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Issues
Provocation
TDR Comment
Etc.
Correction to the review of Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War by Adam Broinowski (TDR 61:4, Winter 2017)
TDR/The Drama Review (2018) 62 (2 (238)): 15.
Articles
The Politics of National Theatre: The Example of Kenya
TDR/The Drama Review (2018) 62 (2 (238)): 16–21.
Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
TDR/The Drama Review (2018) 62 (2 (238)): 22–42.
Queer Tango Space: Minority Stress, Sexual Potentiality, and Gender Utopias
TDR/The Drama Review (2018) 62 (2 (238)): 59–77.
“This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
TDR/The Drama Review (2018) 62 (2 (238)): 97–114.
Act Like Jackie Chan: The Cinematic Legacy of Jingju Training Schools in Hong Kong
TDR/The Drama Review (2018) 62 (2 (238)): 115–129.
Critical Acts
Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”
TDR/The Drama Review (2018) 62 (2 (238)): 143–150.
Books
The Penelope Project: An Arts-Based Odyssey to Change Elder Care
TDR/The Drama Review (2018) 62 (2 (238)): 153–155.
Long Suffering: American Endurance Art as Prophetic Witness
TDR/The Drama Review (2018) 62 (2 (238)): 157–159.
A History of Japanese Theatre; Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost; Onnagata: A Labyrinth of Gendering in Kabuki Theater
TDR/The Drama Review (2018) 62 (2 (238)): 163–167.
TDR Continued …
Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
TDR/The Drama Review (2018) 62 (2 (238)): 201–215.
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