Skip Nav Destination
Issues
Provocation
TDR Comment
Curative Performance
Healing through Gender Inversion in Korean Possession Trance Rituals
TDR/The Drama Review (2020) 64 (3 (247)): 16–32.
The Return of the Dybbuk: Between Ritual Healing and Stage Performance
TDR/The Drama Review (2020) 64 (3 (247)): 33–51.
Humanizing Healthcare through Humor: Or How Medical Clowning Came to Be
TDR/The Drama Review (2020) 64 (3 (247)): 52–66.
Observing the World as Dancers Do: Teaching Dance to Medical Students
TDR/The Drama Review (2020) 64 (3 (247)): 67–78.
Articles
The Future Perfect, Autopsy, and Enfreakment on the 19th-Century Stage
TDR/The Drama Review (2020) 64 (3 (247)): 100–117.
Student Essay Contest Winner
Conjuring Abolition Phonography in A Record Album Interpretation
TDR/The Drama Review (2020) 64 (3 (247)): 132–149.
Critical Acts
Sensory Excess: The London Premiere of Confessions
TDR/The Drama Review (2020) 64 (3 (247)): 150–155.
Hysterical Amateurs: Wild Seeds Burning on the Grass Stage
TDR/The Drama Review (2020) 64 (3 (247)): 156–161.
Being Exhausted, Acting Happy: Dragana Bulut’s Happyology — Tears of Joy
TDR/The Drama Review (2020) 64 (3 (247)): 162–167.
Books
Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval
TDR/The Drama Review (2020) 64 (3 (247)): 168–169.
Performance Constellations: Networks of Protest and Activism in Latin America
TDR/The Drama Review (2020) 64 (3 (247)): 174–176.
Worldmaking: Race, Performance, and the Work of Creativity
TDR/The Drama Review (2020) 64 (3 (247)): 179–181.
In Person: Reenactment in Postwar and Contemporary Cinema
TDR/The Drama Review (2020) 64 (3 (247)): 181–183.
TDR Continued…
Email alerts
Advertisement