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Vol. 62, Issue 1 (237)

Spring 2018

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ISSN 1054-2043

EISSN 1531-4715

In this Issue

Provocation
Articles
Black Performance and Reproduction: A Set of Four Essays in a Round
Critical Acts
Books

Provocation

Girl Talk and Hold Music: On the Sculptural Poetics of Chat

Amalle Dublon

TDR/The Drama Review (2018) 62 (1 (237)): 2–3.

Abstract

View articletitled, Girl Talk and Hold Music: On the Sculptural Poetics of Chat

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Articles

Performance and Reproduction: Introduction

Beth Capper, Rebecca Schneider

TDR/The Drama Review (2018) 62 (1 (237)): 8–13.

View articletitled, Performance and Reproduction: Introduction

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Black Cinematic Gesture and the Aesthetics of Contagion

Rizvana Bradley

TDR/The Drama Review (2018) 62 (1 (237)): 14–30.

Abstract

View articletitled, Black Cinematic Gesture and the Aesthetics of Contagion

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The Wallflower Order and Social Reproduction: Gender, Work, and Feminist Dance

Olive Mckeon

TDR/The Drama Review (2018) 62 (1 (237)): 31–45.

Abstract

View articletitled, The Wallflower Order and Social Reproduction: Gender, Work, and Feminist Dance

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The Queer of Color’s Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō

Joshua Chambers-Letson

TDR/The Drama Review (2018) 62 (1 (237)): 46–59.

Abstract

View articletitled, The Queer of Color’s Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō

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In the Interstice: Lorraine O’Grady’s Interruptive Performances and the Circuits of (Feminist) Reproduction

Beth Capper

TDR/The Drama Review (2018) 62 (1 (237)): 60–78.

Abstract

View articletitled, In the Interstice: Lorraine O’Grady’s Interruptive Performances and the Circuits of (Feminist) Reproduction

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Reproducing the White Bourgeois: The Sitting-Room Drama of Marina Abramović

Eleanor Skimin

TDR/The Drama Review (2018) 62 (1 (237)): 79–97.

Abstract

View articletitled, Reproducing the White Bourgeois: The Sitting-Room Drama of Marina Abramović

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Performing the “Foreign Maid” in the Global Market

Jimena Ortuzar

TDR/The Drama Review (2018) 62 (1 (237)): 98–112.

Abstract

View articletitled, Performing the “Foreign Maid” in the Global Market

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Strike Debt’s Rolling Jubilee: The Promise and the Performativity of Financial Contracts

Christian Riley Nagler

TDR/The Drama Review (2018) 62 (1 (237)): 113–130.

Abstract

View articletitled, Strike Debt’s Rolling Jubilee: The Promise and the Performativity of Financial Contracts

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Times of Dispossession and (Re)possession: An Interview with Silvia Federici

Arlen Austin, Beth Capper, Rebecca Schneider

TDR/The Drama Review (2018) 62 (1 (237)): 131–142.

Abstract

View articletitled, Times of Dispossession and (Re)possession: An Interview with Silvia Federici

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Reproducing Witchcraft: Thou Shalt Not Perform a Witch to Live

VK Preston

TDR/The Drama Review (2018) 62 (1 (237)): 143–159.

Abstract

View articletitled, Reproducing Witchcraft: Thou Shalt Not Perform a Witch to Live

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Black Performance and Reproduction: A Set of Four Essays in a Round

Black Performance and Reproduction: A Set of Four Essays in a Round (Introduction)

Beth Capper, Rebecca Schneider

TDR/The Drama Review (2018) 62 (1 (237)): 160–162.

View articletitled, Black Performance and Reproduction: A Set of Four Essays in a Round (Introduction)

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Erykah Badu’s Ambulatory Acts

Kimberly Juanita Brown

TDR/The Drama Review (2018) 62 (1 (237)): 162–166.

Abstract

View articletitled, Erykah Badu’s Ambulatory Acts

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“Black Night Is Falling”: The “Airy Poetics” of Some Performance

Sarah Jane Cervenak

TDR/The Drama Review (2018) 62 (1 (237)): 166–169.

Abstract

View articletitled, “Black Night Is Falling”: The “Airy Poetics” of Some Performance

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Casualties

Jasmine Elizabeth Johnson

TDR/The Drama Review (2018) 62 (1 (237)): 169–171.

Abstract

View articletitled, Casualties

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Generational Schism, Fannie Lou Hamer, and the Future of Protest

Paige A. McGinley

TDR/The Drama Review (2018) 62 (1 (237)): 172–175.

Abstract

View articletitled, Generational Schism, Fannie Lou Hamer, and the Future of Protest

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Critical Acts

“Be Uncomfortable with Me for a Moment”: Performing an Uneasy Solidarity in the New Black Fest’s Hands Up: 7 Playwrights, 7 Testaments

Catherine Ming T’ien Duffly

TDR/The Drama Review (2018) 62 (1 (237)): 176–181.

Abstract

View articletitled, “Be Uncomfortable with Me for a Moment”: Performing an Uneasy Solidarity in the New Black Fest’s Hands Up: 7 Playwrights, 7 Testaments

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Street Theatre East of Eden: The 10th International Street Theatre Festival in Mariwan, Iran

Doug Paterson

TDR/The Drama Review (2018) 62 (1 (237)): 182–190.

Abstract

View articletitled, Street Theatre East of Eden: The 10th International Street Theatre Festival in Mariwan, Iran

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Sordid Ironies and the Short-Fingered Vulgarian: Alison Jackson’s Mental Images

Tony Perucci

TDR/The Drama Review (2018) 62 (1 (237)): 191–200.

Abstract

View articletitled, Sordid Ironies and the Short-Fingered Vulgarian: Alison Jackson’s Mental Images

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How Do You Play Bones?: Pia Lindman’s A Kalevala Duo, Playing Bones

Beth Hinderliter

TDR/The Drama Review (2018) 62 (1 (237)): 201–206.

Abstract

View articletitled, How Do You Play Bones?: Pia Lindman’s A Kalevala Duo, Playing Bones

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Books

It’s All Allowed: The Performances of Adrian Howells

Christopher Grobe

TDR/The Drama Review (2018) 62 (1 (237)): 207–209.

View articletitled, It’s All Allowed: The Performances of Adrian Howells

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Disabled Theater

Pablo Assumpção Barros Costa

TDR/The Drama Review (2018) 62 (1 (237)): 209–211.

View articletitled, Disabled Theater

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Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance

Frances Negrón-Muntaner

TDR/The Drama Review (2018) 62 (1 (237)): 211–213.

View articletitled, Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance

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Dancing with the Zapatistas

Christen Sperry-Garcia

TDR/The Drama Review (2018) 62 (1 (237)): 213–215.

View articletitled, Dancing with the Zapatistas

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Acting Up: Gender and Theatre in India, 1979 Onwards

Maggie B. Gale

TDR/The Drama Review (2018) 62 (1 (237)): 215–216.

View articletitled, Acting Up: Gender and Theatre in India, 1979 Onwards

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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–1991

Matthew Goulish

TDR/The Drama Review (2018) 62 (1 (237)): 216–219.

View articletitled, Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–1991

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Memories of the Revolution: The First Ten Years of the WOW Café Theater; The Only Way Home is Through the Show: Performance Work of Lois Weaver

Megan Shea

TDR/The Drama Review (2018) 62 (1 (237)): 219–222.

View articletitled, Memories of the Revolution: The First Ten Years of the WOW Café Theater; The Only Way Home is Through the Show: Performance Work of Lois Weaver

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More Books

Michell Nicole Miller

TDR/The Drama Review (2018) 62 (1 (237)): 222–224.

View articletitled, More Books

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Provocation

Girl Talk and Hold Music: On the Sculptural Poetics of Chat

Articles

Performance and Reproduction: Introduction

Black Cinematic Gesture and the Aesthetics of Contagion

The Wallflower Order and Social Reproduction: Gender, Work, and Feminist Dance

The Queer of Color’s Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō

In the Interstice: Lorraine O’Grady’s Interruptive Performances and the Circuits of (Feminist) Reproduction

Reproducing the White Bourgeois: The Sitting-Room Drama of Marina Abramović

Performing the “Foreign Maid” in the Global Market

Strike Debt’s Rolling Jubilee: The Promise and the Performativity of Financial Contracts

Times of Dispossession and (Re)possession: An Interview with Silvia Federici

Reproducing Witchcraft: Thou Shalt Not Perform a Witch to Live

Black Performance and Reproduction: A Set of Four Essays in a Round

Black Performance and Reproduction: A Set of Four Essays in a Round (Introduction)

Erykah Badu’s Ambulatory Acts

“Black Night Is Falling”: The “Airy Poetics” of Some Performance

Casualties

Generational Schism, Fannie Lou Hamer, and the Future of Protest

Critical Acts

“Be Uncomfortable with Me for a Moment”: Performing an Uneasy Solidarity in the New Black Fest’s Hands Up: 7 Playwrights, 7 Testaments

Street Theatre East of Eden: The 10th International Street Theatre Festival in Mariwan, Iran

Sordid Ironies and the Short-Fingered Vulgarian: Alison Jackson’s Mental Images

How Do You Play Bones?: Pia Lindman’s A Kalevala Duo, Playing Bones

Books

It’s All Allowed: The Performances of Adrian Howells

Disabled Theater

Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance

Dancing with the Zapatistas

Acting Up: Gender and Theatre in India, 1979 Onwards

Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–1991

Memories of the Revolution: The First Ten Years of the WOW Café Theater; The Only Way Home is Through the Show: Performance Work of Lois Weaver

More Books

Email alerts

RSS Feeds

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Cover Image

Provocation

Articles

Black Performance and Reproduction: A Set of Four Essays in a Round

Critical Acts

Books

Product(s) added to cart

Email alerts

RSS Feeds

A product of The MIT Press

MIT Press Direct

Information

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