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Branislav Jakovljević
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Journal Articles
The Peyote Dance
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2020) 64 (4 (248)): 177–179.
Published: 01 December 2020
Journal Articles
Père Gynt: Mendacity for the 21st Century
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2020) 64 (3 (247)): 8–13.
Published: 01 September 2020
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2020) 64 (1 (245)): 182–189.
Published: 01 March 2020
Abstract
View articletitled, Performance Art and Illiberal Democracy: Marina Abramović's The Cleaner in Belgrade
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for article titled, Performance Art and Illiberal Democracy: Marina Abramović's The Cleaner in Belgrade
In September 2019, Marina Abramović's exhibition, The Cleaner , billed as her “European retrospective,” opened in Belgrade. The funding for the exhibit was secured through a direct intervention that came from Serbian prime minister Ana Brnabić. The Cleaner quickly became the center of a vigorous political debate, which exposed hypocrisies of the regime of illiberal democracy currently in power in Serbia.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2020) 64 (1 (245)): 168–170.
Published: 01 March 2020
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2018) 62 (3 (239)): 55–108.
Published: 01 September 2018
Abstract
View articletitled, The Voice from the 10th Row: Carl Weber and the Berliner Ensemble
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for article titled, The Voice from the 10th Row: Carl Weber and the Berliner Ensemble
During his time working with the Berliner Ensemble, Carl Weber observed firsthand Brecht’s techniques as he called out directions to his actors from the 10th row. Weber, groundbreaking theatre director, actor, scholar, and pedagogue, gave a series of interviews during his final years with a group of faculty, postdoctoral fellows, and graduate students at Stanford University, reflecting on the artistic processes of the Berliner Ensemble and its legacy.
Journal Articles
Come home Charley Patton; Dramaturgy in Motion: At Work on Dance and Movement Performance
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2017) 61 (4 (236)): 176–180.
Published: 01 December 2017
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2015) 59 (3 (227)): 169–172.
Published: 01 September 2015
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2014) 58 (1 (221)): 171–173.
Published: 01 March 2014
View articletitled, Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements. By Richard K. Sherwin. London: Routledge, 2011; 270 pp. $135.00 cloth, $42.95 paper, e-book available
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PDF
for article titled, Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements. By Richard K. Sherwin. London: Routledge, 2011; 270 pp. $135.00 cloth, $42.95 paper, e-book available
Journal Articles
Wooster Baroque
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2010) 54 (3 (207)): 87–122.
Published: 01 September 2010
Abstract
View articletitled, Wooster Baroque
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for article titled, Wooster Baroque
In the decade following 9/11, the Wooster Group staged three landmark 17th-century plays, Phaedra, Hamlet , and La Didone . This turn to baroque theatre is both a comment on American culture of the first decade of the 21st century and a significant departure in the history of the group itself.
Journal Articles
Concerning Theory for Performance Studies
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2009) 53 (1 (201)): 7–46.
Published: 01 March 2009
Abstract
View articletitled, Concerning Theory for Performance Studies
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for article titled, Concerning Theory for Performance Studies
In 2007, Routledge published Theory for Performance Studies as part of its Theory 4 series, listing Philip Auslander as author. When, in August, The Chronicle of Higher Education revealed that much of the book was lifted word-for-word from the template for the series, Theory for Religious Studies by Timothy K. Beal and William E. Deal, TDR editor Richard Schechner convened via email and phone conversations a “ TDR Forum,” asking leaders in the field to respond to the book and the series. Schechner and other respondents address issues of plagiarism, corporate takeovers of academic publishing, and the dumbing down of performance studies, asking why a notable scholar such as Auslander would undertake such an egregious piece of “scholarship.” Deal and Beal answer some questions put to them by Schechner, and Routledge's Claire L'Enfant and Talia Rodgers offer their perspectives.
Journal Articles
A Note from the “Books” Section Editor
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2008) 52 (4 (200)): 193.
Published: 01 December 2008
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2008) 52 (1 (197)): 51–74.
Published: 01 March 2008
Abstract
View articletitled, From Mastermind to Body Artist: Political Performances of Slobodan Milošević
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for article titled, From Mastermind to Body Artist: Political Performances of Slobodan Milošević
From his rise to power in the mid-'80s to his trial 20 years later, Milošević was the focus of powerful social theatricalities. As a public performance, Milošević's trial is inseparable from the mass meetings he organized in Serbia between 1987 and 1989; the political drama of the breakdown of Yugoslavia's federal government; the intense struggles against the opposition fought in the streets; the wars taking place in Slovenia, Croatia, Bosnia, and Kosovo; and finally his own funeral.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2007) 51 (3 (195)): 196–197.
Published: 01 September 2007
View articletitled, Alfred Jarry: An Imagination in Revolt . By Jill Fell. Madison: Fairleigh Dickinson University Press, 2005; 236 pp.; 56 illustrations. $65.00 cloth
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for article titled, Alfred Jarry: An Imagination in Revolt . By Jill Fell. Madison: Fairleigh Dickinson University Press, 2005; 236 pp.; 56 illustrations. $65.00 cloth
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2007) 51 (1 (193)): 183–185.
Published: 01 March 2007
View articletitled, Rules of Play: Game Design Fundamentals . By Katie Salen and Eric Zimmerman. Cambridge: MIT Press, 2003; 688 pp; illustrations. $52.00 cloth.
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for article titled, Rules of Play: Game Design Fundamentals . By Katie Salen and Eric Zimmerman. Cambridge: MIT Press, 2003; 688 pp; illustrations. $52.00 cloth.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2006) 50 (1 (189)): 179–183.
Published: 01 March 2006
Journal Articles
The Consul: Conversations with Gérard Berréby with the Help of Giulio Minghini and Chantal Osterreicher
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2004) 48 (4 (184)): 200–202.
Published: 01 December 2005
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2005) 49 (3 (187)): 96–106.
Published: 01 September 2005
Abstract
View articletitled, The Space Specific Theatre: Skewed Visions' The City Itself
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for article titled, The Space Specific Theatre: Skewed Visions' The City Itself
The performances in these Critical Acts de-privilege the visual aspect of the performer-audience relationship, instead focusing on the materiality of the encounter. In The City Itself, the performance group Skewed Visions departs from site-specific performance to engage in an examination of the physical and metaphysical properties of various locales; and in The Courtesan Tales, Nicole Blackman tells erotic tales to a bound audience-of-one, challenging
Journal Articles
Fluxus Experience
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2004) 48 (3 (183)): 190–192.
Published: 01 September 2004
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2003) 47 (4 (180)): 189–191.
Published: 01 December 2003
Journal Articles
American Avant-Garde Theater: A History; Site-Specific Art: Performance, Place, and Documentation
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2002) 46 (1 (173)): 177–180.
Published: 01 March 2002
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