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David Calder
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Publisher: Journals Gateway
TDR/The Drama Review (2013) 57 (4 (220)): 120–134.
Published: 01 December 2013
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The street theatre company La Machine has converted the derelict shipyards of Nantes into a cultural destination for an aspiring creative city. The discursive and embodied reconfiguration of the shipyards as both public space and workspace reveals the complex labor fueling creative economies.