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Issues

Vol. 62, Issue 2 (238)
Summer 2018
TDR/The Drama Review Cover Image for Volume 62, Issue 2 (238)
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Conforming Line
Naomi Elena Ramírez
TDR/The Drama Review (2018) 62 (2 (238)): 2–3.
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TDR Comment

The Laboratory Instinct
Eugenio Barba
TDR/The Drama Review (2018) 62 (2 (238)): 8–14.
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Etc.

TDR Announcement
TDR/The Drama Review (2018) 62 (2 (238)): 15.
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Correction to the review of Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski (TDR 61:4, Winter 2017)
The Editors
TDR/The Drama Review (2018) 62 (2 (238)): 15.
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Articles

The Politics of National Theatre: The Example of Kenya
Ngũgĩ wa Thiong’o
TDR/The Drama Review (2018) 62 (2 (238)): 16–21.
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Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
Claire Bishop
TDR/The Drama Review (2018) 62 (2 (238)): 22–42.
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The Performative Novel
Barbara Browning
TDR/The Drama Review (2018) 62 (2 (238)): 43–58.
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Queer Tango Space: Minority Stress, Sexual Potentiality, and Gender Utopias
Juliet McMains
TDR/The Drama Review (2018) 62 (2 (238)): 59–77.
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The Muslims Present Orgena
Geoffrey Lokke
TDR/The Drama Review (2018) 62 (2 (238)): 78–96.
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Supplementary data
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“This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
Benjamin Halligan
TDR/The Drama Review (2018) 62 (2 (238)): 97–114.
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Act Like Jackie Chan: The Cinematic Legacy of Jingju Training Schools in Hong Kong
Pui-Lun Chan
TDR/The Drama Review (2018) 62 (2 (238)): 115–129.
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Critical Acts

Virtual Love: Yehuda Duenyas’s CVRTAIN
Katherine Biers
TDR/The Drama Review (2018) 62 (2 (238)): 130–136.
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Space for “Speculative Friendships”: Keith Hennessy and Jassem Hindi’s future friend/ships
Robert Avila
TDR/The Drama Review (2018) 62 (2 (238)): 136–143.
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Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”
Hope Mohr, Larry Arrington, Gerald Casel, Gregory Dawson, Peiling Kao ...
TDR/The Drama Review (2018) 62 (2 (238)): 143–150.
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Books

Antitheatricality and the Body Public
Julia H. Fawcett
TDR/The Drama Review (2018) 62 (2 (238)): 151–153.
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The Penelope Project: An Arts-Based Odyssey to Change Elder Care
Sonja Arsham Kuftinec
TDR/The Drama Review (2018) 62 (2 (238)): 153–155.
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Blacktino Queer Performance
Nevarez Encinias
TDR/The Drama Review (2018) 62 (2 (238)): 155–157.
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Long Suffering: American Endurance Art as Prophetic Witness
Joyce Lu
TDR/The Drama Review (2018) 62 (2 (238)): 157–159.
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Debt to Society: Accounting for Life under Capitalism; Knowledge Ltd: Toward a Social Logic of the Derivative
Tavia Nyong’o
TDR/The Drama Review (2018) 62 (2 (238)): 159–162.
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A History of Japanese Theatre; Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost; Onnagata: A Labyrinth of Gendering in Kabuki Theater
William D. Fleming
TDR/The Drama Review (2018) 62 (2 (238)): 163–167.
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Sound: An Acoulogical Treatise; Sensing Sound: Singing and Listening as Vibrational Practice
Shayna Silverstein
TDR/The Drama Review (2018) 62 (2 (238)): 168–171.
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More Books
Sean Bartley
TDR/The Drama Review (2018) 62 (2 (238)): 172–174.
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TDR Continued …

Donald Trump Shoots the Match
Sharon Mazer
TDR/The Drama Review (2018) 62 (2 (238)): 175–200.
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Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
Claire Warden, Broderick Chow, Eero Laine
TDR/The Drama Review (2018) 62 (2 (238)): 201–215.
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Sharon Mazer Responds to Warden, Chow, and Laine
TDR/The Drama Review (2018) 62 (2 (238)): 216–219.
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