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Winter 2019
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ISSN 1054-2043
EISSN 1531-4715
Provocation
Articles
Algorithmic Avantgardes
Algorithms and Interoperability between Drama and Artificial Intelligence
TDR/The Drama Review (2019) 63 (4 (244)): 14–32.
Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age
TDR/The Drama Review (2019) 63 (4 (244)): 33–56.
Krapp's Last Tape and Breath as Algorithmic Performances: A Heuristic
TDR/The Drama Review (2019) 63 (4 (244)): 57–65.
Producing and Consuming Algorithmic Performance
The Algorithmic Spectator: Watching Annie Dorsen's Work
TDR/The Drama Review (2019) 63 (4 (244)): 66–87.
Perspectives on Algorithmic Performance through the Lens of Interactive Art
TDR/The Drama Review (2019) 63 (4 (244)): 88–98.
Performing the Digital and AI: In Conversation with Antje Budde David Rokeby
TDR/The Drama Review (2019) 63 (4 (244)): 99–112.
Embodying Algorithms
Theatres of Control: The Performance of Algorithms and the Question of Governance
TDR/The Drama Review (2019) 63 (4 (244)): 121–138.
“I am not just a me but I'm also a we”: Algorithmic Culture and Netflix's Sense8
TDR/The Drama Review (2019) 63 (4 (244)): 139–151.
Critical Acts
Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival
TDR/The Drama Review (2019) 63 (4 (244)): 172–180.
Books
Freak Performances: Dissidence in Latin American Theater
TDR/The Drama Review (2019) 63 (4 (244)): 181–188.
Abject Performances: Aesthetic Strategies in Latino Cultural Production
TDR/The Drama Review (2019) 63 (4 (244)): 190–192.
Populism and Performance in the Bolivarian Revolution of Venezuela
TDR/The Drama Review (2019) 63 (4 (244)): 193–194.
Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility
TDR/The Drama Review (2019) 63 (4 (244)): 195–196.
After the Party: A Manifesto for Queer of Color Life
TDR/The Drama Review (2019) 63 (4 (244)): 196–198.
Sensual Excess: Queer Femininity and Brown Jouissance; Afro-Fabulations: The Queer Drama of Black Life
TDR/The Drama Review (2019) 63 (4 (244)): 199–201.
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