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David A. McDonald
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2013) 57 (3 (219)): 69–87.
Published: 01 September 2013
Abstract
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The landscape of hip hop among Jewish and Palestinian communities in Israel may be understood as the performative interplay of two discursive strategies: exile and emergence. The shift from exile to emergence, embodied in the work of several contemporary hip hop artists, offers a unique reimagining of the Israeli nation-state and provides opportunities for interrogating the dynamics of power and performance in Israel/Palestine.