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Issues

Vol. 63, Issue 4 (244)
Winter 2019
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715

Provocation

are we/a measure
Jaime Shearn Coan
TDR/The Drama Review (2019) 63 (4 (244)): 2–3.
View articletitled, are we/a measure
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Articles

Algorithms and Performance: An Introduction
Elise Morrison, Tavia Nyong'o, Joseph Roach
TDR/The Drama Review (2019) 63 (4 (244)): 8–13.
View articletitled, Algorithms and Performance: An Introduction
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Algorithmic Avantgardes

Algorithms and Interoperability between Drama and Artificial Intelligence
Antonio Pizzo, Vincenzo Lombardo, Rossana Damiano
TDR/The Drama Review (2019) 63 (4 (244)): 14–32.
View articletitled, Algorithms and Interoperability between Drama and Artificial Intelligence
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Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age
Konrad Wojnowski
TDR/The Drama Review (2019) 63 (4 (244)): 33–56.
View articletitled, Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age
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Krapp's Last Tape and Breath as Algorithmic Performances: A Heuristic
Treena Balds
TDR/The Drama Review (2019) 63 (4 (244)): 57–65.
View articletitled, <em>Krapp's Last Tape</em> and <em>Breath</em> as Algorithmic Performances: A Heuristic
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Producing and Consuming Algorithmic Performance

The Algorithmic Spectator: Watching Annie Dorsen's Work
Miriam Felton-Dansky
TDR/The Drama Review (2019) 63 (4 (244)): 66–87.
View articletitled, The Algorithmic Spectator: Watching Annie Dorsen's Work
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Perspectives on Algorithmic Performance through the Lens of Interactive Art
David Rokeby
TDR/The Drama Review (2019) 63 (4 (244)): 88–98.
View articletitled, Perspectives on Algorithmic Performance through the Lens of Interactive Art
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Performing the Digital and AI: In Conversation with Antje Budde David Rokeby
Pia Kleber, Tamara Trojanowska
TDR/The Drama Review (2019) 63 (4 (244)): 99–112.
View articletitled, Performing the Digital and AI: In Conversation with Antje Budde David Rokeby
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Plato, Procedures, and Artificial Everything
Annie Dorsen
TDR/The Drama Review (2019) 63 (4 (244)): 113–120.
View articletitled, Plato, Procedures, and Artificial Everything
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Embodying Algorithms

Theatres of Control: The Performance of Algorithms and the Question of Governance
Ulf Otto
TDR/The Drama Review (2019) 63 (4 (244)): 121–138.
View articletitled, Theatres of Control: The Performance of Algorithms and the Question of Governance
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“I am not just a me but I'm also a we”: Algorithmic Culture and Netflix's Sense8
Rye Gentleman
TDR/The Drama Review (2019) 63 (4 (244)): 139–151.
View articletitled, “I am not just a me but I'm also a we”: Algorithmic Culture and Netflix's <em>Sense8</em>
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Streaking
Shaka McGlotten
TDR/The Drama Review (2019) 63 (4 (244)): 152–171.
View articletitled, Streaking
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Critical Acts

Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival
Ketu H. Katrak
TDR/The Drama Review (2019) 63 (4 (244)): 172–180.
View articletitled, Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival
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SOLD!: Restaging Dance, Death, and Disability
Pedzisai Maedza
TDR/The Drama Review (2019) 63 (4 (244)): 181–188.
View articletitled, SOLD!: Restaging Dance, Death, and Disability
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Books

Freak Performances: Dissidence in Latin American Theater
Diana Taylor
TDR/The Drama Review (2019) 63 (4 (244)): 181–188.
View articletitled, Freak Performances: Dissidence in Latin American Theater
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Abject Performances: Aesthetic Strategies in Latino Cultural Production
Leticia Robles-Moreno
TDR/The Drama Review (2019) 63 (4 (244)): 190–192.
View articletitled, Abject Performances: Aesthetic Strategies in Latino Cultural Production
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Populism and Performance in the Bolivarian Revolution of Venezuela
Joshua L. Truett
TDR/The Drama Review (2019) 63 (4 (244)): 193–194.
View articletitled, Populism and Performance in the Bolivarian Revolution of Venezuela
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Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility
Sophie Nield
TDR/The Drama Review (2019) 63 (4 (244)): 195–196.
View articletitled, Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility
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After the Party: A Manifesto for Queer of Color Life
Iván A. Ramos
TDR/The Drama Review (2019) 63 (4 (244)): 196–198.
View articletitled, After the Party: A Manifesto for Queer of Color Life
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Sensual Excess: Queer Femininity and Brown Jouissance; Afro-Fabulations: The Queer Drama of Black Life
Camille S. Owens
TDR/The Drama Review (2019) 63 (4 (244)): 199–201.
View articletitled, Sensual Excess: Queer Femininity and Brown Jouissance; Afro-Fabulations: The Queer Drama of Black Life
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More Books
Anna Jayne Kimmel
TDR/The Drama Review (2019) 63 (4 (244)): 199–201.
View articletitled, More Books
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