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Provocation
Notes for a novel or perhaps a play or score or guide or a creative reimagining/retelling of a re-performance in which two bodies navigate the pleasures and perils of human intimacy, both romantic and platonic. Or as it is commonly referred to by those who have survived it: “An Unyielding Commitment to Matters of that Steady Beat in the Chest”
TDR/The Drama Review (2018) 62 (3 (239)): 2–3.
TDR Comment
In Memory
Articles
There’s a lot of work to do to turn this thing around: An Interview with Anna Deavere Smith
TDR/The Drama Review (2018) 62 (3 (239)): 35–50.
The Voice from the 10th Row: Carl Weber and the Berliner Ensemble
TDR/The Drama Review (2018) 62 (3 (239)): 55–108.
The Dance That Will Not Die: Refracting Imperial Whiteness through The Dying Swan
TDR/The Drama Review (2018) 62 (3 (239)): 109–129.
Student Essay Contest Winner
Unsettled Matters, Falling Flight: Decolonial Protest and the Becoming-Material of an Imperial Statue
TDR/The Drama Review (2018) 62 (3 (239)): 130–144.
Student Essay Contest Runner-Up
Performing Loitering: Feminist Protest in the Indian City
TDR/The Drama Review (2018) 62 (3 (239)): 145–161.
Critical Acts
Gallows Hospitality: Visiting Hangman Takuzō’s Garden Theatre
TDR/The Drama Review (2018) 62 (3 (239)): 162–168.
“What Shall We Do?”: Kathy Change, Soomi Kim, and Asian Feminist Performance on Campus
TDR/The Drama Review (2018) 62 (3 (239)): 168–174.
Books
DOC/UNDOC: Documentado/Undocumented Ars Shamánica Performática
TDR/The Drama Review (2018) 62 (3 (239)): 179–181.
Discipline and Desire: Surveillance Technologies in Performance; Dark Matters: On the Surveillance of Blackness
TDR/The Drama Review (2018) 62 (3 (239)): 181–184.
The Aging Body in Dance: A Cross-Cultural Perspective; Dancing Age(ing): Rethinking Age(ing) in and through Improvisation Practice and Performance
TDR/The Drama Review (2018) 62 (3 (239)): 184–187.
Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972; The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
TDR/The Drama Review (2018) 62 (3 (239)): 188–191.
Soft Is Fast: Simone Forti in the 1960s and After; Rhythm Field: The Dance of Molissa Fenley
TDR/The Drama Review (2018) 62 (3 (239)): 191–194.
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