Skip Nav Destination
/10/m_dram.2018.62.issue-4.cover.jpeg?Expires=1638364856&Signature=ggHpLCpMrI8NnJnrNok2J5KO2W9EFiZ7JVQzwyYy9FokUWGQqaXN9-nNuLLB9NiSUcj68LLIwQrCTeEa6XOhD4nmFNXfYd7hkdJehykyFG-Ukl1u8qF1B4v3RWlbZe-IlcfQ3hu1BaYVD0BzVsVmyLdPJnTQs25oizITdnvdouTNTXj5LeHMH~1lvuR93l6sk~otWvBBDaJ9O5NbGPhXZiPbRaA69GWZdLf-fCqWEgWEIboIPa8ztxJBs5lITw9RQfogpcotbxTO6UD2kWnuhcq1gMHudzk-Qekf0r8fnC~acCQO2Y8jGrKqhUHSxMbkIvrlMFocmLzvqdxPvqBsww__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Issues
Winter 2018
/10/dram.2018.62.issue-4.cover.jpeg?Expires=1638364857&Signature=t7hd~EuDszzCGjbQhCMQbZKUmBtZXIjBfxv1wyeE2RXvjQaiiRO0NV6a4XEcdysd9otaZkIiyV5T49d4IKYZ-34i5ouCYVWD3ITVuxznOkSJKMNsE8eo--olCYWEcBr~DXOtZxx7cx-jig3e7CcvdrCdlyTGTApTyHDkK0AVhz3mXR0tx20ogPdmvxzsCwLGbYD7HM1NXzt4HXcwle9NAUTqlvEatWsIJWeDJxOSWUN6D1w8pEnapt39UnSyqfPd9vNuOGx2p9ryKcALCLTLC7WLnep8AVNsqt-0N2dXMBvut4zvE779yOsV5FBtxhy-3EewnKISsfUQWGgDKJ0eUw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
ISSN 1054-2043
EISSN 1531-4715
In this Issue
Provocation
Articles
Roshan Ara Begum: Performing Classical Music, Gender, and Muslim Nationalism in Pakistan
TDR/The Drama Review (2018) 62 (4 (240)): 8–22.
A Drama of Saintly Devotion: Performing Ecstasy and Status at the Shaam-e-Qalandar Festival in Pakistan
TDR/The Drama Review (2018) 62 (4 (240)): 23–40.
From Object to Performance in Israeli Art: A Historiography
TDR/The Drama Review (2018) 62 (4 (240)): 41–63.
Hissing, Bidding, and Lynching: Participation in Brandon Jacobs-Jenkins’s An Octoroon and the Melodramatics of American Racism
TDR/The Drama Review (2018) 62 (4 (240)): 64–80.
Good Talk and an Aesthetics of Good Sounding in Madagascar
TDR/The Drama Review (2018) 62 (4 (240)): 105–112.
The Mice Will Play: Theatre in a Psychiatric Clinic
TDR/The Drama Review (2018) 62 (4 (240)): 113–130.
The Theorist and the Theorized: Indigenous Critiques of Performance Studies
TDR/The Drama Review (2018) 62 (4 (240)): 131–140.
Critical Acts
Aromatheatre: Communication and Multimedia Design’s Famous Deaths
TDR/The Drama Review (2018) 62 (4 (240)): 141–145.
Curating Dialogue: The Bridge Project’s Radical Movements
TDR/The Drama Review (2018) 62 (4 (240)): 145–153.
This Dance Which Is Not One: Carole McCurdy’s ((waver))
TDR/The Drama Review (2018) 62 (4 (240)): 154–160.
Books
Black Performance on the Outskirts of the Left: A History of the Impossible
TDR/The Drama Review (2018) 62 (4 (240)): 161–162.
The Extractive Zone: Social Ecologies and Decolonial Perspectives
TDR/The Drama Review (2018) 62 (4 (240)): 163–164.
Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964
TDR/The Drama Review (2018) 62 (4 (240)): 171–173.
The Scene of Foreplay: Theater, Labor and Leisure in 1960s New York
TDR/The Drama Review (2018) 62 (4 (240)): 173–175.
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
TDR/The Drama Review (2018) 62 (4 (240)): 175–177.
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics; Tahrir Tales: Plays from the Egyptian Revolution
TDR/The Drama Review (2018) 62 (4 (240)): 177–180.
TDR Continued…
Huddling, Then and Now: Simone Forti and the Nonsovereign Collective
TDR/The Drama Review (2018) 62 (4 (240)): 183–196.
Email alerts
Advertisement
