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Claudia Orenstein
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2015) 59 (2 (226)): 164–169.
Published: 01 June 2015
Abstract
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Germany’s FIDENA puppetry festival’s provocative offerings, with shows drawn from visual arts and dance, without traditional puppets at their center, prompts reflections on the shifting boundaries of puppetry arts, the new notion of “material performance,” and, within this new rubric, the continuance of elements essential to puppetry.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2008) 52 (3 (199)): 187–195.
Published: 01 September 2008
Abstract
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Claudia Orenstein reconsiders the notion of “entertainment for the whole family” via a puppetry-centered program that, by drawing on the power of performing objects, delves into the uncanny and fantastical to appeal to young minds, inventive artists, and adventurous adult spectators alike. Edward Scheer considers the aesthetics of disappearance within Australian performance artist Mike Parr's most recent series of actions, Amerika , which involve extreme physical demands even as they posit the body as subject simultaneously to its own presence and absence.