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Issues

Vol. 62, Issue 4 (240)
Winter 2018
TDR/The Drama Review Cover Image for Volume 62, Issue 4 (240)
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

Notes on Territory
Anna Martine Whitehead
TDR/The Drama Review (2018) 62 (4 (240)): 2–3.
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Articles

Roshan Ara Begum: Performing Classical Music, Gender, and Muslim Nationalism in Pakistan
Fawzia Afzal-Khan
TDR/The Drama Review (2018) 62 (4 (240)): 8–22.
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A Drama of Saintly Devotion: Performing Ecstasy and Status at the Shaam-e-Qalandar Festival in Pakistan
Amen Jaffer
TDR/The Drama Review (2018) 62 (4 (240)): 23–40.
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From Object to Performance in Israeli Art: A Historiography
Dror Harari
TDR/The Drama Review (2018) 62 (4 (240)): 41–63.
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Hissing, Bidding, and Lynching: Participation in Brandon Jacobs-Jenkins’s An Octoroon and the Melodramatics of American Racism
Carrie J. Preston
TDR/The Drama Review (2018) 62 (4 (240)): 64–80.
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Eye Contact: Mesmeric Revelations in Baltimore
James R. Ball, III
TDR/The Drama Review (2018) 62 (4 (240)): 81–104.
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Good Talk and an Aesthetics of Good Sounding in Madagascar
Ron Emoff
TDR/The Drama Review (2018) 62 (4 (240)): 105–112.
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The Mice Will Play: Theatre in a Psychiatric Clinic
Walter Pfaff
TDR/The Drama Review (2018) 62 (4 (240)): 113–130.
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The Theorist and the Theorized: Indigenous Critiques of Performance Studies
Stephanie Nohelani Teves
TDR/The Drama Review (2018) 62 (4 (240)): 131–140.
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Critical Acts

Aromatheatre: Communication and Multimedia Design’s Famous Deaths
Erin B. Mee
TDR/The Drama Review (2018) 62 (4 (240)): 141–145.
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Curating Dialogue: The Bridge Project’s Radical Movements
Michelle LaVigne, Megan V. Nicely
TDR/The Drama Review (2018) 62 (4 (240)): 145–153.
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This Dance Which Is Not One: Carole McCurdy’s ((waver))
Lauren DeLand
TDR/The Drama Review (2018) 62 (4 (240)): 154–160.
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Books

Black Performance on the Outskirts of the Left: A History of the Impossible
Camille S. Owens
TDR/The Drama Review (2018) 62 (4 (240)): 161–162.
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The Extractive Zone: Social Ecologies and Decolonial Perspectives
Kimberly Richards
TDR/The Drama Review (2018) 62 (4 (240)): 163–164.
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Lovecidal: Walking with the Disappeared
Karin Shankar
TDR/The Drama Review (2018) 62 (4 (240)): 165–167.
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Singularities: Dance in the Age of Performance
Sima Belmar
TDR/The Drama Review (2018) 62 (4 (240)): 167–169.
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The Drama of Social Life
Richard K. Sherwin
TDR/The Drama Review (2018) 62 (4 (240)): 169–171.
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Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964
Sarah L. Townsend
TDR/The Drama Review (2018) 62 (4 (240)): 171–173.
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The Scene of Foreplay: Theater, Labor and Leisure in 1960s New York
Cindy Rosenthal
TDR/The Drama Review (2018) 62 (4 (240)): 173–175.
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Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
Christopher Martin
TDR/The Drama Review (2018) 62 (4 (240)): 175–177.
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Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics; Tahrir Tales: Plays from the Egyptian Revolution
Rayya El Zein
TDR/The Drama Review (2018) 62 (4 (240)): 177–180.
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More Books
Didier Morelli
TDR/The Drama Review (2018) 62 (4 (240)): 180–182.
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TDR Continued…

Huddling, Then and Now: Simone Forti and the Nonsovereign Collective
Ethan Philbrick
TDR/The Drama Review (2018) 62 (4 (240)): 183–196.
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  • Online ISSN 1531-4715
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