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Issues

Vol. 63, Issue 3 (243)
Fall 2019
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

Trick Star
Suné Woods
TDR/The Drama Review (2019) 63 (3 (243)): 2.
View articletitled, Trick Star
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Articles

Minstrel Scandals; or, the Restorative White Properties of Blackface
Kellen Hoxworth
TDR/The Drama Review (2019) 63 (3 (243)): 8–19.
View articletitled, Minstrel Scandals; or, the Restorative White Properties of Blackface
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“In Sorrow Thou Shalt Bring Forth Children”: Docu-Poetic Theatre in Israel
Naphtaly Shem-Tov
TDR/The Drama Review (2019) 63 (3 (243)): 20–35.
View articletitled, “In Sorrow Thou Shalt Bring Forth Children”: Docu-Poetic Theatre in Israel
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“My Life Has Become More Absurd Than My Play”: Mi Minör and the Crackdown on Artistic Freedom in Turkey
Burcu Yasemin Seyben
TDR/The Drama Review (2019) 63 (3 (243)): 36–49.
View articletitled, “My Life Has Become More Absurd Than My Play”: <em>Mi Minör</em> and the Crackdown on Artistic Freedom in Turkey
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Karnatic Meets Kattaikkuttu: Notes on an Unusual Cultural Conversation
Hanne M. de Bruin
TDR/The Drama Review (2019) 63 (3 (243)): 50–73.
View articletitled, <em>Karnatic Meets Kattaikkuttu</em>: Notes on an Unusual Cultural Conversation
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The Outside of Butoh Is the Inside of the Body: Ko Murobushi and the Process of Self-Mummification
Nanako Nakajima
TDR/The Drama Review (2019) 63 (3 (243)): 74–93.
View articletitled, The Outside of Butoh Is the Inside of the Body: Ko Murobushi and the Process of Self-Mummification
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Trans/formative: Queering the Binaries of Sex and Gender in Cassils’s Performances of (Un)Becoming
Leila Riszko
TDR/The Drama Review (2019) 63 (3 (243)): 94–107.
View articletitled, Trans/formative: Queering the Binaries of Sex and Gender in Cassils’s Performances of (Un)Becoming
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Dance X Fase X Quad: Choreographic Seeing in Lucinda Childs, Anne Teresa de Keersmaeker, and Samuel Beckett
Rosa van Hensbergen
TDR/The Drama Review (2019) 63 (3 (243)): 108–127.
View articletitled, <em>Dance</em> X <em>Fase</em> X <em>Quad</em>: Choreographic Seeing in Lucinda Childs, Anne Teresa de Keersmaeker, and Samuel Beckett
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From Chanel to Halston: The Mythology of Fashion Costumes on Modernist Stages
Rhonda Garelick
TDR/The Drama Review (2019) 63 (3 (243)): 128–147.
View articletitled, From Chanel to Halston: The Mythology of Fashion Costumes on Modernist Stages
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Critical Acts

Inhuman Attunements: Eiko Otake’s A Body in Places at The Met Cloisters
Eylül Fidan Akıncı
TDR/The Drama Review (2019) 63 (3 (243)): 148–154.
View articletitled, Inhuman Attunements: Eiko Otake’s <em>A Body in Places</em> at The Met Cloisters
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Spoken Drama and Its Doubles: Thunderstorm 2.0 by Wang Chong and Théâtre du Rêve Expérimental
Tarryn Li-Min Chun
TDR/The Drama Review (2019) 63 (3 (243)): 155–163.
View articletitled, Spoken Drama and Its Doubles: <em>Thunderstorm 2.0</em> by Wang Chong and Théâtre du Rêve Expérimental
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Interlingual = Intercultural in Kayoi Komachi/Komachi Visited: A Noh Chamber Opera
Anna Holman
TDR/The Drama Review (2019) 63 (3 (243)): 164–171.
View articletitled, Interlingual = Intercultural in <em>Kayoi Komachi/Komachi Visited</em>: A Noh Chamber Opera
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Books

Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance
Erika Rundle
TDR/The Drama Review (2019) 63 (3 (243)): 172–175.
View articletitled, Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance
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Reactivations: Essays on Performance and Its Documentation
Hana Worthen
TDR/The Drama Review (2019) 63 (3 (243)): 175–177.
View articletitled, Reactivations: Essays on Performance and Its Documentation
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K-pop Live: Fans, Idols, and Multimedia Performance
So-Rim Lee
TDR/The Drama Review (2019) 63 (3 (243)): 178–179.
View articletitled, K-pop Live: Fans, Idols, and Multimedia Performance
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The Freedom Theatre: Performing Cultural Resistance in Palestine; Rehearsing Freedom: The Story of a Theatre in Palestine
Hilary Cooperman
TDR/The Drama Review (2019) 63 (3 (243)): 180–182.
View articletitled, The Freedom Theatre: Performing Cultural Resistance in Palestine; Rehearsing Freedom: The Story of a Theatre in Palestine
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War as Performance: Conflicts in Iraq and Political Theatricality; Performance in a Militarized Culture
Michael Shane Boyle
TDR/The Drama Review (2019) 63 (3 (243)): 182–185.
View articletitled, War as Performance: Conflicts in Iraq and Political Theatricality; Performance in a Militarized Culture
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War as Performance: Conflicts in Iraq and Political Theatricality; Performance in a Militarized Culture
Lilian Mengesha
TDR/The Drama Review (2019) 63 (3 (243)): 185–188.
View articletitled, War as Performance: Conflicts in Iraq and Political Theatricality; Performance in a Militarized Culture
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