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Anna Holman
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2019) 63 (3 (243)): 164–171.
Published: 01 September 2019
Abstract
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In their intercultural production Kayoi Komachi/Komachi Visited , creators Colleen Lanki and Farshid Samandari experimented with mixing Japanese noh and Western chamber opera, blending noh and opera music, classical Japanese and English. For this noh opera, which hybridized theatrical styles through language, interlingualism was key to its interculturality.