Skip to Main Content

Advertisement

Umbrella Alt Text
header search
Search
Advanced Search
Skip Nav Destination

Issues

Vol. 63, Issue 4 (244)
Winter 2019
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

are we/a measure
Jaime Shearn Coan
TDR/The Drama Review (2019) 63 (4 (244)): 2–3.
View articletitled, are we/a measure
Open the PDF for in another window

Articles

Algorithms and Performance: An Introduction
Elise Morrison, Tavia Nyong'o, Joseph Roach
TDR/The Drama Review (2019) 63 (4 (244)): 8–13.
View articletitled, Algorithms and Performance: An Introduction
Open the PDF for in another window

Algorithmic Avantgardes

Algorithms and Interoperability between Drama and Artificial Intelligence
Antonio Pizzo, Vincenzo Lombardo, Rossana Damiano
TDR/The Drama Review (2019) 63 (4 (244)): 14–32.
View articletitled, Algorithms and Interoperability between Drama and Artificial Intelligence
Open the PDF for in another window
Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age
Konrad Wojnowski
TDR/The Drama Review (2019) 63 (4 (244)): 33–56.
View articletitled, Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age
Open the PDF for in another window
Krapp's Last Tape and Breath as Algorithmic Performances: A Heuristic
Treena Balds
TDR/The Drama Review (2019) 63 (4 (244)): 57–65.
View articletitled, <em>Krapp's Last Tape</em> and <em>Breath</em> as Algorithmic Performances: A Heuristic
Open the PDF for in another window

Producing and Consuming Algorithmic Performance

The Algorithmic Spectator: Watching Annie Dorsen's Work
Miriam Felton-Dansky
TDR/The Drama Review (2019) 63 (4 (244)): 66–87.
View articletitled, The Algorithmic Spectator: Watching Annie Dorsen's Work
Open the PDF for in another window
Perspectives on Algorithmic Performance through the Lens of Interactive Art
David Rokeby
TDR/The Drama Review (2019) 63 (4 (244)): 88–98.
View articletitled, Perspectives on Algorithmic Performance through the Lens of Interactive Art
Open the PDF for in another window
Performing the Digital and AI: In Conversation with Antje Budde David Rokeby
Pia Kleber, Tamara Trojanowska
TDR/The Drama Review (2019) 63 (4 (244)): 99–112.
View articletitled, Performing the Digital and AI: In Conversation with Antje Budde David Rokeby
Open the PDF for in another window
Plato, Procedures, and Artificial Everything
Annie Dorsen
TDR/The Drama Review (2019) 63 (4 (244)): 113–120.
View articletitled, Plato, Procedures, and Artificial Everything
Open the PDF for in another window

Embodying Algorithms

Theatres of Control: The Performance of Algorithms and the Question of Governance
Ulf Otto
TDR/The Drama Review (2019) 63 (4 (244)): 121–138.
View articletitled, Theatres of Control: The Performance of Algorithms and the Question of Governance
Open the PDF for in another window
“I am not just a me but I'm also a we”: Algorithmic Culture and Netflix's Sense8
Rye Gentleman
TDR/The Drama Review (2019) 63 (4 (244)): 139–151.
View articletitled, “I am not just a me but I'm also a we”: Algorithmic Culture and Netflix's <em>Sense8</em>
Open the PDF for in another window
Streaking
Shaka McGlotten
TDR/The Drama Review (2019) 63 (4 (244)): 152–171.
View articletitled, Streaking
Open the PDF for in another window

Critical Acts

Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival
Ketu H. Katrak
TDR/The Drama Review (2019) 63 (4 (244)): 172–180.
View articletitled, Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival
Open the PDF for in another window
SOLD!: Restaging Dance, Death, and Disability
Pedzisai Maedza
TDR/The Drama Review (2019) 63 (4 (244)): 181–188.
View articletitled, SOLD!: Restaging Dance, Death, and Disability
Open the PDF for in another window

Books

Freak Performances: Dissidence in Latin American Theater
Diana Taylor
TDR/The Drama Review (2019) 63 (4 (244)): 181–188.
View articletitled, Freak Performances: Dissidence in Latin American Theater
Open the PDF for in another window
Abject Performances: Aesthetic Strategies in Latino Cultural Production
Leticia Robles-Moreno
TDR/The Drama Review (2019) 63 (4 (244)): 190–192.
View articletitled, Abject Performances: Aesthetic Strategies in Latino Cultural Production
Open the PDF for in another window
Populism and Performance in the Bolivarian Revolution of Venezuela
Joshua L. Truett
TDR/The Drama Review (2019) 63 (4 (244)): 193–194.
View articletitled, Populism and Performance in the Bolivarian Revolution of Venezuela
Open the PDF for in another window
Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility
Sophie Nield
TDR/The Drama Review (2019) 63 (4 (244)): 195–196.
View articletitled, Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility
Open the PDF for in another window
After the Party: A Manifesto for Queer of Color Life
Iván A. Ramos
TDR/The Drama Review (2019) 63 (4 (244)): 196–198.
View articletitled, After the Party: A Manifesto for Queer of Color Life
Open the PDF for in another window
Sensual Excess: Queer Femininity and Brown Jouissance; Afro-Fabulations: The Queer Drama of Black Life
Camille S. Owens
TDR/The Drama Review (2019) 63 (4 (244)): 199–201.
View articletitled, Sensual Excess: Queer Femininity and Brown Jouissance; Afro-Fabulations: The Queer Drama of Black Life
Open the PDF for in another window
More Books
Anna Jayne Kimmel
TDR/The Drama Review (2019) 63 (4 (244)): 199–201.
View articletitled, More Books
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1531-4715
  • Print ISSN 1054-2043
A product of The MIT Press
Newsletter Sign Up

MIT Press Direct

Information

MIT Press

Contact Us

© 2023 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept