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Issues
Provocation
Letters, Etc.
Articles
Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era
TDR/The Drama Review (2019) 63 (1 (241)): 9–31.
Brazilian Black Theatre: A Political Theatre Against Racism
TDR/The Drama Review (2019) 63 (1 (241)): 32–51.
Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival
TDR/The Drama Review (2019) 63 (1 (241)): 100–124.
Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice
TDR/The Drama Review (2019) 63 (1 (241)): 125–140.
Critical Acts
The Hijra Clap in Neoliberal Hands: Performing Trans Rights in Pakistan
TDR/The Drama Review (2019) 63 (1 (241)): 141–151.
Queer As a Verb: Critical Reflections on the Explode! queer dance festival
TDR/The Drama Review (2019) 63 (1 (241)): 151–158.
Books
Memory, Transitional Justice, and Theatre in Postdictatorship Argentina
TDR/The Drama Review (2019) 63 (1 (241)): 161–163.
Power, Legitimacy and the Public Sphere: The Iranian Ta‘ziyeh Theatre Ritual
TDR/The Drama Review (2019) 63 (1 (241)): 165–167.
The Off-Screen: An Investigation of the Cinematic Frame
TDR/The Drama Review (2019) 63 (1 (241)): 167–169.
Performing Unification: History and Nation in German Theater after 1989
TDR/The Drama Review (2019) 63 (1 (241)): 169–171.
The Director’s Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde
TDR/The Drama Review (2019) 63 (1 (241)): 171–172.
Trickster Theatre: The Poetics of Freedom in Urban Africa; Yorùbá Performance, Theatre and Politics: Staging Resistance
TDR/The Drama Review (2019) 63 (1 (241)): 175–178.
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