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Issues

Vol. 63, Issue 1 (241)
Spring 2019
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

In the Weeds
Ryan D. Tacata
TDR/The Drama Review (2019) 63 (1 (241)): 2–3.
View articletitled, In the Weeds
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Letters, Etc.

Letters, Etc.
Richard Schechner
TDR/The Drama Review (2019) 63 (1 (241)): 8.
View articletitled, Letters, Etc.
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Articles

Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era
Alan Lareau
TDR/The Drama Review (2019) 63 (1 (241)): 9–31.
View articletitled, Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era
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Brazilian Black Theatre: A Political Theatre Against Racism
Christine Douxami
TDR/The Drama Review (2019) 63 (1 (241)): 32–51.
View articletitled, Brazilian Black Theatre: A Political Theatre Against Racism
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Funmilayo Ranco: Feminist Self-Assertion in Late-20th-Century Yoruba Traveling Theatre
Ngozi Udengwu
TDR/The Drama Review (2019) 63 (1 (241)): 52–63.
View articletitled, Funmilayo Ranco: Feminist Self-Assertion in Late-20th-Century Yoruba Traveling Theatre
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Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini’s Salò and Mauri’s Intellettuale
Olga V. Solovieva
TDR/The Drama Review (2019) 63 (1 (241)): 64–82.
View articletitled, Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini’s <em>Salò</em> and Mauri’s <em>Intellettuale</em>
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After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi’s Lady Precious Stream
Ashley Thorpe
TDR/The Drama Review (2019) 63 (1 (241)): 83–99.
View articletitled, After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi’s <em>Lady Precious Stream</em>
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Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival
Rahel Leupin
TDR/The Drama Review (2019) 63 (1 (241)): 100–124.
View articletitled, Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival
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Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice
Kim Barbour, Lisa Mansfield
TDR/The Drama Review (2019) 63 (1 (241)): 125–140.
View articletitled, Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice
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Critical Acts

The Hijra Clap in Neoliberal Hands: Performing Trans Rights in Pakistan
Claire Pamment
TDR/The Drama Review (2019) 63 (1 (241)): 141–151.
View articletitled, The <em>Hijra</em> Clap in Neoliberal Hands: Performing Trans Rights in Pakistan
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Queer As a Verb: Critical Reflections on the Explode! queer dance festival
Janet Werther
TDR/The Drama Review (2019) 63 (1 (241)): 151–158.
View articletitled, Queer As a Verb: Critical Reflections on the <em>Explode! queer dance festival</em>
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Books

Latinx Theater in the Times of Neoliberalism
Katherine Zien
TDR/The Drama Review (2019) 63 (1 (241)): 159–161.
View articletitled, <em>Latinx Theater in the Times of Neoliberalism</em>
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Memory, Transitional Justice, and Theatre in Postdictatorship Argentina
Kaitlin M. Murphy
TDR/The Drama Review (2019) 63 (1 (241)): 161–163.
View articletitled, <em>Memory, Transitional Justice, and Theatre in Postdictatorship Argentina</em>
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Comic Performance in Pakistan: The Bhānd
Kareem Khubchandani
TDR/The Drama Review (2019) 63 (1 (241)): 163–165.
View articletitled, <em>Comic Performance in Pakistan: The</em> Bhānd
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Power, Legitimacy and the Public Sphere: The Iranian Ta‘ziyeh Theatre Ritual
Kenneth Molloy
TDR/The Drama Review (2019) 63 (1 (241)): 165–167.
View articletitled, <em>Power, Legitimacy and the Public Sphere: The Iranian Ta‘ziyeh Theatre Ritual</em>
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The Off-Screen: An Investigation of the Cinematic Frame
Mohammad Mehdi Kimiagari
TDR/The Drama Review (2019) 63 (1 (241)): 167–169.
View articletitled, <em>The Off-Screen: An Investigation of the Cinematic Frame</em>
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Performing Unification: History and Nation in German Theater after 1989
David Barnett
TDR/The Drama Review (2019) 63 (1 (241)): 169–171.
View articletitled, <em>Performing Unification: History and Nation in German Theater after 1989</em>
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The Director’s Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde
Kathryn Mederos Syssoyeva
TDR/The Drama Review (2019) 63 (1 (241)): 171–172.
View articletitled, <em>The Director’s Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde</em>
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The Russian Art of Movement 1920–1930
Karl Toepfer
TDR/The Drama Review (2019) 63 (1 (241)): 173–175.
View articletitled, <em>The Russian Art of Movement 1920–1930</em>
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Trickster Theatre: The Poetics of Freedom in Urban Africa; Yorùbá Performance, Theatre and Politics: Staging Resistance
John Thabiti Willis
TDR/The Drama Review (2019) 63 (1 (241)): 175–178.
View articletitled, <em>Trickster Theatre: The Poetics of Freedom in Urban Africa</em>; <em>Yorùbá Performance, Theatre and Politics: Staging Resistance</em>
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More Books
Sarah Richter
TDR/The Drama Review (2019) 63 (1 (241)): 178–181.
View articletitled, More Books
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  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
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