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Issues

Vol. 62, Issue 2 (238)
Summer 2018
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

Conforming Line
Naomi Elena Ramírez
TDR/The Drama Review (2018) 62 (2 (238)): 2–3.
View articletitled, Conforming Line
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TDR Comment

The Laboratory Instinct
Eugenio Barba
TDR/The Drama Review (2018) 62 (2 (238)): 8–14.
View articletitled, The Laboratory Instinct
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Etc.

TDR Announcement
TDR/The Drama Review (2018) 62 (2 (238)): 15.
View articletitled, TDR Announcement
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Correction to the review of Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski (TDR 61:4, Winter 2017)
The Editors
TDR/The Drama Review (2018) 62 (2 (238)): 15.
View articletitled, Correction to the review of <em>Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War</em> by Adam Broinowski (TDR 61:4, Winter 2017)
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Articles

The Politics of National Theatre: The Example of Kenya
Ngũgĩ wa Thiong’o
TDR/The Drama Review (2018) 62 (2 (238)): 16–21.
View articletitled, The Politics of National Theatre: The Example of Kenya
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Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
Claire Bishop
TDR/The Drama Review (2018) 62 (2 (238)): 22–42.
View articletitled, Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
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The Performative Novel
Barbara Browning
TDR/The Drama Review (2018) 62 (2 (238)): 43–58.
View articletitled, The Performative Novel
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Queer Tango Space: Minority Stress, Sexual Potentiality, and Gender Utopias
Juliet McMains
TDR/The Drama Review (2018) 62 (2 (238)): 59–77.
View articletitled, Queer Tango Space: Minority Stress, Sexual Potentiality, and Gender Utopias
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The Muslims Present Orgena
Geoffrey Lokke
TDR/The Drama Review (2018) 62 (2 (238)): 78–96.
View articletitled, The Muslims Present <em>Orgena</em>
Supplementary data
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“This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
Benjamin Halligan
TDR/The Drama Review (2018) 62 (2 (238)): 97–114.
View articletitled, “This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
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Act Like Jackie Chan: The Cinematic Legacy of Jingju Training Schools in Hong Kong
Pui-Lun Chan
TDR/The Drama Review (2018) 62 (2 (238)): 115–129.
View articletitled, Act Like Jackie Chan: The Cinematic Legacy of <em>Jingju</em> Training Schools in Hong Kong
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Critical Acts

Virtual Love: Yehuda Duenyas’s CVRTAIN
Katherine Biers
TDR/The Drama Review (2018) 62 (2 (238)): 130–136.
View articletitled, <em>Virtual Love</em>: Yehuda Duenyas’s <em>CVRTAIN</em>
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Space for “Speculative Friendships”: Keith Hennessy and Jassem Hindi’s future friend/ships
Robert Avila
TDR/The Drama Review (2018) 62 (2 (238)): 136–143.
View articletitled, <em>Space for “Speculative Friendships”</em>: Keith Hennessy and Jassem Hindi’s <em>future friend/ships</em>
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Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”
Hope Mohr, Larry Arrington, Gerald Casel, Gregory Dawson, Peiling Kao ...
TDR/The Drama Review (2018) 62 (2 (238)): 143–150.
View articletitled, <em>Choreographic Transmission in an Expanded Field</em>: Reflections on “Ten Artists Respond to Trisha Brown’s <em>Locus</em>”
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Books

Antitheatricality and the Body Public
Julia H. Fawcett
TDR/The Drama Review (2018) 62 (2 (238)): 151–153.
View articletitled, <em>Antitheatricality and the Body Public</em>
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The Penelope Project: An Arts-Based Odyssey to Change Elder Care
Sonja Arsham Kuftinec
TDR/The Drama Review (2018) 62 (2 (238)): 153–155.
View articletitled, <em>The Penelope Project: An Arts-Based Odyssey to Change Elder Care</em>
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Blacktino Queer Performance
Nevarez Encinias
TDR/The Drama Review (2018) 62 (2 (238)): 155–157.
View articletitled, <em>Blacktino Queer Performance</em>
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Long Suffering: American Endurance Art as Prophetic Witness
Joyce Lu
TDR/The Drama Review (2018) 62 (2 (238)): 157–159.
View articletitled, <em>Long Suffering: American Endurance Art as Prophetic Witness</em>
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Debt to Society: Accounting for Life under Capitalism; Knowledge Ltd: Toward a Social Logic of the Derivative
Tavia Nyong’o
TDR/The Drama Review (2018) 62 (2 (238)): 159–162.
View articletitled, <em>Debt to Society: Accounting for Life under Capitalism; <em>Knowledge Ltd: Toward a Social Logic of the Derivative</em></em>
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A History of Japanese Theatre; Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost; Onnagata: A Labyrinth of Gendering in Kabuki Theater
William D. Fleming
TDR/The Drama Review (2018) 62 (2 (238)): 163–167.
View articletitled, <em>A History of Japanese Theatre</em>; <em>Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost</em>; <em>Onnagata: A Labyrinth of Gendering in Kabuki Theater</em>
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Sound: An Acoulogical Treatise; Sensing Sound: Singing and Listening as Vibrational Practice
Shayna Silverstein
TDR/The Drama Review (2018) 62 (2 (238)): 168–171.
View articletitled, <em>Sound: An Acoulogical Treatise</em>; <em>Sensing Sound: Singing and Listening as Vibrational Practice</em>
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More Books
Sean Bartley
TDR/The Drama Review (2018) 62 (2 (238)): 172–174.
View articletitled, More Books
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TDR Continued …

Donald Trump Shoots the Match
Sharon Mazer
TDR/The Drama Review (2018) 62 (2 (238)): 175–200.
View articletitled, Donald Trump Shoots the Match
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Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
Claire Warden, Broderick Chow, Eero Laine
TDR/The Drama Review (2018) 62 (2 (238)): 201–215.
View articletitled, Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
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Sharon Mazer Responds to Warden, Chow, and Laine
TDR/The Drama Review (2018) 62 (2 (238)): 216–219.
View articletitled, Sharon Mazer Responds to Warden, Chow, and Laine
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  • Print ISSN 1054-2043
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