons 1–5
Baseera Khan
TDR/The Drama Review (2017) 61 (4 (236)): 2–3.
View articletitled, Acoustic Sounds, “Uhh…Moab who?!”: Lessons 1–5
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Articles

Reclaiming the Real: Introduction
Carol Martin
TDR/The Drama Review (2017) 61 (4 (236)): 8.
View articletitled, Reclaiming the Real: Introduction
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Here We Are Again: Performing the Temporality of the Brazilian Transition
Marcos Steuernagel
TDR/The Drama Review (2017) 61 (4 (236)): 9–21.
View articletitled, Here We Are Again: Performing the Temporality of the Brazilian Transition
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The Performative Utterance “I”: Theatricality and Subversion of Identity in the Works of Eyal Weiser
Sharon Aronson-Lehavi
TDR/The Drama Review (2017) 61 (4 (236)): 22–39.
View articletitled, The Performative Utterance “I”: Theatricality and Subversion of Identity in the Works of Eyal Weiser
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Theatre of War: Commemorating World War I in Belgium
Karel Vanhaesebrouck
TDR/The Drama Review (2017) 61 (4 (236)): 40–58.
View articletitled, Theatre of War: Commemorating World War I in Belgium
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Fandom and Punchdrunk’s Sleep No More: Audience Ethnography of Immersive Dance
Julia M. Ritter
TDR/The Drama Review (2017) 61 (4 (236)): 59–77.
View articletitled, Fandom and Punchdrunk’s <em>Sleep No More</em>: Audience Ethnography of Immersive Dance
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Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before
Sarah Whatley
TDR/The Drama Review (2017) 61 (4 (236)): 78–95.
View articletitled, Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before
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Does the NEA Need Saving?
Sarah Wilbur
TDR/The Drama Review (2017) 61 (4 (236)): 96–106.
View articletitled, Does the NEA Need Saving?
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Pieces

Stand By for Tape Back-Up
Ross Sutherland
TDR/The Drama Review (2017) 61 (4 (236)): 107–127.
View articletitled, Stand By for Tape Back-Up
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Critical Acts

In the Dark: Sex, Lies, and Fake News in Sam Gold’s Othello
Alisa Zhulina Sniderman
TDR/The Drama Review (2017) 61 (4 (236)): 128–133.
View articletitled, In the Dark: Sex, Lies, and Fake News in Sam Gold’s <em>Othello</em>
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Exorcism, Autobiography, and Une Chambre en Inde: The Soleil Stages Terrorism and Much More
Judith G. Miller, Rachel M. Watson
TDR/The Drama Review (2017) 61 (4 (236)): 133–141.
View articletitled, <em>Exorcism, Autobiography, and</em> Une Chambre en Inde: The Soleil Stages Terrorism and Much More
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Caught by Caught
Richard Schechner
TDR/The Drama Review (2017) 61 (4 (236)): 141–147.
View articletitled, <em>Caught by</em> Caught
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Not Just Adult Entertainment: Milo Rau and CAMPO’s Collaborative Five Easy Pieces
Debra Levine
TDR/The Drama Review (2017) 61 (4 (236)): 147–155.
View articletitled, <em>Not Just Adult Entertainment</em>: Milo Rau and CAMPO’s Collaborative <em>Five Easy Pieces</em>
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Reality and Fiction in Contemporary Television: The Case of Skam
Connor Pearce
TDR/The Drama Review (2017) 61 (4 (236)): 156–161.
View articletitled, <em>Reality and Fiction in Contemporary Television</em>: The Case of <em>Skam</em>
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Books

Vanguard Performance Beyond Left and Right
Ryan M. Davis
TDR/The Drama Review (2017) 61 (4 (236)): 162–164.
View articletitled, Vanguard Performance Beyond Left and Right
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Embodied Avatars: Genealogies of Black Feminist Art and Performance
Gillian Turner Young
TDR/The Drama Review (2017) 61 (4 (236)): 165–166.
View articletitled, Embodied Avatars: Genealogies of Black Feminist Art and Performance
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Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo
Catherine M. Cole
TDR/The Drama Review (2017) 61 (4 (236)): 166–168.
View articletitled, Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo
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Obstruction
Erin Hurley
TDR/The Drama Review (2017) 61 (4 (236)): 169–170.
View articletitled, Obstruction
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Concerning Consequences: Studies in Art, Destruction, and Trauma
Anna Harpin
TDR/The Drama Review (2017) 61 (4 (236)): 170–172.
View articletitled, Concerning Consequences: Studies in Art, Destruction, and Trauma
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Queer Dramaturgies: International Perspectives on Where Performance Leads Queer
Nevarez Encinias
TDR/The Drama Review (2017) 61 (4 (236)): 172–174.
View articletitled, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer
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Tactical Performance: The Theory and Practice of Serious Play
Elyssa Livergant
TDR/The Drama Review (2017) 61 (4 (236)): 174–176.
View articletitled, Tactical Performance: The Theory and Practice of Serious Play
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Come home Charley Patton; Dramaturgy in Motion: At Work on Dance and Movement Performance
Branislav Jakovljevic
TDR/The Drama Review (2017) 61 (4 (236)): 176–180.
View articletitled, Come home Charley Patton; Dramaturgy in Motion: At Work on Dance and Movement Performance
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Voices from Within: Grotowski’s Polish Collaborators; Acting with Grotowski: Theatre as a Field for Experiencing Life
Allen J. Kuharski
TDR/The Drama Review (2017) 61 (4 (236)): 180–183.
View articletitled, Voices from Within: Grotowski’s Polish Collaborators; Acting with Grotowski: Theatre as a Field for Experiencing Life
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More Books
John Oglevee
TDR/The Drama Review (2017) 61 (4 (236)): 183–186.
View articletitled, More Books
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