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Alyda Faber
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Publisher: Journals Gateway
TDR/The Drama Review (2002) 46 (1 (173)): 85–92.
Published: 01 March 2002
Abstract
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The French performance artist's practice of self-directed violence creates a spectacle that violates the viewer and establishes Orlan's body as “a site of public debate.” Her work radically exposes the violence of patriarchically established “beauty standards.”