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Dallas McCurley
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Publisher: Journals Gateway
TDR/The Drama Review (2005) 49 (3 (187)): 135–156.
Published: 01 September 2005
Abstract
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Shamanic and court ritual performance in Shang and Zhou China regulated political and cosmic orders by means of performances that structured the performer-audience relations, moving audiences toward some desired response as a strategy tied to the relation between the cosmos and humans.