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Issues

Vol. 64, Issue 1 (245)
Spring 2020
Issue Cover
All Issues
ISSN 1054-2043
EISSN 1531-4715
In this Issue

Provocation

The Vagina Is the Third Ear
Miya Masaoka
TDR/The Drama Review (2020) 64 (1 (245)): 2–7.
View articletitled, The Vagina Is the Third Ear
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TDR Comment

Endgame Earth: Clinging to Optimism
Richard Schechner
TDR/The Drama Review (2020) 64 (1 (245)): 11–21.
View articletitled, Endgame Earth: Clinging to Optimism
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Articles

Disastrously Creative: K-pop, Virtual Nation, and the Rebirth of Culture Technology
Suk-Young Kim
TDR/The Drama Review (2020) 64 (1 (245)): 22–35.
View articletitled, Disastrously Creative: K-pop, Virtual Nation, and the Rebirth of Culture Technology
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Postrevolutionary Retrojection: Azadeh Akhlaghi Stages 17 Deaths in Iran
Sareh Z Afshar
TDR/The Drama Review (2020) 64 (1 (245)): 36–61.
View articletitled, Postrevolutionary Retrojection: Azadeh Akhlaghi Stages 17 Deaths in Iran
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Teatr ZAR: Theatre Out of Death
Dariusz Kosiński
TDR/The Drama Review (2020) 64 (1 (245)): 62–87.
View articletitled, Teatr ZAR: Theatre Out of Death
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Getting Caught: A Collaboration On- and Offstage between Theatre and Anthropology
Cristiana Giordano, Greg Pierotti
TDR/The Drama Review (2020) 64 (1 (245)): 88–106.
View articletitled, Getting Caught: A Collaboration On- and Offstage between Theatre and Anthropology
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Unhappy Performatives of Statehood: Staging Incompatible Narratives of Eritrea through Academic Conferences
Tanja R. Müller
TDR/The Drama Review (2020) 64 (1 (245)): 107–118.
View articletitled, Unhappy Performatives of Statehood: Staging Incompatible Narratives of Eritrea through Academic Conferences
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Aquarium Mermaids: Multiskilled Entrepreneurs in the Creative Economy
Tracy C. Davis, Sara Malou Strandvad
TDR/The Drama Review (2020) 64 (1 (245)): 119–144.
View articletitled, Aquarium Mermaids: Multiskilled Entrepreneurs in the Creative Economy
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Curating in the Age of Live Performance
Allen S. Weiss
TDR/The Drama Review (2020) 64 (1 (245)): 145–154.
View articletitled, Curating in the Age of Live Performance
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Critical Acts

The (Im)Possibility of Empathy in SIGNA's Half the Suffering
Theresa Schütz, Jessi Piggott
TDR/The Drama Review (2020) 64 (1 (245)): 155–161.
View articletitled, The (Im)Possibility of Empathy in SIGNA's <em>Half the Suffering</em>
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Historical Possibility in 1878: Choosing a Different Story with The Stranger Disease
Cara Romanik
TDR/The Drama Review (2020) 64 (1 (245)): 162–167.
View articletitled, Historical Possibility in 1878: Choosing a Different Story with <em>The Stranger Disease</em>
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Books

The Drama of Space: Spatial Sequences and Compositions in Architecture
Branislav Jakovljević
TDR/The Drama Review (2020) 64 (1 (245)): 168–170.
View articletitled, The Drama of Space: Spatial Sequences and Compositions in Architecture
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Staged: Show Trials, Political Theater, and the Aesthetics of Judgment
Anna Jayne Kimmel
TDR/The Drama Review (2020) 64 (1 (245)): 170–172.
View articletitled, Staged: Show Trials, Political Theater, and the Aesthetics of Judgment
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Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora
Jenell Rae Navarro
TDR/The Drama Review (2020) 64 (1 (245)): 173–174.
View articletitled, Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora
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Occupying the Stage: The Theater of May ’68
Ryan Anthony Hatch
TDR/The Drama Review (2020) 64 (1 (245)): 175–177.
View articletitled, Occupying the Stage: The Theater of May ’68
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Revolutionary Bodies: Chinese Dance and the Socialist Legacy
Chiayi Seetoo
TDR/The Drama Review (2020) 64 (1 (245)): 177–179.
View articletitled, Revolutionary Bodies: Chinese Dance and the Socialist Legacy
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More Books
Rae Langes
TDR/The Drama Review (2020) 64 (1 (245)): 179–181.
View articletitled, More Books
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TDR Continued…

Performance Art and Illiberal Democracy: Marina Abramović's The Cleaner in Belgrade
Branislav Jakovljević
TDR/The Drama Review (2020) 64 (1 (245)): 182–189.
View articletitled, Performance Art and Illiberal Democracy: Marina Abramović's <em>The Cleaner</em> in Belgrade
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